{"id":37010,"date":"2021-12-27T14:26:08","date_gmt":"2021-12-27T11:26:08","guid":{"rendered":"http:\/\/politeknik.org.tr\/?p=37010"},"modified":"2021-12-28T10:49:50","modified_gmt":"2021-12-28T07:49:50","slug":"sokakta-kahir-var-nazim-dikbas-birartibir-org","status":"publish","type":"post","link":"https:\/\/eonmeet.com\/pol\/sokakta-kahir-var-nazim-dikbas-birartibir-org\/","title":{"rendered":"Sokakta kah\u0131r var – Naz\u0131m Dikba\u015f (birartibir.org)"},"content":{"rendered":"

\u201cYa\u015fam politikalar\u0131 \u00fcretmemiz l\u00e2z\u0131m. Ve bu politikalar\u0131n mek\u00e2nsal boyutunu atlamamam\u0131z l\u00e2z\u0131m.\u201d M\u00fccella Yap\u0131c\u0131<\/em><\/p>\n

\u0130ktidar Beyo\u011flu\u2019na toplu sald\u0131r\u0131s\u0131n\u0131 uzun s\u00fcredir planlad\u0131\u011f\u0131 hatta nihayet oturttu, Beyo\u011flu K\u00fclt\u00fcr Yolu\u2019nu \u201cfestivalledi\u201d. Ge\u00e7mi\u015fi silen, bug\u00fcn\u00fc zorla\u015ft\u0131ran, gelece\u011fi belirsizle\u015ftiren y\u0131k\u0131m, zengini zenginle\u015ftiren talan ve rant ve Beyo\u011flu\u2019nu \u00f6teden beri ba\u011fr\u0131 bilmi\u015f \u00f6teki seslerin bulu\u015fmas\u0131n\u0131n engellenmesi dahil bu sald\u0131r\u0131ya.<\/p>\n

T\u00fcrkiye\u2019yi \u201cgenel marka\u201d, \u0130stanbul\u2019u bu markaya \u201cart\u0131 de\u011fer kazand\u0131racak\u201d uluslararas\u0131 marka olarak g\u00f6ren iktidar, uzun zamand\u0131r Beyo\u011flu\u2019nun i\u00e7ini bo\u015faltarak, bir al\u0131\u015fveri\u015f \u201cdestinasyon\u201duna d\u00f6n\u00fc\u015ft\u00fcrerek, zorda kal\u0131nca \u015fiddete ba\u015fvurarak \u201cd\u00fcnya sahnesine\u201d pazarl\u0131yor. Beyo\u011flu K\u00fclt\u00fcr Yolu da bu amaca hizmet edecek \u201cprestij eser\u201dleri dizdikleri bir \u201ccazibe merkezi\u201dnin i\u00e7inden ge\u00e7en, kasan\u0131n daha h\u0131zl\u0131 \u00e7al\u0131\u015fmas\u0131n\u0131 sa\u011flayacak rota.<\/p>\n

T\u0131rnak i\u00e7indeki terimler marketing s\u00f6zl\u00fc\u011f\u00fcnden de\u011fil, K\u00fclt\u00fcr ve Turizm Bakan\u0131\u2019n\u0131n \u00e7akma AKM\u2019deki Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali a\u00e7\u0131l\u0131\u015f\u0131nda yapt\u0131\u011f\u0131 konu\u015fmadan. Bakan\u0131n bahsetmedi\u011fi \u015fey, ya\u015fayan Beyo\u011flu ve Beyo\u011flu\u2019nda ya\u015fayanlar. Nitekim, Beyo\u011flu K\u00fclt\u00fcr Yolu\u2019nun bundan b\u00f6yle belli ki ana hatt\u0131n\u0131 olu\u015fturaca\u011f\u0131 plan yap\u0131lar\u0131, soka\u011f\u0131, t\u00fcm ya\u015fam alanlar\u0131n\u0131 \u00f6ld\u00fcrerek ve ya\u015fam\u0131 savunanlar\u0131 kovarak y\u00fcr\u00fcrl\u00fc\u011fe konuyor. Bu yaz\u0131 i\u015fte bu \u201cK\u00fclt\u00fcr Yolu\u201dnun festivalinin ve dahilinde a\u00e7\u0131lan bir g\u00fcncel sanat sergisinin hik\u00e2yesi.<\/p>\n

\"\"Galatamort<\/h5>\n

F\u0131nd\u0131kl\u0131-Tophane aras\u0131ndaki sahile yap\u0131lan ve ge\u00e7enlerde a\u00e7\u0131lan, simgelerinden biri cil\u00e2l\u0131 alt\u0131n \u00e7izburger olan, ismi ise dilimize argodan girmi\u015f Frans\u0131zca \u00f6l\u00fcm anlam\u0131na gelen kelimeyle kafiyeli l\u00fcks al\u0131\u015fveri\u015f merkezinin giri\u015finde bizi bir sergi kar\u015f\u0131l\u0131yor. Bu, yaz\u0131n\u0131n ana konusu olan sergi de\u011fil, ama evet, Galatamort\u2019un giri\u015finde bir sergi, bir foto\u011fraf sergisi var ve niyeti o olmasa da bu serginin bize sordu\u011fu zor sorular\u0131 duymaya \u00e7al\u0131\u015fal\u0131m.<\/p>\n

30 Ekim\u2019de ba\u015flayan Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali \u2013ki birazdan mek\u00e2na ve zamana, hele de s\u00f6z\u00fcne sad\u0131k kalmay\u0131 pek sevmedi\u011fini \u00f6rnekleriyle g\u00f6rece\u011fiz\u2013 14 Kas\u0131m\u2019da bitmi\u015f olmal\u0131yd\u0131. Ama serginin afi\u015fine bak\u0131l\u0131rsa, en az bir istisna g\u00f6zetilmi\u015f, sergi 31 Aral\u0131k 2021\u2019e kadar a\u00e7\u0131k kalacak.<\/p>\n

Afi\u015fe bakal\u0131m ve sol \u00fcst k\u00f6\u015feden ba\u015flayal\u0131m: T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131\u2019n\u0131n \u201cK\u00fclt\u00fcr A\u011fac\u0131\u201d motifli logosu. Sa\u011f \u00fcst k\u00f6\u015feye ge\u00e7elim: Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali\u2019nin, Beyo\u011flu\u2019nun t\u00fcm \u201cprestij eser\u201dlerini \u00f6l\u00e7eksizce s\u0131raya dizdi\u011fi, mart\u0131 ve tramvayla ba\u015flayan, oradan, \u00f6nce i\u015fletmesi \u0130BB\u2019den al\u0131n\u0131p sonra Hilti\u2019yle i\u00e7i oyulan Galata Kulesi\u2019ne u\u011frayan ve neyi simgeledi\u011fi konusunda mimar\u0131n\u0131n, tasar\u0131mc\u0131s\u0131n\u0131n, \u00fcreticisinin suskun kalmay\u0131 tercih etti\u011fi k\u0131z\u0131l k\u00fcreli \u201cyeni\u201d AKM\u2019yle biten bir \u201ccephe\u201d \u00e7izen logosu. Sa\u011f altta Galatamort web sitesi ve sosyal medya adresleri, sol altta ise logosu. Sorular\u0131m\u0131za yakla\u015f\u0131yoruz.<\/p>\n

Ortada ise 2018\u2019de kaybetti\u011fimiz, modern T\u00fcrkiye tarihinin herhalde en \u00f6nemli foto\u011fraf\u00e7\u0131s\u0131n\u0131n ad\u0131 yaz\u0131yor, \u00e7\u00fcnk\u00fc sergi onun \u00e7ekti\u011fi foto\u011fraflardan olu\u015fuyor: Ara G\u00fcler. Serginin ad\u0131 ise Denize \u0130nen Yol. B\u00f6yle bir foto\u011fraf sergisinin ismi nispeten k\u0131sa olmal\u0131 herhalde, o y\u00fczden sergiyi d\u00fczenleyenler \u015f\u00f6yle bir \u015fey denememi\u015f: Y\u0131llard\u0131r \u015eantiyeye \u00c7evirdi\u011fimiz \u015eimdi De Araya Al\u0131\u015fveri\u015f Merkezi Yapt\u0131\u011f\u0131m\u0131z \u0130\u00e7in Epeydir Denize \u0130nemeyen Yol.<\/p>\n

