{"id":21371,"date":"2016-06-27T13:51:49","date_gmt":"2016-06-27T10:51:49","guid":{"rendered":"http:\/\/politeknik.org.tr\/\/?p=21371"},"modified":"2019-01-28T20:40:26","modified_gmt":"2019-01-28T17:40:26","slug":"saraylida-yere-oyunla-dahil-olmak-baska-bir-atolye","status":"publish","type":"post","link":"https:\/\/eonmeet.com\/pol\/saraylida-yere-oyunla-dahil-olmak-baska-bir-atolye\/","title":{"rendered":"Sarayl\u0131\u2019da yere oyunla dahil olmak – Ba\u015fka Bir At\u00f6lye (xxi.com.tr)"},"content":{"rendered":"

Kocaeli \u00dcniversitesi Mimarl\u0131k ve Tasar\u0131m Fak\u00fcltesi Mimarl\u0131k B\u00f6l\u00fcm\u00fc \u00f6\u011fretim g\u00f6revlisi Do\u00e7. Dr. G\u00fcl K\u00f6ksal ve mimarl\u0131k \u00f6\u011frencilerinin \u00f6nc\u00fcl\u00fc\u011f\u00fcnde olu\u015fturulan \u201cBa\u015fka Bir At\u00f6lye\u201d Kocaeli Sarayl\u0131 K\u00f6y\u00fc’nde bulu\u015ftu. Mimarl\u0131k e\u011fitimini kamp\u00fcs s\u0131n\u0131rlar\u0131 d\u0131\u015f\u0131na \u00e7\u0131karan, mekanla t\u00fcrl\u00fc ba\u011flar kurmay\u0131, mekan\u0131 her a\u00e7\u0131dan incelemeyi, tart\u0131\u015fmay\u0131 hedefleyen at\u00f6lye Sarayl\u0131 K\u00f6y\u00fc’nde k\u00f6yl\u00fclerle, \u00e7ocuklarla birlikte ya\u015fam alanlar\u0131\u00a0\u00fczerine tart\u0131\u015ft\u0131. Mesleki bilgisini Sarayl\u0131’ya ta\u015f\u0131yan mimarlar ve mimarl\u0131k \u00f6\u011frencileri, k\u00f6yl\u00fcler ve \u00e7ocuklarla birlikte tasarlad\u0131klar\u0131 park\u0131 el birli\u011fiyle yapt\u0131. Ba\u015fka Bir At\u00f6lye’nin Sarayl\u0131’daki \u00e7al\u0131\u015fmas\u0131n\u0131 anlatan ve xxi.com.tr web sitesinde yay\u0131mlanan yaz\u0131s\u0131n\u0131 payla\u015f\u0131yoruz.<\/strong><\/p>\n

