{"id":30114,"date":"2018-12-23T12:35:36","date_gmt":"2018-12-23T09:35:36","guid":{"rendered":"http:\/\/politeknik.org.tr\/\/?p=30114"},"modified":"2019-01-28T20:39:59","modified_gmt":"2019-01-28T17:39:59","slug":"minette-de-silva-sri-lanka-modernizminin-oncusu-tarihin-unuttugu-kadin-mimar-shiromi-pinto-the-guardian-e-skop","status":"publish","type":"post","link":"https:\/\/eonmeet.com\/pol\/minette-de-silva-sri-lanka-modernizminin-oncusu-tarihin-unuttugu-kadin-mimar-shiromi-pinto-the-guardian-e-skop\/","title":{"rendered":"Minette de Silva: Sri Lanka modernizminin \u00f6nc\u00fcs\u00fc, tarihin unuttu\u011fu kad\u0131n mimar \u2013 Shiromi Pinto (The Guardian\/E-Skop)"},"content":{"rendered":"

Nas\u0131l oluyor da, 1940\u2019larda Sri Lanka modernizminin ba\u015f\u0131n\u0131 \u00e7eken ve, t\u00fcm engellere ra\u011fmen, d\u00fcnyan\u0131n en tan\u0131nm\u0131\u015f kad\u0131n mimarlar\u0131 aras\u0131nda say\u0131lan Minette de Silva\u2019n\u0131n binalar\u0131 bug\u00fcn art\u0131k bilinmiyor?<\/strong><\/p>\n

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Minnette de Silva ve politikac\u0131 Georges de Silva, 1948, Bar\u0131\u015f\u0131 Savunan Ayd\u0131nlar D\u00fcnya Kongresi\u2019nde. (foto\u011fraf: PAP)<\/figcaption><\/figure>\n

Minette de Silva\u2019n\u0131n tasarlad\u0131\u011f\u0131 bir konut Sri Lanka\u2019n\u0131n ba\u015fkenti Kolombo\u2019nun a\u011fa\u00e7l\u0131kl\u0131 bir soka\u011f\u0131nda, Alfred House Gardens\u2019da, g\u00f6zlerden uzak, h\u00e2l\u00e2 ayakta duruyor. Ta\u015f bir duvar\u0131n gerisinde, sar\u0131 bir zakkum a\u011fac\u0131yla begonvillerin aras\u0131ndan pek g\u00f6r\u00fcnm\u00fcyor. S\u00fctunlar \u00fczerinde y\u00fckselen binay\u0131 De Silva, aile dostu Pieris ailesi i\u00e7in 1952\u2019de tasarlam\u0131\u015f. \u0130\u00e7eride mimar\u0131n alameti farikas\u0131, a\u011fa\u00e7lar, fundalar ve bir havuzla bezeli a\u00e7\u0131k avlular ve verandalar; duvarla \u00e7evrili bir bah\u00e7e; bir zamanlar oyun alan\u0131 olarak da kullan\u0131lan otopark; yatak odalar\u0131yla mutfa\u011f\u0131n bulundu\u011fu ikinci kata \u00e7\u0131kan g\u00f6rkemli bir d\u00f6ner merdiven var. Pieris\u2019lerin o\u011flu Prianga, \u201cyatak odalar\u0131n\u0131n asl\u0131nda tik dolaplarla b\u00f6l\u00fcnm\u00fc\u015f tek bir oda\u201d oldu\u011funu hat\u0131rl\u0131yor. \u201cDolaplar\u0131n \u00fcst\u00fcnden hava serbest\u00e7e dola\u015f\u0131yor, biz \u00e7ocuklar b\u00f6lmelerin \u00f6tesinden birbirimizle konu\u015fabiliyorduk\u201d diyor. K\u0131z karde\u015fi Malkhanthi, De Silva\u2019n\u0131n \u201cmek\u00e2n\u0131 ziyan etmeden kullanmada \u00fcst\u00fcne yoktu\u201d diye ekliyor. Bunlar konu\u015fulurken kaya matkaplar\u0131n\u0131n g\u00fcr\u00fclt\u00fcs\u00fc geliyor; Pieris\u2019lerin evinin hemen arkas\u0131nda yeni bir l\u00fcks konut kulesi daha in\u015fa ediliyor. N\u00fcfusu alt\u0131 milyona dayanan Kolombo h\u0131zla de\u011fi\u015fiyor; y\u00fcksek bloklar Alfred House Gardens\u2019\u0131n zarif villalar\u0131n\u0131 yok ederek \u00e7o\u011fal\u0131yor. De Silva\u2019n\u0131nki geriye kalan birka\u00e7 villadan biri. B\u00fct\u00fcn bu in\u015faat furyas\u0131 s\u00fcrerken, mimar\u0131n Kandy\u2019deki kendi evi ve st\u00fcdyosu harabeye d\u00f6nm\u00fc\u015f durumda \u2013 sanki bir zamanlar\u0131n \u00fcnl\u00fc mimar\u0131n\u0131n geride b\u0131rakt\u0131\u011f\u0131 miras\u0131n nas\u0131l yok say\u0131ld\u0131\u011f\u0131n\u0131n bir sembol\u00fc gibi.<\/p>\n