Ger\u00e7i Karak\u00f6y-Kabata\u015f hatt\u0131n\u0131n dev \u015fantiyeleri Ara G\u00fcler\u2019in foto\u011fraflar\u0131na yabanc\u0131 de\u011fil. Ustan\u0131n foto\u011fraflar\u0131n\u0131n ve Devrim Erbil\u2019in resimlerinin bilbord-boyu r\u00f6prod\u00fcksiyonlar\u0131, binlerce imzan\u0131n da topland\u0131\u011f\u0131 kitlesel eylemlerle protesto edilen ve nihayetinde uygulanamayan Kabata\u015f Mart\u0131 Projesi \u015fantiyesini kapatmak i\u00e7in de kullan\u0131lm\u0131\u015ft\u0131. Hat\u0131rlatal\u0131m, bu afi\u015flerden birine \u00e7arp\u0131c\u0131 bir m\u00fcdahalede bulunan sanat\u00e7\u0131 \u0130zinsiz de uydurma su\u00e7lamalarla yarg\u0131lanmaya devam ediyor, sonraki duru\u015fma 13 Ocak 2022\u2019de.<\/p>\n

Boyun e\u011fmenin imgesi<\/h5>\n

Hat\u0131rlamak demi\u015fken, sekiz y\u0131l \u00f6ncesine gidelim. Gezi direni\u015finin hemen sonras\u0131yd\u0131. 31 Temmuz 2013 ak\u015fam\u0131, Gezi\u2019ye ve \u00f6zellikle yery\u00fcz\u00fc sofralar\u0131na kar\u015f\u0131 hizalanmay\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmak i\u00e7in Taksim Meydan\u0131\u2019nda bir iftar yeme\u011fi d\u00fczenlenmi\u015fti. \u201cHer kesimi bir araya getiren\u201d bir yemekti bu, yani, ayr\u0131 ve \u00f6zel bir b\u00f6l\u00fcmde \u00fcst d\u00fczey b\u00fcrokrasi, \u015f\u00f6hretler, yanda\u015f gazeteciler bir aradayd\u0131. \u0130\u015fte bu yemekte Ara G\u00fcler sahneye \u00e7\u0131kt\u0131, arka planda Gezi Park\u0131, berkemal asayi\u015fin tan\u0131t\u0131m foto\u011fraf\u0131n\u0131 \u00e7ekti. O karelerin birer foto\u011fraf olarak pek \u00f6nemi yoktu, yapt\u0131\u011f\u0131 \u015fuydu: Alan\u0131n\u0131n uluslararas\u0131 \u00fcne sahip sanat\u00e7\u0131s\u0131 olarak Ara G\u00fcler, orada foto\u011fraf \u00e7ekerek, elinde foto\u011fraf makinesiyle orada bulunarak, boyun e\u011fmenin imgesi haline geldi.<\/p>\n

Bu soruyu \u0131srarla sormam\u0131z gerekiyor: Bir sanat\u00e7\u0131, bir ayd\u0131n, bir muhalif neden hakikate kar\u015f\u0131, \u00f6zg\u00fcrl\u00fc\u011fe kar\u015f\u0131, Gezi\u2019ye kar\u015f\u0131 bir organizasyonun i\u00e7inde yer al\u0131r?<\/p><\/blockquote>\n

Maalesef iktidara, iktidarlara yak\u0131n durdu\u011fu ne ilk ne son and\u0131 bu. O iftar gecesinde sahneye \u00e7\u0131kmas\u0131n\u0131 ayarlayan d\u00f6nemin Beyo\u011flu Belediye Ba\u015fkan\u0131 Ahmet Misbah Demircan, iki y\u0131l sonra Ara G\u00fcler\u2019e \u201cBeyo\u011flu Ni\u015fan\u0131\u201d diye bir \u015fey takacakt\u0131. (Sonra kimlere verildi acaba bu ni\u015fan?) K\u00fclt\u00fcr Yolu \u201cvizyon\u201dunun da mucitlerinden olan Demircan, bug\u00fcn K\u00fclt\u00fcr ve Turizm Bakan\u0131 Yard\u0131mc\u0131s\u0131 olarak Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali a\u00e7\u0131l\u0131\u015f\u0131n\u0131n toplu foto\u011fraf\u0131nda.<\/p>\n

Zor sorular<\/h5>\n

Gelelim zor sorulara. Ara G\u00fcler kendisini ve mesle\u011fini nas\u0131l tan\u0131mlarsa tan\u0131mlas\u0131n, hem gazete foto\u011fraf\u00e7\u0131s\u0131, hem foto\u011fraf sanat\u00e7\u0131s\u0131. Ayn\u0131 zamanda, pek bilinmese de, ke\u015fke devam etseydi dedirtecek kadar iyi bir hik\u00e2yeci (konudan uzakla\u015f\u0131yorsun demeyin, Babil\u2019den Sonra Ya\u015fayaca\u011f\u0131z\u2019\u0131 okuyun). \u015eehri, toplumu, insan\u0131 derinden bildi\u011fi dudaklar\u0131ndan d\u00f6k\u00fclen ilk c\u00fcmlelerle hemen belli olan biri. Se\u00e7ti\u011fi konulardan ve kendi ya\u015fay\u0131\u015f\u0131ndan da toplumun ortalama dura\u011fanl\u0131\u011f\u0131na de\u011fil, u\u00e7ta ve d\u0131\u015far\u0131daki birey ve deneyimlere meyletti\u011fini g\u00f6rd\u00fc\u011f\u00fcm\u00fcz\u00fc s\u00f6yleyebiliriz.<\/p>\n

Peki, \u201csanat\u00e7\u0131\u201d tan\u0131m\u0131na hakk\u0131n\u0131 b\u00f6ylesine veren Ara G\u00fcler, neden Gezi gibi geni\u015f tabanl\u0131, T\u00fcrkiye\u2019nin direni\u015f tarihinde bir d\u00f6n\u00fcm noktas\u0131 olu\u015fturan, her \u015feyin ba\u015fka t\u00fcrl\u00fc olabilece\u011fine dair yollar g\u00f6steren bir \u00e2n\u0131, hem de hen\u00fcz sesleri, kokusu sokaktayken, bu kadar so\u011fuk bir duru\u015fla itmi\u015f, kar\u015f\u0131s\u0131nda yer alm\u0131\u015ft\u0131?<\/p>\n

Alm\u0131\u015fsa alm\u0131\u015f, sil ge\u00e7 denebilir, parayd\u0131, ili\u015fkilerdi denebilir, birey \u00fczerinden gitme denebilir. Ama bug\u00fcn, Ara G\u00fcler kadar \u00e7arp\u0131c\u0131 olmasa da yeni \u00f6rneklerle kar\u015f\u0131la\u015f\u0131nca, bu soruyu daha \u0131srarla sormam\u0131z gerekiyor: Bir sanat\u00e7\u0131, bir ayd\u0131n, bir muhalif neden hakikate kar\u015f\u0131, \u00f6zg\u00fcrl\u00fc\u011fe kar\u015f\u0131, Gezi\u2019ye kar\u015f\u0131 bir organizasyonun i\u00e7inde yer al\u0131r?<\/p>\n

Bug\u00fcn, Beyo\u011flu\u2019nu al\u0131p, i\u00e7ini kemirip kabu\u011funu al\u0131\u015fveri\u015f merkezine cephe yapmak isteyen ve Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali\u2019yle yeni bir a\u015famaya ge\u00e7en bir sald\u0131r\u0131yla kar\u015f\u0131 kar\u015f\u0131yay\u0131z. Bu festivale sanat alan\u0131ndan geni\u015f kapsaml\u0131, kurumsal ve bireysel bir kat\u0131l\u0131m oldu, baz\u0131lar\u0131m\u0131za beklenmedik, baz\u0131lar\u0131m\u0131za \u00fcrk\u00fct\u00fcc\u00fc gelen. Ara G\u00fcler \u00f6rne\u011finin bize sordurdu\u011fu sorular, bu g\u00fcncel olguyu a\u00e7\u0131klamam\u0131za yard\u0131mc\u0131 olabilir mi?<\/p>\n