S\u0131n\u0131r, s\u0131n\u0131f, m\u00fclkiyet, adalet, e\u015fitlik, ekoloji, cinsiyet, t\u00fcrler, do\u011fa, e\u011fitim ve di\u011fer t\u00fcm toplumsal ba\u011flamlar\u0131 yer-mekan \u00fczerinden yeniden d\u00fc\u015f\u00fcnen ve arada kalm\u0131\u015fl\u0131klara odaklanan Ba\u015fka Bir At\u00f6lye*, tart\u0131\u015fma ve \u00fcretim merkezine koydu\u011fu bu olgularla, bu kez yola Kocaeli\u2019nin G\u00f6lc\u00fck \u0130l\u00e7esi\u2019ne ba\u011fl\u0131 Sarayl\u0131 K\u00f6y\u00fc\u2019nden** \u00e7\u0131kt\u0131. Antik d\u00f6nem kal\u0131nt\u0131lar\u0131na dayanarak kadim bir yerle\u015fim oldu\u011fu ifade edilebilen Sarayl\u0131 K\u00f6y\u00fc, 1999 depreminin merkez \u00fcss\u00fc olan G\u00f6lc\u00fck\u2019e ba\u011fl\u0131 bir yerle\u015fim. 46 adet koruma alt\u0131na al\u0131nm\u0131\u015f sivil mimarl\u0131k \u00f6rne\u011fini bar\u0131nd\u0131ran ve bir k\u0131sm\u0131 1. derece arkeolojik sit alan\u0131 olan, meydan\u0131ndaki as\u0131rl\u0131k \u00e7\u0131nar a\u011fac\u0131, yenilenmi\u015f camisi ve kahveler \u00fc\u00e7lemesi ile k\u00f6y, 1996\u2019da kentsel sit ilan edilmi\u015f. K\u00f6y, verimli tar\u0131m topraklar\u0131 ve Osmanl\u0131 D\u00f6nemi\u2019nde Saray\u2019a g\u00f6t\u00fcr\u00fclen \u00fcz\u00fcm ba\u011flar\u0131 ile tipik bir k\u0131rsal yerle\u015fimken, 1930\u2019lara dek s\u00fcregiden topra\u011fa dayal\u0131 ge\u00e7im kayna\u011f\u0131n\u0131n G\u00f6lc\u00fck Tersanesi\u2019nin in\u015fas\u0131 ile end\u00fcstriye ge\u00e7mesi, tar\u0131mla u\u011fra\u015fan k\u00f6yl\u00fcn\u00fcn, \u00fccretli i\u015f\u00e7i s\u0131n\u0131f\u0131na d\u00f6n\u00fc\u015fmesine neden olmu\u015f. Ancak k\u00f6yl\u00fc topra\u011f\u0131 ile aktif ba\u011f\u0131n\u0131 da uzun s\u00fcre yitirmemi\u015f. 99 Depremi sonras\u0131nda ise, sa\u011flam zeminli tar\u0131m topraklar\u0131 acele kamula\u015ft\u0131rma ile imara a\u00e7\u0131lm\u0131\u015f. D\u00fcnya Bankas\u0131\u2019ndan al\u0131nan krediler, d\u00f6nemin siyasi iradesinin helikopter gezisi ile yer se\u00e7imi, ta\u015feronlara ihale edilen konut \u00fcretim s\u00fcre\u00e7leri ile k\u00f6y\u00fcn tar\u0131msal \u00fcretim alanlar\u0131 ve etraf\u0131 k\u0131sa s\u00fcrede \u00e7ok say\u0131da kal\u0131c\u0131 konut ile \u00e7evrilmi\u015f.<\/p>\n

\"a_8\"<\/a> \"a_7\"<\/a><\/p>\n

Sarayl\u0131 K\u00f6y\u00fc, etraf\u0131ndaki iki-\u00fc\u00e7 katl\u0131 betonarme konutlar ve son y\u0131llarda in\u015fa edilen y\u00fcksek katl\u0131 yap\u0131larla gelenek-modern, k\u0131r-kent, eski-yeni olgular\u0131 aras\u0131nda kalm\u0131\u015f bir yerle\u015fim. Bir yandan k\u00f6y halk\u0131n\u0131n k\u00f6yleri ile ba\u011flar\u0131 hala aktif ve g\u00fc\u00e7l\u00fc, k\u00f6y\u00fcn kad\u0131nlar\u0131 yakla\u015f\u0131k bir y\u0131ld\u0131r k\u00f6y meydan\u0131nda her pazar k\u00f6y pazar\u0131 kuruyorlar, kal\u0131c\u0131 konutlar\u0131n in\u015fas\u0131 i\u00e7in topraklar\u0131n\u0131 veren k\u00f6yl\u00fclerle kal\u0131c\u0131 konutlarda ya\u015fayan \u00e7ocuklar k\u00f6yle s\u00fcrekli i\u00e7i\u00e7eler. K\u00f6y hen\u00fcz Safranbolu, Cumal\u0131k\u0131z\u0131k, Beypazar\u0131, Tarakl\u0131 gibi, bir nev\u2019i d\u00fckkanm\u0131\u015f\u00e7as\u0131na sabah-ak\u015fam yerli\/yabanc\u0131 turistler i\u00e7in a\u00e7\u0131l\u0131p-kapanan, her \u015feyin sat\u0131labilir imgelere d\u00f6nd\u00fc\u011f\u00fc turistik bir yere d\u00f6n\u00fc\u015fmemi\u015f durumda. Hala kendi halinde, bereketli bah\u00e7elerine dal\u0131p, \u00e7e\u015fit \u00e7e\u015fit meyvelerle dolu a\u011fa\u00e7lar\u0131na dadan\u0131p, yol boyu her yerden \u00e7\u0131kan de\u011fi\u015fik otlar\u0131n\u0131 tad\u0131p, ya\u015fl\u0131 k\u00f6yl\u00fclerle tatl\u0131 tatl\u0131 sohbet edebildi\u011finiz, zaman\u0131n yava\u015flad\u0131\u011f\u0131, k\u00f6y ve civar yerle\u015fim \u00e7ocuklar\u0131n\u0131n m\u00fcthi\u015f enerjileri ile asla yorulmadan ko\u015fup oynad\u0131\u011f\u0131 bir yer. Bir yandan da Kocaeli \u0130l \u00d6zel \u0130dare, G\u00f6lc\u00fck Belediyesi gibi kurumlar\u0131n i\u015fbirli\u011fiyle \u201ctarih koridoru\u201d gibi projelerin kurguland\u0131\u011f\u0131, yukar\u0131da ad\u0131 ge\u00e7en yerler gibi, k\u00f6y\u00fcn mevcut de\u011ferlerinin, k\u00f6y halk\u0131 \u00f6ncelikli ele almaktan \u00e7ok, turizme dayal\u0131 ekonomik gelir kayna\u011f\u0131 olarak g\u00f6ren idarecilerin g\u00f6zbebe\u011fi.<\/p>\n