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Minnette de Silva\u2019n\u0131n Ian Pieris i\u00e7in tasarlad\u0131\u011f\u0131 konut. (foto\u011fraf: LASWA)<\/figcaption><\/figure>\n

Reformcu bir siyaset adam\u0131yla kad\u0131n haklar\u0131 i\u00e7in \u00e7al\u0131\u015fan bir annenin k\u0131z\u0131 olan De Silva, Le Corbusier\u2019nin yak\u0131n arkada\u015f\u0131yd\u0131. Sri Lanka\u2019n\u0131n ilk modernist mimar\u0131 ve Royal Institute of British Architects\u2019in ilk Asyal\u0131 kad\u0131n \u00fcyesiydi. Babas\u0131n\u0131n muhalefetine ra\u011fmen mesle\u011fini icra etmeyi s\u00fcrd\u00fcrm\u00fc\u015ft\u00fc. E\u011fitimi i\u00e7in \u00f6nce Mumbai\u2019a ta\u015f\u0131nm\u0131\u015ft\u0131, sava\u015f sonras\u0131nda ise Londra\u2019ya. \u0130pek sariler i\u00e7inde, \u00e7antalar\u0131yla alet edevat\u0131n\u0131 ta\u015f\u0131yan erkek \u00f6\u011frenciler pe\u015finde, Birle\u015fik Krall\u0131k\u2019\u0131n \u00fcnl\u00fc mimarl\u0131k okulu Architectural Association\u2019da (AA) al\u0131ml\u0131 bir fig\u00fcrd\u00fc.<\/p>\n

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De Silva, 1948\u2019de Pablo Picasso, Jo Davidson ve Mulk Raj Anand ile.<\/figcaption><\/figure>\n

Egzotik g\u00f6r\u00fcnt\u00fcs\u00fc ve AA\u2019daki benzersiz konumu ile farkl\u0131l\u0131\u011f\u0131n\u0131 kullanmaktan geri durmad\u0131; kendini Londra\u2019n\u0131n y\u00fcksek sosyetesine tan\u0131tmakta gecikmedi. 1940\u2019lar\u0131n medyas\u0131nda ilgi oda\u011f\u0131 oldu. \u00c7ok ge\u00e7meden yaln\u0131zca Le Corbusier de\u011fil, Henri Cartier-Bresson, Picasso ve Laurence Olivier ile vakit ge\u00e7irmeye ba\u015flad\u0131. Hi\u00e7 evlenmedi.<\/p>\n

1948\u2019de Sri Lanka ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 kazan\u0131nca, De Silva \u00fclkesine d\u00f6nd\u00fc ve aile evinde st\u00fcdyosunu kurdu. O s\u0131ralarda d\u00fcnyada mesle\u011fini icra etmek \u00fczere kendi ad\u0131na mimarl\u0131k b\u00fcrosu olan iki kad\u0131ndan biriydi.<\/p>\n

Bundan sonra k\u0131r evlerinden villalara ve apartman bloklar\u0131na, bir\u00e7ok bina tasarlad\u0131 ve in\u015fa etti. Ay\u0131rt edici \u00f6zelli\u011fi, peyzajla ve geleneksel zanaatk\u00e2rl\u0131kla uyumlu bir modernist mimarl\u0131k geli\u015ftirmi\u015f olmas\u0131yd\u0131.<\/p>\n