Zombi binalar<\/h5>\n

Gezi\u2019den sekiz y\u0131l sonra, Gezi iki kere beraat etmi\u015f \u00fc\u00e7\u00fcnc\u00fc kez yarg\u0131lan\u0131rken, \u00f6nce \u015funu \u00e7ok a\u00e7\u0131k bir \u015fekilde s\u00f6yleyelim ve anlayal\u0131m: E\u011fer Gezi direni\u015fi olmasayd\u0131, Beyo\u011flu K\u00fclt\u00fcr Yolu, Gezi Park\u0131\u2019na yap\u0131lacak al\u0131\u015fveri\u015f merkezinde bitecekti. Halihaz\u0131rda Beyo\u011flu, say\u0131lar\u0131 giderek artan, baz\u0131lar\u0131n\u0131n d\u0131\u015f cephesi korunmu\u015f, baz\u0131lar\u0131 tamamen y\u0131k\u0131larak yeniden yap\u0131lm\u0131\u015f zombi binalarla dolu: Yok edilmesini engelleyemedi\u011fimiz Emek Sinemas\u0131 ve Serkildoryan\u2019\u0131 y\u0131k\u0131p yerine yapt\u0131klar\u0131 Grand Pera adl\u0131 al\u0131\u015fveri\u015f merkezi (ki burada \u0130BB de ge\u00e7en ay etkinlik d\u00fczenlemekten geri durmad\u0131), \u0130stikl\u00e2l Caddesi \u00fczerindeki en eski iki binadan biri olan Narmanl\u0131 Han\u2019\u0131 y\u0131karak yerine yapt\u0131klar\u0131 yavrua\u011fz\u0131 pasta tipli al\u0131\u015fveri\u015f merkezi ve AKM\u2019yi senelerce kapal\u0131 tuttuktan ve t\u00fcm protestolara ra\u011fmen y\u0131kt\u0131ktan sonra yerine, ilk mimar\u0131n\u0131n o\u011fluna yapt\u0131rd\u0131klar\u0131 k\u0131z\u0131l k\u00fcreli akeme. Sadece Beyo\u011flu\u2019nun de\u011fil, \u0130stanbul\u2019un en k\u0131ymetli yap\u0131lar\u0131ndan Galata Kulesi\u2019nin i\u00e7ine Hilti\u2019yle dald\u0131klar\u0131n\u0131, haf\u0131zas\u0131 en h\u0131zl\u0131 silinenlerimiz bile hat\u0131rlayacakt\u0131r.<\/p>\n

\u0130\u015fte bu zombile\u015ftirilen binalar, Beyo\u011flu K\u00fclt\u00fcr Yolu\u2019nun \u201cprestij eser\u201dleri. Fakat Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali\u2019ni d\u00fczenleyen K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, Beyo\u011flu Belediyesi ve ta\u015feronlar\u0131, yine de Gezi Park\u0131\u2019na el atmadan edememi\u015fler ve festivalleri kapsam\u0131ndaki baz\u0131 sergileri parka da bula\u015ft\u0131rm\u0131\u015flar. Bu yaz\u0131n\u0131n konusu olan sergiyle daha yak\u0131ndan ilgilenmem de maatteess\u00fcf b\u00f6yle ba\u015flad\u0131.<\/p>\n

\"\"
Nasan Tur, Korkma<\/figcaption><\/figure>\n
Ayakl\u0131 karton panolar her yerde<\/h5>\n

\u00d6nce, T\u00fcrk\u00e7e tam isminden emin olamad\u0131\u011f\u0131m, \u015fu a\u015fa\u011f\u0131 yukar\u0131 insan boyundaki ayakl\u0131 karton panolar her yerde belirdi. Aveme, k\u00fclt\u00fcr merkezi ve m\u00fcze \u00f6nlerinde duruyor, r\u00fczg\u00e2rda sallan\u0131yor, devriliyor, Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali\u2019nin kara haberini getiriyorlard\u0131. Biri \u00f6zellikle dikkatimi \u00e7ekti: \u00dcstte standart T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 ve Beyo\u011flu Belediyesi\u2019nin \u201cmarka\u201ds\u0131 Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali\u2019nin logolar\u0131 vard\u0131. Alt\u0131nda ise \u201cKartografya-Yaya Sergisi\u201d ba\u015fl\u0131\u011f\u0131, sonra k\u00fcrat\u00f6r\u00fcn ve sanat\u00e7\u0131lar\u0131n isimleri (K\u00fcrat\u00f6r: Ali Akay, Sanat\u00e7\u0131lar: Ay\u015fe Erkmen, Bar\u0131\u015f Do\u011frus\u00f6z [\u00e7ekildi\u011fini belirtti], G\u00fcne\u015f Terkol, Leyla Gediz, Lara \u00d6gel, Nasan Tur, Seza Paker, Volkan Aslan, Wang Du).<\/p>\n

Afi\u015f feciydi: Dikine dikd\u00f6rtgen siyah sar\u0131 degrade bir bo\u015flu\u011fun alt k\u0131sm\u0131nda topla\u015fm\u0131\u015f \u00fc\u00e7gen-dikd\u00f6rtgen y\u00fczeyli, alt\u0131n renkli, \u00fc\u00e7 boyutlu geometrik objelerin \u00fcst\u00fcnde d\u00fcz beyaz yaz\u0131lar. Ama dikkatim ilk ba\u015fta i\u015fin sanatsal taraf\u0131na, afi\u015fininkine bile, hi\u00e7 y\u00f6nelmedi, \u00e7\u00fcnk\u00fc biri hari\u00e7 sanat\u00e7\u0131lar tan\u0131d\u0131kt\u0131. O anda hissetti\u011fim ve i\u00e7imde b\u00fcy\u00fcmesine engel olamad\u0131\u011f\u0131m his, kah\u0131rd\u0131.<\/p>\n

Yaz\u0131n\u0131n buras\u0131nda iktidara neden kar\u015f\u0131 oldu\u011fumuzu anlatmak ger\u00e7ekten gerekiyor mu? Herhangi bir tek g\u00fcn i\u00e7inde olup bitenlere bakmak yetmiyor mu? Veya sadece K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131\u2019n\u0131n son d\u00f6nem icraatlar\u0131n\u0131 s\u0131ralamak? 9 Aral\u0131k\u2019ta, Bo\u011fazi\u00e7i \u00dcniversitesi\u2019ndeki direni\u015fe kat\u0131lan 16 hocaya soru\u015fturma a\u00e7\u0131ld\u0131\u011f\u0131n\u0131 \u00f6\u011frendik. \u0130ki \u00f6\u011frenci, Enis Berke G\u00f6k ve Caner Perit \u00d6zen, h\u00e2l\u00e2 tutuklu. KHK\u2019larla ihra\u00e7 edilen Bar\u0131\u015f Akademisyenleri\u2019nin ba\u015fvurular\u0131na OHAL Komisyonu\u2019ndan sadece ret cevab\u0131 gelmeye devam ediyor. Sinemada, televizyonda, sokakta sans\u00fcr her an her yerde.<\/p>\n

Bu ortamda, Gezi direni\u015finin simgelerinden biri olmas\u0131 y\u0131k\u0131m karar\u0131 al\u0131nmas\u0131nda \u015f\u00fcphesiz rol oynayan AKM\u2019nin yerine yap\u0131lan yeni binan\u0131n a\u00e7\u0131l\u0131\u015f\u0131n\u0131 festivallemek i\u00e7in iktidar\u0131n merkezi ve yerel kurumlar\u0131n\u0131n d\u00fczenlettirdi\u011fi bir etkinli\u011fe kim, niye kat\u0131l\u0131r? Her \u015fey \u015f\u00fcphesiz pat diye oluvermedi, ama bu sefer epey \u015f\u00fcmull\u00fc bir havu\u00e7 ve sopa hik\u00e2yesi \u00f6n\u00fcm\u00fczde \u015fekilleniyor. Sanat kurumlar\u0131n\u0131n simgesel toplumsal muhalefet anlar\u0131nda ses \u00e7\u0131karmaktan geri durduklar\u0131na s\u0131k s\u0131k tan\u0131k oluyorduk. Bu edilgen tav\u0131r belli ki art\u0131k onlar\u0131 biata da haz\u0131r k\u0131vama getirmi\u015f, \u201c\u015fu andan itibaren festivalimize dahilsiniz\u201d dendi\u011finde \u201ctabii efendim\u201d demi\u015fler.<\/p>\n