\"a_10\"<\/a><\/p>\n

Ba\u015fka Bir At\u00f6lye yukar\u0131da k\u0131saca \u00f6zetlenen \u00f6zellikleri nedeniyle Sarayl\u0131 K\u00f6y\u00fc\u2019n\u00fc kendine mekan eyledi. At\u00f6lyenin b\u00fcy\u00fck resimde mesele etti\u011fi hemen her \u015feyi konu\u015fmak, tart\u0131\u015fmak, yerinde incelemek i\u00e7in a\u00e7\u0131k bir laboratuvard\u0131 buras\u0131. Son derece heterojen yap\u0131s\u0131 ve tipik \/ atipik ge\u00e7mi\u015fi-bug\u00fcn\u00fcyle, at\u00f6lye kat\u0131l\u0131mc\u0131lar\u0131 i\u00e7in de yerle ba\u011f kurabilecekleri \u00e7ok \u015feye sahip.<\/p>\n

At\u00f6lye ilk olarak k\u00f6y\u00fcn arada kalm\u0131\u015f bu hallerini, fiziki, sosyolojik, demografik, somut ve somut olmayan farkl\u0131 y\u00f6nleriyle incelemeye, tart\u0131\u015fmaya ba\u015flad\u0131. K\u00f6yl\u00fcden, civar yerle\u015fimlerden yerin ihtiya\u00e7lar\u0131n\u0131 dinledi, g\u00f6zlemledi, dert edindi ve yerinde, yerlileri ile \u201cba\u015fka bir mimarl\u0131k\u201d aray\u0131\u015f\u0131na girdi. Yani yerin somut \/ somut olmayan kadim bilgilerini anlamaya \u00e7al\u0131\u015fan, as\u0131rlara dayal\u0131 yapma bi\u00e7imlerinin sorguland\u0131\u011f\u0131, at\u00f6lyenin tart\u0131\u015fmaya a\u00e7t\u0131\u011f\u0131 olgular\u0131n d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fc, oraya ait olacak \u00f6neriler…<\/p>\n