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De Saram Evi\u2019nin desenli \u00e7inileri, Kolombo, 1957. (foto\u011fraf: LASWA)<\/figcaption><\/figure>\n

Kolombo\u2019daki ilk binas\u0131 Pieris Evi de ayn\u0131 \u00f6zellikleri ta\u015f\u0131yordu: geleneksel el sanatlar\u0131n\u0131 yans\u0131tan koyu k\u0131rm\u0131z\u0131 ve alt\u0131n varak \u00e7izgili lake merdiven korkuluklar\u0131; kap\u0131lara monte edilmi\u015f palmiye liflerinden dokunma panolar ve benzer desen ve renklerde duvar \u00e7inileri.<\/p>\n

Varl\u0131kl\u0131 bir aileye sahip olmas\u0131na ve d\u00fcnya \u00e7ap\u0131nda se\u00e7kin \u00e7evresine ra\u011fmen, derdi arkada\u015flar\u0131na evler tasarlamaktan ibaret de\u011fildi. Geleneksel y\u00f6ntemleri modernist tasar\u0131mlar\u0131yla ba\u011fda\u015ft\u0131rma \u00e7abas\u0131 ayn\u0131 zamanda \u00e7o\u011fu yoksul olan zanaatk\u00e2rlara i\u015f alan\u0131 a\u00e7may\u0131 hedefliyordu. 1950\u2019lerde adan\u0131n ikinci b\u00fcy\u00fck kenti Kandy\u2019de memurlar i\u00e7in ezberleri bozan bir toplu konut projesi yapt\u0131. De Silva ilerde bu konutlarda ya\u015fayacak olanlarla uzun g\u00f6r\u00fc\u015fmeler yapt\u0131; sonra onlar\u0131n tercihleri do\u011frultusunda farkl\u0131 konut tipleri tasarlad\u0131. Konutlar\u0131n baz\u0131lar\u0131n\u0131 ev sahipleri kendileri in\u015fa ettiler. Bu kat\u0131l\u0131mc\u0131 yakla\u015f\u0131m zaman\u0131n onlarca y\u0131l \u00f6tesindeydi.<\/p>\n

Yerli bir in\u015fa tekni\u011fi olan dallar\u0131 \u00f6r\u00fcp \u00e7amurla s\u0131vama y\u00f6ntemiyle deneyler yapt\u0131; Fernando Evi gibi binalar\u0131nda s\u0131k\u0131\u015ft\u0131r\u0131lm\u0131\u015f toprak kulland\u0131. Bug\u00fcn ekolojik konutlar\u0131n in\u015fas\u0131nda bu y\u00f6ntemden yayg\u0131n olarak yararlan\u0131l\u0131yor. Kolombo\u2019nun biraz g\u00fcneyindeki Fernando Evi ayn\u0131 zamanda De Silva\u2019n\u0131n d\u00fc\u015f\u00fck maliyetli bina in\u015fa etme konusundaki denemelerinin \u00fcr\u00fcn\u00fcyd\u00fc. 1955 tarihli bir makalesinde De Silva \u201cKolombo gibi a\u015f\u0131r\u0131 bir n\u00fcfusun bar\u0131nd\u0131\u011f\u0131 s\u0131k\u0131\u015f\u0131k kentlerde rahat\u00e7a ya\u015faman\u0131n yeni yollar\u0131n\u0131 bulmal\u0131y\u0131z. Geni\u015f bah\u00e7eler, serin ve ferah s\u00fctunlu salonlar art\u0131k yok\u2026\u201d diyordu.<\/p>\n