\u201cAre you fucking kidding me?\u201d<\/h5>\n

Sakin olmaya \u00e7al\u0131\u015fal\u0131m, sergiye d\u00f6nelim. Sergi haritas\u0131na bak\u0131nca, Beyo\u011flu\u2019nda d\u0131\u015f mek\u00e2na yerle\u015fmi\u015f bir sergi oldu\u011funu, Gezi Park\u0131\u2019nda da iki i\u015f bulundu\u011funu anlad\u0131m. Beyo\u011flu\u2019nun \u00e7e\u015fitli seslerini i\u00e7inden geldi\u011fi i\u00e7in iyi bilen Asena Hayal\u2019in tweet\u2019i i\u00e7imden ge\u00e7ene terc\u00fcman oldu: \u201cBeyo\u011flu Belediyesi taraf\u0131ndan desteklenen bir projede Gezi Park\u0131\u2019na iki tane i\u015f koymak falan. Are you fucking kidding me?!\u201d<\/p>\n

Sanat tarih\u00e7isi Osman Erden de i\u015fin can ac\u0131tan yan\u0131n\u0131 vurgulam\u0131\u015ft\u0131: \u201cBeyo\u011flu K\u00fclt\u00fcr Yolu Festivali dahilinde yap\u0131lan sergilere bak\u0131ld\u0131\u011f\u0131nda, sanat\u00e7\u0131lar\u0131n, k\u00fcrat\u00f6rlerin K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131, Beyo\u011flu Belediyesi gibi kurumlarla i\u015fbirli\u011fi yapmakta bir sak\u0131nca g\u00f6rmedikleri anla\u015f\u0131l\u0131yor. \u0130ktidar\u0131n imaj\u0131 a\u00e7\u0131s\u0131ndan ba\u015far\u0131l\u0131 bir proje. D\u00fc\u015f\u00fcnenleri tebrik etmek gerek.\u201d<\/p>\n

\u0130ktidar Gezi Park\u0131\u2019na istedi\u011fi al\u0131\u015fveri\u015f merkezini konduramam\u0131\u015ft\u0131 ve o g\u00fcnden bu yana Gezi direni\u015fini karalamak, hakaret etmek, s\u00fcrekli ba\u015ftan icat etti\u011fi yalanlarla su\u00e7lula\u015ft\u0131rmak i\u00e7in dilinden hi\u00e7 d\u00fc\u015f\u00fcrmemi\u015fti. Bu festivalin organizat\u00f6rleri de iktidar\u0131n himayesindeki bu yaya sergisinin ele ge\u00e7irilmeyen bu simgesel kamusal alana uzanmas\u0131n\u0131 istemi\u015f olsa gerek.<\/p>\n

Gezi\u2019den sekiz y\u0131l sonra, Gezi iki kere beraat etmi\u015f \u00fc\u00e7\u00fcnc\u00fc kez yarg\u0131lan\u0131rken, \u00f6nce \u015funu \u00e7ok a\u00e7\u0131k bir \u015fekilde s\u00f6yleyelim ve anlayal\u0131m: E\u011fer Gezi direni\u015fi olmasayd\u0131, Beyo\u011flu K\u00fclt\u00fcr Yolu, Gezi Park\u0131\u2019na yap\u0131lacak al\u0131\u015fveri\u015f merkezinde bitecekti.<\/p><\/blockquote>\n

En ba\u015fta, derdim sadece bu himaye meselesinde kals\u0131n istiyordum: Festival kapsam\u0131nda di\u011fer sanat kurumlar\u0131na da festival etiketinin yap\u0131\u015ft\u0131r\u0131lm\u0131\u015f olmas\u0131yla birlikte bu sergi, ciddi bir k\u0131r\u0131lmaya i\u015faret ediyor gibiydi. Bu k\u0131r\u0131lmay\u0131 nas\u0131l anlamak l\u00e2z\u0131m? Serginin a\u00e7\u0131k oldu\u011fu g\u00fcnlerde, 24 Kas\u0131m\u2019da, Cumartesi Anneleri ve destek\u00e7ilerinin Galatasaray Meydan\u0131\u2019nda 700. kere toplanmalar\u0131 a\u011f\u0131r bir \u015fiddetle engellenirken polise mukavemet ettikleri iddias\u0131yla yarg\u0131land\u0131klar\u0131 davan\u0131n duru\u015fmas\u0131 g\u00f6r\u00fcld\u00fc (sonraki duru\u015fma 23 Mart 2022\u2019de).<\/p>\n

700. haftadan bu yana, yani \u00fc\u00e7 y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcredir \u015fehrin kalbi, en i\u015flek caddesi \u0130stikl\u00e2l\u2019in tam ortas\u0131ndaki Galatasaray Meydan\u0131\u2019n\u0131n sadece Cumartesi Anneleri\u2019ne, sadece eylemlere de\u011fil, ge\u00e7i\u015fe de kapal\u0131 oldu\u011funu hat\u0131rlayal\u0131m. A\u011f\u0131r silahl\u0131 ara\u00e7lar burada devaml\u0131 duruyor, alan\u0131n geri kalan\u0131 ise resmi ara\u00e7lar\u0131n otopark\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f halde.<\/p>\n

Cumartesi Anneleri\u2019nin duru\u015fmas\u0131ndan iki g\u00fcn sonra, 26 Kas\u0131m Cuma g\u00fcn\u00fc, yine \u00c7a\u011flayan Adliyesi\u2019nde, iki kez beraat edip \u00fc\u00e7\u00fcnc\u00fc kez yarg\u0131lanan Gezi\u2019nin davas\u0131 vard\u0131, Osman Kavala ve \u00c7ar\u015f\u0131 dosyalar\u0131n\u0131n eklenmesiyle \u00fc\u00e7l\u00fc bir torba dava \u015feklini alan. Tutuklulu\u011fu art\u0131k 1500 g\u00fcn\u00fc ge\u00e7en Osman Kavala yine serbest b\u0131rak\u0131lmad\u0131, sonraki duru\u015fma 17 Ocak 2022\u2019de.<\/p>\n

Peki, iktidar\u0131n t\u00fcm toplumsal kesimler \u00fczerinde b\u00f6ylesine artan bask\u0131s\u0131na toplumsal muhalefetin ses \u00e7\u0131karmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 bir d\u00f6nemde, g\u00fcncel sanat alan\u0131ndan, \u00e7o\u011fu herhalde kendisini muhalif olarak tan\u0131mlayan sanat\u00e7\u0131lar nas\u0131l olup da iktidar taraf\u0131ndan d\u00fczenlenen, Beyo\u011flu\u2019nun kamusal alan\u0131na yerle\u015fen ve Gezi Park\u0131\u2019nda da boy g\u00f6steren bu sergiye kat\u0131lmay\u0131 kabul etmi\u015flerdi?<\/p>\n

K\u00fcrat\u00f6r Ali Akay\u2019\u0131 saymad\u0131\u011f\u0131m\u0131 fark etmi\u015fsinizdir, onun muhalif olmad\u0131\u011f\u0131, iktidarla uyum i\u00e7inde hareket etti\u011fi g\u00f6r\u00fcl\u00fcyor, bunun g\u00fcncel sanat d\u00fcnyas\u0131nda da anla\u015f\u0131lmas\u0131nda fayda var. Bu serginin festival hamileri ve ta\u015feronlar\u0131 ile \u00e7\u0131kar birli\u011fi kurmadan yap\u0131lmas\u0131 m\u00fcmk\u00fcn de\u011fil. Bu \u00e7\u0131kar\u0131n sadece ekonomik g\u00f6r\u00fclmesi de kabul edilemez. Merak etti\u011fim ve \u00fcst\u00fcne gitmek istedi\u011fim konu, sanat\u00e7\u0131lar\u0131n bu sergiye nas\u0131l olur dedi\u011fi. Arada g\u00fcler gibi oluyorum, sinirden.<\/p>\n

Tarifsiz bir tuhafl\u0131k<\/h5>\n

Sergide ilk g\u00f6rd\u00fc\u011f\u00fcm i\u015f Nasan Tur\u2019un Gezi Park\u0131\u2019n\u0131n Taksim Meydan\u0131\u2019na yak\u0131n bir k\u00f6\u015fesine yerle\u015ftirilmi\u015f i\u015fiydi. Metal konstr\u00fcksiyon \u00fczerine yerle\u015ftirilmi\u015f b\u00fcy\u00fck bir fotoblok panoda, ortas\u0131nda \u0130ngilizce \u201cDon\u2019t be afraid\u201d [\u201cKorkma\u201d] yazan bir avu\u00e7 i\u00e7i foto\u011fraf\u0131 duruyordu. \u0130\u015fin kuruldu\u011fu yerden, y\u0131k\u0131l\u0131p yerine k\u0131z\u0131l k\u00fcrelisi yap\u0131lan akemeyi, park\u0131n belediye ve di\u011fer resmi kurumlar taraf\u0131ndan otoparka d\u00f6n\u00fc\u015ft\u00fcr\u00fclen \u00f6n k\u0131sm\u0131n\u0131 ve sa\u011f tarafa do\u011fru, bir polis b\u00f6lgesi haline getirilen kanad\u0131n\u0131 g\u00f6rmek m\u00fcmk\u00fcn. Hemen \u00f6n\u00fcnde yer alan karton k\u00fcnye panosundaki K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 ve Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali logolar\u0131n\u0131n gerisinde, korkmas\u0131n\u0131 gerektirecek pek bir \u015feyi de yok asl\u0131nda bu i\u015fin.<\/p>\n