Bu arada Ba\u015fka Bir At\u00f6lye\u2019nin ba\u015fkal\u0131\u011f\u0131, mimarl\u0131k e\u011fitiminin en temel \u201cdersi\u201d olan at\u00f6lyelerde s\u0131kl\u0131kla g\u00f6zlemlenen not \/ yoklama \/ tashih gibi bask\u0131-m\u00fcdahale ara\u00e7lar\u0131n\u0131 tamamen bir kenara b\u0131rakmas\u0131, ara-final j\u00fcrilerini a\u00e7\u0131k at\u00f6lye \u015feklinde ilgililer, meslek insanlar\u0131, yerin ya\u015fayanlar\u0131 ile a\u00e7\u0131k ortamda yapmas\u0131, rekabet\u00e7i-birbirini ezen mimar profiline kar\u015f\u0131, t\u00fcm s\u00fcreci kolektif, dayan\u0131\u015fmac\u0131 olarak g\u00f6t\u00fcrmesi, \u00fcretenlerin ortak akl\u0131na \/ ele\u015ftirel bak\u0131\u015f\u0131na \u00f6nem vermesi, at\u00f6lye g\u00fcnleri d\u0131\u015f\u0131nda sosyal medya arac\u0131l\u0131\u011f\u0131 ile ileti\u015fimi s\u00fcrd\u00fcrmesi, at\u00f6lyeyi besleyecek mimarl\u0131k d\u0131\u015f\u0131 disiplinlerle herkese a\u00e7\u0131k yan at\u00f6lyeler ve okuma etkinlikleri d\u00fczenlemesi, ba\u015fka bir at\u00f6lyenin ge\u00e7mi\u015f d\u00f6nem at\u00f6lyecileri ba\u015fta olmak \u00fczere ba\u015fka okul \/ yerlerden de ki\u015filerin kat\u0131l\u0131m\u0131 ile t\u00fcm s\u00fcrecinin a\u00e7\u0131k, \u015feffaf ve kat\u0131l\u0131mc\u0131 olmas\u0131ndan geliyor. Ba\u015fka Bir At\u00f6lye, mesele etti\u011fi konular gibi, mekan, s\u0131n\u0131r tan\u0131m\u0131yor, k\u0131\u015f-yaz-g\u00fcz-bahar demiyor, kimseyi \u00f6teki g\u00f6rmeden, e\u011fitim ortam\u0131nda zorunlu tutulan bir at\u00f6lye s\u00fcrecini, g\u00f6n\u00fcll\u00fc ve keyifli, \u00f6\u011fret(n)mek yerine deneyim aktar\u0131m\u0131na dayal\u0131, herkesin birbirini \u00f6zg\u00fcrce ele\u015ftirebildi\u011fi bol tart\u0131\u015fmal\u0131, e\u015fitlik\u00e7i, samimi, bask\u0131 unsuru t\u00fcm ara\u00e7lardan ar\u0131nm\u0131\u015f ve d\u00fcr\u00fcst bir bi\u00e7imde g\u00f6t\u00fcrmeyi ama\u00e7l\u0131yor.<\/p>\n