Fernando Evi kompakt bir k\u00fcpten olu\u015fuyor. Evin ortas\u0131nda yer alan merdiven ile evin etraf\u0131ndaki verandalar ve kap\u0131 lentosu ile tavan aras\u0131nda b\u0131rak\u0131lan bo\u015fluklar sayesinde mek\u00e2n\u0131n i\u00e7inde serin havan\u0131n dola\u015f\u0131m\u0131 sa\u011flan\u0131yor. S\u0131cakl\u0131klar\u0131n \u00e7o\u011fu zaman 30 dereceyi a\u015ft\u0131\u011f\u0131, %90 nem oran\u0131na sahip bir kentte bu t\u00fcr \u00f6nlemler hayati de\u011fer ta\u015f\u0131yor. H\u00e2l\u00e2 bu evde ya\u015fayan Bayan Fernando, \u201cgayet ho\u015f ve ak\u0131ll\u0131 bir han\u0131md\u0131\u201d diye bahsediyor De Silva\u2019dan. Yemek odas\u0131nda sohbet ediyoruz; ucuz bir ah\u015faptan ama m\u00fcthi\u015f bir i\u015f\u00e7ilikle yap\u0131lm\u0131\u015f yan\u0131 ba\u015f\u0131m\u0131zdaki merdiven sanki odaya g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131 sa\u00e7\u0131yor. Bayan Fernando, mimar\u0131n in\u015fa y\u00f6ntemlerinin iyile\u015ftirilmesi ve maliyetin d\u00fc\u015f\u00fcr\u00fclmesi i\u00e7in \u00e7ok \u00e7abalad\u0131\u011f\u0131n\u0131 anlat\u0131yor. \u201cHer zaman i\u015fbirli\u011fi yapmaya haz\u0131rd\u0131\u201d diye de ekliyor.<\/p>\n

T\u00fcm uzak g\u00f6r\u00fc\u015fl\u00fcl\u00fc\u011f\u00fcne ra\u011fmen De Silva\u2019n\u0131n mimarl\u0131\u011fa katk\u0131lar\u0131 uzun s\u00fcre g\u00f6z ard\u0131 edildikten sonra, \u00e7o\u011fu zaman g\u00f6n\u00fcls\u00fczce teslim edildi. Sri Lanka mimarl\u0131\u011f\u0131n\u0131n \u00f6nc\u00fcs\u00fc olarak ad\u0131 an\u0131lan isim o de\u011fil, hep Geoffrey Bawa oldu; halbuki De Silva ondan on y\u0131l \u00f6nce geliyordu. Yazar ve mimar David Robson\u2019\u0131n i\u015faret etti\u011fi gibi, Geoffrey Bawa\u2019n\u0131n g\u00f6klere \u00e7\u0131kar\u0131lmas\u0131na neden olan ba\u015fyap\u0131tlar\u0131n\u0131 yaratmas\u0131, De Silva\u2019n\u0131n Avrupa modernizmi ile yerel mimarl\u0131\u011f\u0131 ba\u011fda\u015ft\u0131rma denemeleri sayesinde m\u00fcmk\u00fcn olmu\u015ftu. M\u00fc\u015fterileri, hatta kendi m\u00fcteahhidi onu bir kad\u0131n olarak g\u00f6rd\u00fcklerinden, fikirlerini ku\u015fkuyla kar\u015f\u0131lad\u0131lar. Pieris Evi\u2019ni in\u015fa ederken, m\u00fcteahhit, De Silva\u2019n\u0131n tasar\u0131m\u0131n\u0131 Londra\u2019daki bir m\u00fchendise tasdik ettirmesini \u015fart ko\u015ftu. Bir zamanlar hem Bawa hem De Silva ile \u00e7al\u0131\u015fm\u0131\u015f olan C. Anjalendran, \u201cbu tam anlam\u0131yla erkek \u015fovenizmiydi\u201d diye hat\u0131rl\u0131yor. \u00d6n\u00fcne konan engeller De Silva\u2019n\u0131n tavr\u0131n\u0131 sertle\u015ftirmesine yol a\u00e7t\u0131. Fernando\u2019nun o\u011flu Charith\u2019 a g\u00f6re: \u201cBu t\u00fcr bir mesle\u011fi icra eden bir kad\u0131nla kar\u015f\u0131la\u015fmak o g\u00fcnlerde al\u0131\u015f\u0131lmad\u0131k bir durumdu. O ise dedi\u011fim dedikti \u2013 i\u015f\u00e7ileri gayet iyi idare ediyordu. Z\u0131rvalamalara hi\u00e7 tahamm\u00fcl\u00fc yoktu\u201d. Ama b\u00fct\u00fcn bunlar yeterli olmad\u0131. Sertle\u015ftik\u00e7e De Silva\u2019n\u0131n ad\u0131 \u201czor kad\u0131n\u201da \u00e7\u0131kt\u0131. 1950\u2019lerdeki yo\u011fun in\u015faat faaliyetinin ard\u0131ndan, giderek i\u015f alamaz oldu. Bawa\u2019n\u0131n i\u015fleri ise ayn\u0131 y\u0131llarda f\u0131rlad\u0131. Bawa\u2019n\u0131n yak\u0131n \u00e7al\u0131\u015fma arkada\u015f\u0131 Ismeth Raheem, De Silva\u2019n\u0131n ona kad\u0131n oldu\u011fu i\u00e7in bir kenara itildi\u011fini; i\u015flerinin hi\u00e7bir zaman ciddiye al\u0131nmad\u0131\u011f\u0131n\u0131 defalarca s\u00f6yledi\u011fini hat\u0131rl\u0131yor. Anjelendran\u2019a g\u00f6re \u201co y\u0131llarda geli\u015fmekte olan bir \u00fclkede, bir erkek mesle\u011finde kad\u0131n olarak varl\u0131k g\u00f6stermek neredeyse imkans\u0131zd\u0131\u201d. \u00dcstelik bu kad\u0131n bir de kendisine \u00fccret \u00f6denmesini bekliyordu.<\/p>\n