Daha sonra merak edip sanat\u00e7\u0131n\u0131n bu i\u015fi kendi sosyal medya hesaplar\u0131nda nas\u0131l payla\u015ft\u0131\u011f\u0131na bakt\u0131m. \u0130nstagram hesab\u0131nda \u015f\u00f6yle yazm\u0131\u015f Nasan Tur (\u0130ngilizceden benim \u00e7evirim): \u201cYap\u0131t\u0131m \u2018Korkma\u2019y\u0131 \u015fu anda \u0130stanbul\u2019da Gezi Park\u0131\u2019nda kurulu g\u00f6rmek benim i\u00e7in tarifsiz ve \u00e7ok \u00f6zel. Bunu m\u00fcmk\u00fcn k\u0131lan k\u00fcrat\u00f6r Ali Akay\u2019a te\u015fekk\u00fcr ederim.\u201d Alt\u0131nda da \u00fc\u00e7 ayr\u0131 dilde, Almanca, \u0130ngilizce ve T\u00fcrk\u00e7e, tebrikler, emojiler, nazik yaz\u0131\u015fmalar.<\/p>\n

Kimse, ele\u015ftirmek bir yana, sormam\u0131\u015f bile, \u201cSerginin d\u00fczenleyicisi K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 Gezi Park\u0131\u2019n\u0131 y\u0131k\u0131p al\u0131\u015fveri\u015f merkezi yapmak isteyen iktidar\u0131n bakanl\u0131\u011f\u0131, AKP\u2019li Beyo\u011flu Belediyesi desen, rant i\u00e7in y\u0131kmad\u0131\u011f\u0131 yer kalmad\u0131, hayrola?\u201d diye. G\u00fcn\u00fcm\u00fczde bir sanat\u00e7\u0131n\u0131n bir serginin hangi maddi imk\u00e2nlarla yap\u0131ld\u0131\u011f\u0131n\u0131 sorgulamamas\u0131n\u0131, hukuk\u00e7u diliyle s\u00f6yleyelim, hayat\u0131n do\u011fal ak\u0131\u015f\u0131na uygun bulmasam da, hadi serginin himaye yap\u0131s\u0131 bilinmiyor diyelim, kimse \u015funu da sormam\u0131\u015f: \u201cYahu Gezi Park\u0131\u2019nda sanat yapsan polis saliseler ge\u00e7meden dibinde biter, siz bu i\u015fi oraya nas\u0131l yerle\u015ftirdiniz?\u201d<\/p>\n

Bir semte, hem de Beyo\u011flu\u2019na dair oldu\u011funu iddia eden, yaya sergisi gibi iddial\u0131 bir kavram\u0131 \u00fcstlenmi\u015f gibi yapan bu sergi, yanl\u0131\u015flarla dolu haritas\u0131 ve k\u00fcnyeleriyle, s\u0131radan bir turistik turun gereklerini bile yerine getirmiyor.<\/p><\/blockquote>\n

Nasan Tur\u2019u \u015fahsen tan\u0131masam da (bir kez el s\u0131k\u0131\u015fm\u0131\u015fl\u0131\u011f\u0131m\u0131z var), payla\u015f\u0131m\u0131n\u0131n alt\u0131na bilgilendirici bir not eklemeye karar verdim ve \u015funu yazd\u0131m:<\/p>\n

\u201cKat\u0131ld\u0131\u011f\u0131n\u0131z sergi TC K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 ve Beyo\u011flu Belediyesi (AKP\u2019li belediye) himayesinde. Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali\u2019nin bir par\u00e7as\u0131. Festivalin a\u00e7\u0131l\u0131\u015f\u0131 bakan taraf\u0131ndan yap\u0131ld\u0131, g\u00fcnlerdir tan\u0131t\u0131mda kullan\u0131l\u0131yor. Beyo\u011flu K\u00fclt\u00fcr Yolu bizim uzun y\u0131llard\u0131r kar\u015f\u0131 \u00e7\u0131kt\u0131\u011f\u0131m\u0131z, Beyo\u011flu\u2019nu y\u0131kmay\u0131, satmay\u0131, rant\u0131n\u0131 yemeyi hedefleyen bir proje. Emek Sinemas\u0131\u2019n\u0131, Narmanl\u0131 Han\u2019\u0131 y\u0131kanlar\u0131n, Gezi\u2019yi y\u0131k\u0131p avm yapmak isteyenlerin projesi bu. Serginiz bu projenin bir par\u00e7as\u0131. Parktaki i\u015finizin ba\u015f\u0131nda da bakanl\u0131k ve belediye logolar\u0131 yer al\u0131yor.<\/em>\u201d<\/p>\n

Bir de \u0130ngilizcesini ekledim. Bu kadar, nesnel ve a\u00e7\u0131k. O \u00e2na kadar 300\u2019e yak\u0131n be\u011feni alan bu payla\u015f\u0131m\u0131n alt\u0131ndaki notuma da epey be\u011feni geldi (22). Dolay\u0131s\u0131yla, sanat\u00e7\u0131n\u0131n bu nottan haberdar olmamas\u0131 pek muhtemel de\u011fil. Peki ne tepki g\u00f6sterdi diyeceksiniz. Ne bir \u015fa\u015fk\u0131nl\u0131k g\u00f6sterdi (mesela, \u201cBen bunu nas\u0131l yapt\u0131m, hemen ara\u015ft\u0131raca\u011f\u0131m\u2026\u201d) ne de bir k\u0131zg\u0131nl\u0131k sergiledi (\u201cSana ne benim kat\u0131ld\u0131\u011f\u0131m sergiden!\u201d). Silmedi de. Not orada duruyor, derin bir sessizlik ve tarifsiz bir tuhafl\u0131k i\u00e7inde.<\/p>\n

Sergi haritas\u0131na g\u00f6re parkta bir i\u015f daha olmal\u0131yd\u0131, Bar\u0131\u015f Do\u011frus\u00f6z\u2019\u00fcn i\u015fi. Haritadaki s\u0131ralamada birinci s\u0131rada, Nasan Tur\u2019un i\u015fine yak\u0131n bir yerde g\u00f6r\u00fcnen Bar\u0131\u015f Do\u011frus\u00f6z\u2019\u00fcn i\u015fini epey arad\u0131m, hatta kar\u015f\u0131 kald\u0131r\u0131ma filan bile bakt\u0131m. Ak\u015fam serginin gezdi\u011fim kadar\u0131n\u0131 \u0130nstagram\u2019da yaz\u0131nca sevgili Bar\u0131\u015f bana \u00f6zel bir mesaj atarak sergiden sergi ba\u015flamadan \u00e7ekildi\u011fini, ama bas\u0131l\u0131 malzemede isminin kald\u0131\u011f\u0131n\u0131 belirtti. \u00c7ekilmesine elbette \u00e7ok sevindim, biraz i\u00e7im ferahlad\u0131, Bar\u0131\u015f\u2019a da kamusal bir a\u00e7\u0131klama yapmay\u0131 d\u00fc\u015f\u00fcnmez mi diye sordum. Buna cevap vermedi. Ancak bu haliyle serginin fiziki ve sanal b\u00fct\u00fcn bildiri\u015fiminde ve sergiyle ilgili yap\u0131lan haberlerde ad\u0131 ge\u00e7ti ve sergiyi gezenler kat\u0131ld\u0131\u011f\u0131n\u0131 sand\u0131. Bundan da \u00f6te, sergi, herhangi bir gerilimle kar\u015f\u0131la\u015fmadan yoluna devam etmi\u015f oldu. Kamusal bir a\u00e7\u0131klama olmad\u0131\u011f\u0131ndan ben de ancak, herhangi bir kaynak g\u00f6steremeden, Bar\u0131\u015f Do\u011frus\u00f6z\u2019\u00fcn bu sergiden \u00e7ekildi\u011fini s\u00f6yleyebiliyorum.<\/p>\n