At\u00f6lyenin s\u00fcreci ise \u015f\u00f6yleydi: \u00c7al\u0131\u015fmalar a\u011f\u0131rl\u0131kl\u0131 olarak k\u00f6yde ve bilhassa kad\u0131nlar\u0131n pazar kurdu\u011fu ve \u00e7ocuklar\u0131n okul d\u0131\u015f\u0131 zamanlar\u0131 olan pazar g\u00fcnleri yap\u0131ld\u0131. T\u00fcm \u00e7al\u0131\u015fmalar k\u00f6y halk\u0131 ile bazen k\u00f6y kahvesinde, bazen pazar\u0131n ortas\u0131nda, bazen de as\u0131rl\u0131k \u00e7\u0131nar a\u011fac\u0131n\u0131n alt\u0131nda tart\u0131\u015f\u0131ld\u0131. At\u00f6lyeciler d\u00f6nem boyunca k\u00f6y ve civar\u0131n\u0131 incelediler ve en \u00e7ok k\u00f6y pazar\u0131n ko\u015fullar\u0131na (kad\u0131nlar\u0131n \u00fcr\u00fcnlerini sergileme ortam\u0131, a\u00e7\u0131k alanda pi\u015firme i\u00e7in ocak\/f\u0131r\u0131n, mutfak ihtiyac\u0131), kal\u0131c\u0131 konutlar aras\u0131ndaki g\u00fczel, ancak dikkat \u00e7ekmeyen ye\u015fil alanlara, prefabrik plastik oyun alanlar\u0131na, gen\u00e7ler i\u00e7in etkinlik alan\u0131 ihtiyac\u0131na dikkat \u00e7ektiler. Bu dertlerini \u00e7e\u015fitli analizler ve \u00f6neriler ile ortaya koyarken ilk olarak d\u00f6nem aras\u0131ndaki a\u00e7\u0131k at\u00f6lyede at\u0131k lastiklerden ba\u015flayan bir oyun alan\u0131 d\u00fczenlemesi (k\u00f6y \u00e7ocuklar\u0131n\u0131n tabiriyle \u201clastik park\u0131\u201d) yap\u0131ld\u0131. Bu arada \u00fcretilen oyun grubu maketlerinden biri at\u00f6lyecileri \u00e7ok heyecanland\u0131rd\u0131. \u00dczerinde yap\u0131lan tart\u0131\u015fmalar ard\u0131ndan, at\u00f6lyeciler \u201cbiz bunu yapar\u0131z\u201d dediler (ilk kim dedi, hala me\u00e7hul). Ard\u0131ndan at\u00f6lyede hep konu\u015fulagelen \u201c\u00e7izdi\u011fini in\u015fa etme prati\u011fi\u201d, bu kez bir oyun alan\u0131 konstr\u00fcksiyonu hayaline evrildi. At\u00f6lyeciler toplu olarak be\u011fendikleri maket \u00fczerinde birlikte \u00e7al\u0131\u015ft\u0131, \u00e7izimler \u00fcretti, k\u00f6yde in\u015fa edecek yere ili\u015fkin incelemelerde bulundu. \u00c7al\u0131\u015fmalara mekan olan yerlerden birini k\u00f6y kahvesinin sahibi (ki s\u00fcreci sosyal medyadan da izliyordu ve at\u00f6lyenin organik bir par\u00e7as\u0131yd\u0131 bu s\u00fcre\u00e7te) yer olarak kahvenin arka bah\u00e7esi teklifini kabul etti. Kahve meydana bakan bir konumda, \u00e7ocuklar da hep o civardayd\u0131lar. Sonra alana g\u00f6re \u00e7al\u0131\u015fmalar yeniden d\u00fc\u015f\u00fcn\u00fcld\u00fc, \u00f6l\u00e7\u00fcmler yap\u0131ld\u0131. Bu vesileyle, r\u00f6l\u00f6ve alman\u0131n, d\u00fczecin, \u00f6l\u00e7\u00fc-\u00f6l\u00e7e\u011fin, maketin, malzemenin temininin, maliyetin, i\u015f sa\u011fl\u0131\u011f\u0131 ve g\u00fcvenli\u011finin, \u00e7izilen bir \u00e7izginin \u00f6neminin, kolektif i\u015f yapma prati\u011finin vb. \u00e7ok \u015feyin \u00fczerine hakiki kar\u015f\u0131la\u015fmalar ya\u015fand\u0131. S\u0131f\u0131r b\u00fct\u00e7e ve destekle ba\u015flanan uygulamay\u0131 at\u00f6lyeciler, k\u00f6y \u00e7ocuklar\u0131 (en \u00e7ok da Hatice\u2019yle Enes) ve kahveci \u0130brahim\u2019le, malzeme temini s\u0131ras\u0131nda ya\u015fanan s\u0131k\u0131nt\u0131lar nedeniyle biraz uzayarak d\u00f6rt g\u00fcnde bitirdi. \u00c7ocuklar ba\u015f\u0131ndan bu yana s\u00fcrecin esas par\u00e7as\u0131 oldular, uygulaman\u0131n her a\u015famas\u0131nda beden g\u00fcc\u00fc ile destek olduklar\u0131 gibi, at\u00f6lyecilerin di\u011fer projelerine ele\u015ftiri getirmeye ba\u015flad\u0131lar. T\u0131rmanma a\u011f\u0131 temin edilemeyince ve yokluktan i\u015f ba\u015fa d\u00fc\u015f\u00fcnce, ara\u015ft\u0131r\u0131l\u0131p davet edilen G\u00f6lc\u00fck Tersanesi\u2019nden H\u00fcseyin Usta gemicilerin ip ba\u011flama tekniklerini at\u00f6lyecilere \u00f6\u011fretti ve \u00e7e\u015fitli bi\u00e7imlerde ipler \u00f6r\u00fcld\u00fc. K\u00f6y\u00fcn ah\u015fap ustas\u0131 H\u00fcseyin Usta, ah\u015fap i\u015fleri i\u00e7in at\u00f6lyesini a\u00e7arak yard\u0131mc\u0131 oldu. Sanayiden at\u0131k lastiklerin delinmesi konusunda destek al\u0131nd\u0131. At\u00f6lyeciler uygulama s\u00fcresince \u00e7ocuklardan farks\u0131z oyuncuydular ve uygulama bitince \u00e7ok yorgun olmalar\u0131na ra\u011fmen ortaya kolektif, somut bir \u00fcr\u00fcn koyman\u0131n keyfi ile alandan ayr\u0131lmak istemediler. Dahas\u0131 at\u00f6lye d\u00f6nemle birlikte bitmi\u015f olsa da, yaz aylar\u0131n\u0131n ve gelecek d\u00f6nemin planlar\u0131 yap\u0131lmaya ba\u015fland\u0131. \u00d6zetle, mimarl\u0131k e\u011fitimin zorunlu bir diliminin, g\u00f6n\u00fcll\u00fc, samimi, inisiyatif alan bir s\u00fcrece d\u00f6n\u00fc\u015fmesi, herkes i\u00e7in k\u0131ymetli bir kazan\u0131m oldu.<\/p>\n