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Kolombo\u2019daki Senanayake Apartman\u0131\u2019nda daireye \u0131\u015f\u0131k giri\u015fini ve hava dola\u015f\u0131m\u0131n\u0131 sa\u011flayan a\u00e7\u0131k merdiven, 1954.<\/figcaption><\/figure>\n

Sri Lanka Mimarlar Enstit\u00fcs\u00fc 1996\u2019da \u2013Bawa\u2019dan 16 y\u0131l sonra\u2013 De Silva\u2019y\u0131 alt\u0131n madalyayla \u00f6d\u00fcllendirdi\u011finde, o mali zorluklar i\u00e7indeydi, d\u0131\u015flanm\u0131\u015f ve yaln\u0131z kalm\u0131\u015ft\u0131. \u0130ki y\u0131l sonra Kandy\u2019de bir hastanede tek ba\u015f\u0131na \u00f6ld\u00fc. Banyosunda d\u00fc\u015ft\u00fckten g\u00fcnler sonra bulunmu\u015ftu. 80 ya\u015f\u0131ndayd\u0131.<\/p>\n

\u00d6l\u00fcm\u00fcn\u00fcn \u00fczerinden ge\u00e7en 20 y\u0131lda Kandy\u2019deki evi ve st\u00fcdyosu harabeye d\u00f6nm\u00fc\u015f durumda. Kimi orijinal detaylar\u0131 yerli yerinde duruyor ama ah\u015fap aksam\u0131 nemden \u00e7\u00fcr\u00fcyor, tavan panelleri d\u00fc\u015f\u00fcyor. Acilen onar\u0131lmas\u0131 gerek. Yaln\u0131z o de\u011fil, De Silva\u2019n\u0131n ard\u0131nda b\u0131rakt\u0131\u011f\u0131 bir\u00e7ok bina benzer durumda. \u0130lk in\u015fa etti\u011fi yap\u0131 olan, Kandy\u2019deki bir tepenin yamac\u0131na yay\u0131lan tek katl\u0131 villa \u015fimdiki sahipleri taraf\u0131ndan y\u0131k\u0131lmak \u00fczere. Fernando Evi\u2019nin oldu\u011fu gibi ayakta kalm\u0131\u015f olmas\u0131 muhtemelen Bayan Fernando\u2019nun hayatta kalmas\u0131 sayesinde.<\/p>\n

De Silva\u2019n\u0131n yap\u0131tlar\u0131 yeniden canland\u0131r\u0131lacak m\u0131? 1980\u2019lerin sonunda City School of Architecture\u2019da ders veren Anjalendran, De Silva\u2019n\u0131n unutulmamas\u0131 i\u00e7in binalar\u0131n\u0131n ders program\u0131na dahil edilmesini sa\u011flam\u0131\u015f. Son y\u0131llar\u0131nda De Silva\u2019y\u0131 s\u0131k s\u0131k ziyaret eden Anjalendran, onun ne kadar tasal\u0131 oldu\u011funu hat\u0131rl\u0131yor. \u201cKimse onu g\u00f6rmeye gitmiyordu. Kendini yaln\u0131zl\u0131\u011fa mahkum etmi\u015fti.\u201d Ger\u00e7ekten de Sri Lanka\u2019da sevilen bir ki\u015fi oldu\u011funa dair neredeyse hi\u00e7bir i\u015faret yok. Ancak Kolombo\u2019nun ilerici mimarisine dikkatli bir bak\u0131\u015f De Silva\u2019n\u0131n ne kadar etkili oldu\u011funu g\u00f6stermeye yetiyor: Sri Lanka parlamentosunun Kandy tarz\u0131ndaki \u00e7at\u0131s\u0131 ya da kentin her yan\u0131ndaki oturma odalar\u0131na ferahl\u0131k veren, g\u00f6ky\u00fcz\u00fcne a\u00e7\u0131k i\u00e7 bah\u00e7eler.<\/p>\n