Negatif hazine av\u0131<\/h5>\n

Bir sonraki g\u00fcn sergiyi gezmeye devam ettim. Yukar\u0131da da dedi\u011fim gibi, can\u0131m\u0131 s\u0131kan ve i\u00e7imi ancak kah\u0131r diye niteleyebilece\u011fim bir hisle dolduran serginin himaye yap\u0131s\u0131yd\u0131. Ama sanat d\u00fcnyas\u0131nda sadece himaye yap\u0131s\u0131 \u00fczerinden yap\u0131lan ele\u015ftirilere, tabiri caizse, bu d\u00fcnyan\u0131n \u201ctelefonunu \u00e7\u0131kar\u201d\u0131 gibisinden, \u201csponsoru mponsoru b\u0131rak, ya serginin sanatsal boyutu?\u2019 sorusu y\u00f6neltilir.<\/p>\n

Tabii sanatsal boyutun, yani i\u00e7eri\u011fin, yani anlam\u0131n, himaye yap\u0131s\u0131n\u0131 ge\u00e7tim, se\u00e7ilen herhangi bir mek\u00e2n taraf\u0131ndan kuvvetle belirlendi\u011fini hem \u00f6\u011frenmi\u015f, hem de sonraki y\u0131llarda, art\u0131k ders veremedi\u011fim \u00fcniversitede \u00f6\u011fretmeye \u00e7al\u0131\u015fm\u0131\u015ft\u0131m. Mek\u00e2na \u00f6zg\u00fc sanat\u0131n \u00f6nde gelen sanat\u00e7\u0131lar\u0131ndan birinin bu sergiye de kat\u0131lm\u0131\u015f olmas\u0131 ayr\u0131 talihsizlikti. K\u00f6t\u00fc g\u00fcnler bitmese de daha k\u00f6t\u00fc g\u00fcnler ufuktayd\u0131.<\/p>\n

Hem daha bakt\u0131\u011f\u0131m ilk i\u015fte, Nasan Tur\u2019un foto\u011fraf\u0131n\u0131n k\u00fcnyesinde kar\u015f\u0131la\u015ft\u0131\u011f\u0131m teknik aksakl\u0131klar i\u00e7imde, sanatsal bir merak diyemesem de, bir t\u00fcr negatif hazine av\u0131 heyecan\u0131 uyand\u0131rm\u0131\u015ft\u0131. Korkma\u2019n\u0131n k\u00fcnyesindeki son c\u00fcmle \u00f6ylece kesiliveriyordu, acaba devam\u0131 nas\u0131l gelebilirdi, bu kendi i\u00e7inde bir oyun muydu, al\u0131nt\u0131layay\u0131m: \u201cDaha sonra Frans\u0131z filozof Michel Foucault\u2019nun da 1980\u2019lerin ba\u015f\u0131nda tekrar ele ald\u0131\u011f\u0131 Kant\u2019\u0131n ayn\u0131 metni i\u00e7inden ge\u00e7en bak\u0131\u015f,\u201d Ben kesmedim, burada bitiyor, bkz. foto\u011fraf. C\u00fcmleyi her izleyici kendi se\u00e7ece\u011fi d\u00fc\u015f\u00fcn\u00fcrlere referans vererek tamamlas\u0131n.<\/p>\n

\"\"
Ay\u015fe Erkmen, Sonsuza Kadar Seninim<\/figcaption><\/figure>\n
Dallas Beyo\u011flu\u2019nda<\/h5>\n

B\u00f6ylece ayaklar\u0131m beni Santa Maria Draperis Kilisesi\u2019nin giri\u015fine yerle\u015ftirilen Ay\u015fe Erkmen yap\u0131t\u0131na g\u00f6t\u00fcrd\u00fc. Bu yap\u0131tta, foto\u011fraf\u0131nda da g\u00f6rd\u00fc\u011f\u00fcn\u00fcz kilise cephesine paralel as\u0131l\u0131 mavi kafesin i\u00e7inde, k\u00fcnyedeki a\u00e7\u0131klamada yer alan m\u00fczi\u011fin \u00e7almas\u0131 gerekiyordu. Benim gitti\u011fim g\u00fcn \u00e7alm\u0131yordu, bunu (da) tuhaf buldum ve benden sonra sergiyi gezmeye \u00e7al\u0131\u015facak arkada\u015flar\u0131mdan i\u015fin \u00e7al\u0131\u015f\u0131p \u00e7al\u0131\u015fmad\u0131\u011f\u0131n\u0131 kontrol etmelerini istedim. Kimse bu m\u00fczi\u011fin \u00e7al\u0131\u015f\u0131na tan\u0131k olamad\u0131. Sergi a\u00e7\u0131k oldu\u011fu g\u00fcn ve saatleri duyurmaya da zahmet etmedi\u011finden belki biz denk gelmedik, ama serginin a\u00e7\u0131k kald\u0131\u011f\u0131 s\u00fcre boyunca Ay\u015fe Erkmen\u2019in yap\u0131t\u0131n\u0131n, belki a\u00e7\u0131l\u0131\u015f g\u00fcn\u00fc hari\u00e7, hi\u00e7 \u00e7al\u0131\u015fmam\u0131\u015f olmas\u0131 ihtimal dahilinde.<\/p>\n

\u0130\u015fin kendisini do\u011fru d\u00fczg\u00fcn \u201cdeneyim\u201dleyemeyince, i\u015fle ilgili ele\u015ftirilerimi kendime saklayarak, dikkatimi yap\u0131t\u0131n \u00e7ok daha gizemli bir y\u00f6n\u00fcne \u00e7evirdim, k\u00fcnyesine. Nasan Tur\u2019daki kesilen c\u00fcmle hatas\u0131 burada bamba\u015fka bir boyut kazanm\u0131\u015f, demem o ki bu k\u00fcnye serginin tamam\u0131n\u0131n adeta bir mikrokozmosu olagelmi\u015fti. Serginin yapmak istedi\u011fi her \u015fey ve asla yapmayaca\u011f\u0131 her \u015fey burada sakl\u0131yd\u0131, \u0130stikl\u00e2l Caddesi\u2019nin \u00fczerinde karton bir panonun \u00fczerinde g\u00f6zler \u00f6n\u00fcnde dursa da. Foto\u011frafa bakarak takip etmek de m\u00fcmk\u00fcn, hatta l\u00fctfen edin, k\u00fcnye yap\u0131t hakk\u0131nda \u015funlar\u0131 diyor:<\/p>\n

\u201cAy\u015fe Erkmen Beyo\u011flu \u00fczerinde yer alan Osmanl\u0131 d\u00f6neminde 1904\u2019te Sultan Abd\u00fclhamid\u2019in fikriyle bug\u00fcnk\u00fc haline gelen Santa Maria Kilisesinin \u00e7an kulesinden salland\u0131rd\u0131\u011f\u0131 eserinin i\u00e7inde yer alan sesle, buraya Bach\u2019\u0131n motetinin (Ewing dein: sonsuza dek seninim) yerle\u015fmesiyle Beyo\u011flu\u2019nun mazisine oldu\u011fun kadar bug\u00fcn s\u00fcrmekte olan \u015fehrin bu caddesine i\u015faret etmektedir.\u201d<\/p>\n

Akademisyenler tam burada \u201csic\u201d yazar, \u201ckaynak metinde aynen b\u00f6yle ge\u00e7iyor\u201d anlam\u0131nda. Nefes kesici de\u011fil mi? Yap\u0131t hakk\u0131ndaki tek c\u00fcmlede Abd\u00fclhamid\u2019e yap\u0131lan vurgu ku\u015fkusuz ilgili yerlere gerekli mesaj\u0131 vermi\u015ftir. Nitekim, Leyla Gediz\u2019in i\u015finin k\u00fcnyesinde de iki padi\u015faha, I. Abd\u00fclhamit ve III. Selim\u2019e referans var.<\/p>\n