\"a_2\"<\/a>\"a_5\"<\/a> \"a_4\"<\/a> \"a_3\"<\/a><\/p>\n

*<\/strong> Kocaeli \u00dcniversitesi Mimarl\u0131k ve Tasar\u0131m Fak\u00fcltesi Mimarl\u0131k B\u00f6l\u00fcm\u00fc merkezli, ancak okul ve mimarl\u0131k disiplini d\u0131\u015f\u0131ndan kat\u0131l\u0131mlar ile geni\u015f ve de\u011fi\u015fken bir kat\u0131l\u0131mc\u0131s\u0131 olan \u201cBa\u015fka Bir At\u00f6lye\u201d, temelde mimarl\u0131k e\u011fitim ortam\u0131n\u0131, okul ve disiplin s\u0131n\u0131rlar\u0131 d\u0131\u015f\u0131na \u00e7\u0131kar\u0131p yerle ba\u015fka t\u00fcrl\u00fc ba\u011flar kurmaya \u00e7al\u0131\u015farak farkl\u0131 bir ortam kurmay\u0131 hedeflemektedir. At\u00f6lyenin burada payla\u015f\u0131lan s\u00fcrecindeki (2015-16 bahar d\u00f6nemi) kat\u0131l\u0131mc\u0131lar\u0131 (isim s\u0131ras\u0131na g\u00f6re); Ahmet Cihad K\u0131l\u0131\u00e7, Birg\u00fcl \u015eahin, Dil\u015fah O\u011fuz, Engin Yavuz, Gamze Saf, G\u00fcl K\u00f6ksal, H\u00fclya G\u00f6r, \u0130brahim G\u00fcrhan \u00d6zer, Mertkan G\u00fcnaslan, Muhammet Balkaya, Nergiz Mavigil, Rubin Karakoyunlu, Ruken Akkurt, Senem Can, Seyyit Ahmet Ge\u00e7gel, S\u00fcmeyye Ar\u0131k, Welat Canan.<\/p>\n

**<\/strong> Bu uygulama, motivasyonunu kolektif s\u00fcre\u00e7ten, ortak emek-ak\u0131ldan ve s\u00fcrecin her an\u0131n\u0131 oyuna \u00e7eviren, bitmek bilmez enerjileri ve meraklar\u0131 ile her g\u00fczel \u015feyi hak eden k\u00f6y \u00e7ocuklar\u0131yla, onlar\u0131n sohbeti g\u00fczel, istikrarl\u0131, \u00fcretken anneleri, anneanne-babaanneleri, di\u011fer bir deyi\u015fle k\u00f6y kad\u0131nlar\u0131ndan ald\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"Kocaeli \u00dcniversitesi Mimarl\u0131k ve Tasar\u0131m Fak\u00fcltesi Mimarl\u0131k B\u00f6l\u00fcm\u00fc \u00f6\u011fretim g\u00f6revlisi Do\u00e7. Dr.…\n","protected":false},"author":2,"featured_media":21379,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[4689],"tags":[3126,1325],"class_list":{"0":"post-21371","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-secki","8":"tag-baska-bir-atolye","9":"tag-halkin-mimarlari"},"acf":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts\/21371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/comments?post=21371"}],"version-history":[{"count":0,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts\/21371\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/media\/21379"}],"wp:attachment":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/media?parent=21371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/categories?post=21371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/tags?post=21371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}