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Kolombo\u2019daki Chandra Amarasinghe Evi\u2019nin a\u00e7\u0131k planl\u0131 zemin kat\u0131nda avlular ve havuzlar, 1960.<\/figcaption><\/figure>\n

Butik otellerden orta s\u0131n\u0131f i\u00e7in apartman dairelerine, her t\u00fcrl\u00fc binas\u0131nda g\u00f6r\u00fclen el dokumalar\u0131, lake e\u015fyalar, pirin\u00e7 detaylar hep ayn\u0131 fikir kayna\u011f\u0131ndan \u00e7\u0131k\u0131yor. 1950\u2019lerde bu fikirler radikal say\u0131l\u0131yordu, hele ki hem zenginler hem yoksullar i\u00e7in kullan\u0131ld\u0131\u011f\u0131nda. Bug\u00fcn tehdit alt\u0131ndayken yine radikaller. Yak\u0131n zamana kadar i\u00e7 sava\u015fla par\u00e7alanan Sri Lanka\u2019n\u0131n kentleri \u015fimdi bitmek t\u00fckenmek bilmeyen bir in\u015faat faaliyeti alt\u0131nda eziliyor. \u0130ddial\u0131 projelerden birisi olan Port City Colombo, Dubai usul\u00fc, deniz doldurularak in\u015fa edilen l\u00fcks y\u00fcksek bloklardan olu\u015fuyor. Son y\u0131llar\u0131nda De Silva ile \u00e7al\u0131\u015fm\u0131\u015f olan Britanyal\u0131 mimar Selva Sandrapragas, \u201cDe Silva g\u00f6rse, nefret ederdi\u201d diyor; \u201cin\u015fa edildi\u011fi yerin tarihine, k\u00fclt\u00fcr\u00fcne, co\u011frafyas\u0131na en ufak duyarl\u0131l\u0131\u011f\u0131 yok. Eski kent merkezini \u00e7evreliyor, var olan ba\u011flam\u0131 yok ediyor, denizle ba\u011f\u0131n\u0131 kopar\u0131p bo\u011fuyor. Herhangi bir ba\u015fka yerde de in\u015fa ediliyor olabilirdi: Singapur\u2019da, Dubai\u2019de, ya da Hong Kong\u2019da\u201d.<\/p>\n

*<\/strong> Shiromi Pinto\u2019nun Minette de Silva\u2019n\u0131n hayat\u0131na dayanan roman\u0131 Plastic Emotions, 2019 yaz\u0131nda Influx Press taraf\u0131ndan yay\u0131nlanacak.<\/p>\n

[The Guardian\u2019daki \u0130ngilizce orijinalinden Mithat Y\u0131ld\u0131z taraf\u0131ndan E-Skop i\u00e7in \u00e7evrilmi\u015ftir.]<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Nas\u0131l oluyor da, 1940\u2019larda Sri Lanka modernizminin ba\u015f\u0131n\u0131 \u00e7eken ve, t\u00fcm engellere…\n","protected":false},"author":2,"featured_media":40571,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[4689],"tags":[1452,4306,4307],"class_list":{"0":"post-30114","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-secki","8":"tag-19-eylul-muhendis-mimar-sehir-plancilari-dayanisma-gunu","9":"tag-minette-de-silva","10":"tag-sri-lanka"},"acf":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts\/30114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/comments?post=30114"}],"version-history":[{"count":0,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts\/30114\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/media\/40571"}],"wp:attachment":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/media?parent=30114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/categories?post=30114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/tags?post=30114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}