C\u00fcmleye d\u00f6nersek, d\u00fc\u015f\u00fck c\u00fcmle gibi iltifatlar etmek istemiyorum ama, tarihi 16. y\u00fczy\u0131la uzanan bu kilisenin Abd\u00fclhamit\u2019in fikriyle de\u011fil, izniyle restore edildi\u011fini (izinsiz kilise in\u015fa edilemiyor, tamirat yap\u0131lam\u0131yordu, bug\u00fcn de b\u00f6yledir), metindeki Almanca k\u0131s\u0131mda ilk kelimenin, Dallas dizisinde bizi de birka\u00e7 ku\u015fak entrikalar\u0131yla televizyon kar\u015f\u0131s\u0131na m\u0131hlayan Ewing ailesiyle ilgisi olmay\u0131p ewig, hemen akabindeki ifadenin de oldu\u011fun kadar de\u011fil, oldu\u011fu kadar olmas\u0131 gerekti\u011fini belirtip di\u011fer ciddi hatalar\u0131 bulmay\u0131 size b\u0131rak\u0131yor, bir sonraki i\u015fe ge\u00e7iyorum.<\/p>\n

\"\"
Leyla Gediz, Kartografya<\/figcaption><\/figure>\n
Bug\u00fcn Kartal Yar\u0131n M\u00fceyyet<\/h5>\n

Art\u0131k i\u00e7im kahr\u0131n \u00fcst\u00fcne gelen negatif hazine av\u0131 heyecan\u0131yla birlikte \u015f\u00fcpheyle de dolmu\u015ftu. Sergi haritas\u0131, k\u00fcnyeler biz izleyicilere oyunlar oynuyordu. Haritaya g\u00f6re M\u00fceyyet Sokak\u2019ta yer alan, Leyla Gediz\u2019in i\u015fi olan bir afi\u015f dizisini aramaya ba\u015flad\u0131m. M\u00fceyyet Sokak, Beyo\u011flu Kent Savunmas\u0131 olarak t\u00fcm kitlesel eylemlerimize ra\u011fmen bu serginin hamilerinden olan Beyo\u011flu Belediyesi\u2019nin g\u00f6zetiminde y\u0131k\u0131lan, y\u0131k\u0131lmadan \u00f6nce Beyo\u011flu\u2019nun en eski iki binas\u0131ndan biri olan (di\u011feri Frans\u0131z K\u00fclt\u00fcr diye bildi\u011fimiz eski Veba Hastanesi binas\u0131, onu y\u0131kmaya yetkileri yok) ve y\u0131k\u0131ld\u0131ktan sonra yerine yavrua\u011fz\u0131 beton pasta yap\u0131lan Narmanl\u0131 Han\u2019\u0131n T\u00fcnel\u2019e bakan yan duvar\u0131n\u0131n yan\u0131ndan Sofyal\u0131 Sokak\u2019a ba\u011flanan sokak. Ancak M\u00fceyyet Sokak\u2019a gelip a\u015fa\u011f\u0131 yukar\u0131 gezinsem de s\u00f6z konusu afi\u015fleri g\u00f6remedim, bulamad\u0131m.<\/p>\n

Neyse ki art\u0131k antrenmanl\u0131yd\u0131m. Serginin tan\u0131t\u0131m videosunu dikkatle inceleyip afi\u015fleri Beyo\u011flu \u00f6l\u00e7e\u011finde epey uzak ba\u015fka bir yerde, Urban Caf\u00e9\u2019nin orada buldum. Urban\u2019\u0131n oradaki Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali karton k\u00fcnye panosu, bu konumun M\u00fceyyet Sokak oldu\u011funda \u0131srarc\u0131yd\u0131. Buras\u0131 elbette Kartal Sokak\u2019t\u0131, ama Beyo\u011flu\u2019nu ne kadar iyi bilirseniz bilin, K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 himayesindeki bir serginin haritas\u0131na itiraz etmek tats\u0131z sonu\u00e7lara yol a\u00e7abilir. Bug\u00fcn Kartal\u2019d\u0131r, yar\u0131n M\u00fceyyet, teyit etmek i\u00e7in tek adres iktidard\u0131r. Neticede ne isimler de\u011fi\u015ftirildi Beyo\u011flu\u2019nda, \u0130stanbul\u2019un her yerinde.<\/p>\n

Kintsugi ve s\u00fcm\u00fckl\u00fcb\u00f6cek<\/h5>\n

Son olarak Lara \u00d6gel\u2019in i\u015finden bahsetmeye \u00e7al\u0131\u015faca\u011f\u0131m. Beni en zorlayan i\u015f de bu oldu, \u00e7\u00fcnk\u00fc iki ayr\u0131 konumda karton k\u00fcnyelerini bulsam da, bu i\u015fi ger\u00e7ekten g\u00f6rd\u00fc\u011f\u00fcmden emin de\u011filim. Art\u0131k \u015fa\u015f\u0131rmayacaks\u0131n\u0131z, i\u015fin ilk k\u0131sm\u0131 haritada g\u00f6sterildi\u011fi sokakta, yani Balo Sokak\u2019ta de\u011fildi. Ama burnum iyi koku al\u0131yordu, Balo Sokak\u2019\u0131n paraleli Solakzade Sokak\u2019ta i\u015fe, daha do\u011frusu, ilk karton k\u00fcnyeye ve belki i\u015fin kendisine ula\u015ft\u0131m.<\/p>\n

\u0130\u015fin ismi Kintsugi. Kintsugi, geleneksel bir Japon sanat\u0131, k\u0131r\u0131lan kapkaca\u011f\u0131 k\u0131r\u0131\u011f\u0131 saklamadan, hatta g\u00f6stererek tamir etme us\u00fbl\u00fcne verilen isim. Bunu da genellikle alt\u0131n rengi bir s\u0131vayla veya kar\u0131\u015f\u0131mla yap\u0131yor, ismi de bu anlama geliyor zaten, \u201calt\u0131n tamirat\u201d ya da \u201calt\u0131n birle\u015ftirme\u201d. K\u0131r\u0131lganl\u0131k, d\u00fcr\u00fcstl\u00fck, ba\u011flanma, zaman\u0131n ka\u00e7\u0131n\u0131lmaz, y\u0131k\u0131c\u0131 ve yenileyici ak\u0131\u015f\u0131 gibi temalara dokunabilen bir sanat. \u00dclkemizin ac\u0131mas\u0131z sosyal medya \u015fartlar\u0131nda, yayg\u0131n olarak ilk tan\u0131nd\u0131\u011f\u0131nda \u00f6nce hayran olunmu\u015f, sonra her derde deva bir felsefeyi bar\u0131nd\u0131r\u0131rm\u0131\u015f gibi yapanlar \u00e7\u0131k\u0131nca, onlara inat dalga da ge\u00e7ilmi\u015f, hatta hafif ironiyle laf aras\u0131na s\u0131k\u0131\u015ft\u0131r\u0131lacak kadar bilinen bir pop\u00fcler k\u00fclt\u00fcr \u00f6\u011fesi haline gelmi\u015fti.<\/p>\n

\"\"
Lara \u00d6gel, Kintsugi<\/figcaption><\/figure>\n

Lara \u00d6gel, anlad\u0131\u011f\u0131m kadar\u0131yla, kintsugi\u2019yi Beyo\u011flu sokaklar\u0131na uygulamay\u0131 hedeflemi\u015f. Ancak \u015fu \u00f6nemli: Kintsugi, m\u00fcdahale etti\u011fi kab\u0131 ger\u00e7ekten tamir ediyor.<\/p>\n

Oysa Lara \u00d6gel\u2019in ziyaret etti\u011fimde art\u0131k neredeyse tamamen silinmi\u015f olan sanatsal m\u00fcdahalesi, Solakzade Sokak\u2019ta herhangi bir \u015feyi tamir etmemi\u015f. Asfalt\u0131n veya betonun ek yerini bile doldurmam\u0131\u015f. G\u00f6rd\u00fc\u011f\u00fcm kadar\u0131yla, \u00e7\u00fcnk\u00fc g\u00f6rd\u00fc\u011f\u00fcm\u00fcn i\u015fin kendisi oldu\u011fundan bile emin olamad\u0131m, hareketli bir sokak olan Solakzade\u2019de i\u015f \u015fartlara uygun \u00fcretilmedi\u011finden silinip gitmi\u015f, kald\u0131r\u0131m kenarlar\u0131nda ve yol \u00e7atla\u011f\u0131nda belli belirsiz baz\u0131 sar\u0131 izler kalm\u0131\u015f. Silinme, silikle\u015fme, belirsizlik, varla yok aras\u0131l\u0131k, bunlar\u0131n hepsi sanat\u0131n \u015f\u00fcphesiz konular\u0131.<\/p>\n

\u0130\u015fin ac\u0131 taraf\u0131, sanat\u00e7\u0131n\u0131n bu temalar\u0131 ele ald\u0131\u011f\u0131 ba\u015fka, etkileyici i\u015fleri de var. Ancak burada izleyicinin, bu konuma geldi\u011finde, yap\u0131t\u0131n ne oldu\u011funu anlamas\u0131 neredeyse imk\u00e2ns\u0131z. Kazanc\u0131 Yoku\u015fu\u2019nun ba\u015f\u0131ndaki ikinci konumda da ayn\u0131 zorlu\u011fu ya\u015fad\u0131m. Tamir edilen \u00e7e\u015fme mi? \u00c7e\u015fmeyle yolun ek yeri mi? Duvardaki ve yerdeki g\u00fcm\u00fc\u015fi iz, yap\u0131t m\u0131, yoksa bir s\u00fcm\u00fckl\u00fcb\u00f6cek mi ge\u00e7mi\u015f oradan? D\u00fc\u015f\u00fcn\u00fcyorum, takip ediyorum, ama bu kintsugi de\u011fil. Kintsugi Beyo\u011flu K\u00fclt\u00fcr Yolu ad\u0131na d\u00fczenlenen bu serginin kavramsal \u00e7atlaklar\u0131n\u0131 kapatabilir miydi? Uygulamadaki, haritadaki yalap\u015fapl\u0131\u011fa \u00e7are bulabilir miydi? Sergi metinlerine dolgu olabilir miydi? Keyfinizi daha da ka\u00e7\u0131rmayay\u0131m.<\/p>\n

Eyleme d\u00f6n\u00fc\u015fmeyen hislenmeler<\/h5>\n

Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali\u2019nin d\u00fczenleni\u015f bi\u00e7imiyle ilgili anlat\u0131lan veya duydu\u011fum, ancak ki\u015fisel mesajlar\u0131 payla\u015famayaca\u011f\u0131m i\u00e7in veya belgelerle kan\u0131tlayamayaca\u011f\u0131m i\u00e7in yazamad\u0131klar\u0131m da var. Sergiye kat\u0131lan sanat\u00e7\u0131lar\u0131n baz\u0131lar\u0131n\u0131n serginin himaye yap\u0131s\u0131n\u0131 bilmedi\u011fi s\u00f6yleniyor. Bu konuda bilgilendirilmemi\u015fler deniyor. Gelgelelim, herhangi bir g\u00fcncel sanat\u00e7\u0131n\u0131n mevcut toplumsal \u015fartlarda ilk vazifesinin sergi s\u00fcrecinin hangi ara\u00e7larla y\u00fcr\u00fct\u00fclece\u011fini, hangi kurumlarla birlikte yap\u0131ld\u0131\u011f\u0131n\u0131 sormak oldu\u011funu s\u00f6ylemeye gerek var m\u0131?<\/p>\n

Bu sergiye kat\u0131lmay\u0131 reddetti\u011fini bildi\u011fimiz sanat\u00e7\u0131lar var. Hay\u0131r demek pek\u00e2l\u00e2 m\u00fcmk\u00fcn, gerekli. Daha kahredici olan, sergi bir kez a\u00e7\u0131l\u0131p herkes her \u015feyi g\u00f6rd\u00fckten sonra, yani hadi diyelim ki K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131\u2019n\u0131n ve Beyo\u011flu Belediyesi\u2019nin sergisinde yer ald\u0131\u011f\u0131n\u0131 bilmedi\u011fini iddia eden sanat\u00e7\u0131lar da bunu \u00f6\u011frendikten sonra, sanat\u00e7\u0131lar\u0131n hi\u00e7birinin sesinin \u00e7\u0131kmamas\u0131. Bundan kast\u0131m illa sergiden \u00e7ekilmek de\u011fil.<\/p>\n

Ara G\u00fcler\u2019in bize sordurdu\u011fu, cevab\u0131n\u0131 aramaya devam edece\u011fimiz sorular i\u015fte b\u00f6yle bir ikilemden do\u011fuyor: T\u00fcm bunlar\u0131 bilip, ya\u015fay\u0131p, bu zulm\u00fcn do\u011frudan hedefi olup bu zul\u00fcmden yana durmak nas\u0131l m\u00fcmk\u00fcn, bu nas\u0131l bir yol?<\/p><\/blockquote>\n

Biliyoruz ki, g\u00fcn\u00fcm\u00fczde sergisi olan sanat\u00e7\u0131 bunu sosyal medyada bol bol payla\u015f\u0131yor, duyuruyor, hatta payla\u015f\u0131lan\u0131 payla\u015f\u0131yor, bunun tan\u0131t\u0131mla oldu\u011fu kadar nezaketle de ilgisi var, hepimiz yap\u0131yoruz. Ama bu sergiye kat\u0131lan sanat\u00e7\u0131lar ekseriyetle bu sergiyi ve g\u00f6rsellerini, yukar\u0131da birini belirtti\u011fim istisnalar hari\u00e7, pek payla\u015fmamay\u0131 tercih ettiler, neredeyse yokmu\u015f gibi yapt\u0131lar. \u0130nstagram\u2019da #YayaSergisi tag\u2019inde, 9 Aral\u0131k itibar\u0131yla, sadece d\u00f6rt (4) payla\u015f\u0131m var. \u00c7ekiniyorlar m\u0131, utan\u0131yorlar m\u0131? \u00d6yleyse e\u011fer, bu hislenmeler neden bir eyleme d\u00f6n\u00fc\u015fm\u00fcyor? Sons\u00f6z yerine: Bu sergiden, sergi s\u0131ras\u0131nda \u00e7ekilecek bir sanat\u00e7\u0131n\u0131n beyan\u0131 \u00e7ok k\u0131ymetli olurdu.<\/p>\n

Zulm\u00fcn mek\u00e2n\u0131<\/h5>\n

Yapamad\u0131\u011f\u0131mla bitireyim. Beg\u00fcm \u00d6zden F\u0131rat\u2019\u0131n tarihsel bir bak\u0131\u015fla \u201ckamusall\u0131\u011f\u0131n bitmek bilmeyen \u00e7\u00f6k\u00fc\u015f\u00fc\u201d ad\u0131n\u0131 verdi\u011fi s\u00fcrecin g\u00fcncel sanat alan\u0131ndaki izi olarak g\u00f6rd\u00fc\u011f\u00fcm iki olay 2021\u2019in son aylar\u0131nda ya\u015fand\u0131: \u00c7ok daha a\u011f\u0131r bir y\u0131k\u0131m\u0131 kalbinde, Sur\u2019da ya\u015fayan Diyarbak\u0131r\u2019da, Ahmet G\u00fcne\u015ftekin\u2019in Haf\u0131za Odas\u0131 sergisinin ard\u0131ndan, \u0130stanbul\u2019da, Beyo\u011flu\u2019nun g\u00f6be\u011finde Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali \u201corganizasyonu\u201d yap\u0131ld\u0131. \u201cOrganizasyon\u201d yerinde bir kelime, \u00e7\u00fcnk\u00fc iki olayda da, farkl\u0131l\u0131klar ta\u015f\u0131salar da, siyasi ve ekonomik iktidar odaklar\u0131yla ili\u015fkili himaye yap\u0131s\u0131, a\u00e7\u0131l\u0131\u015flardaki \u015fenlikli, festivalli g\u00f6steri ve Ke\u00e7i Burcu\u2019ndan Gezi Park\u0131\u2019na kamusal mek\u00e2na yerle\u015fimden olu\u015fan kar\u0131\u015f\u0131m belirleyici.<\/p>\n

Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali\u2019ni konu\u015ftu\u011fumuz bir radyo program\u0131nda, i\u00e7inde bulundu\u011fumuz d\u00f6nemde \u00f6ne \u00e7\u0131kan iki kavram olarak ba\u011f\u0131ms\u0131zl\u0131k ve dayan\u0131\u015fmay\u0131 saym\u0131\u015ft\u0131m. Beyo\u011flu K\u00fclt\u00fcr Yolu Festivali\u2019nin yaya sergisi Kartografya\u2019n\u0131n y\u00fczeyine biraz bile dokununca, burada iletilen g\u00f6rsel, i\u015fitsel, metinsel mesaj\u0131n farkl\u0131 seslerin ba\u011f\u0131ms\u0131z bir ruhla kendini duyurabildi\u011fi bir semtle ili\u015fkili bir mesaj olmad\u0131\u011f\u0131 a\u00e7\u0131k\u00e7a ortaya \u00e7\u0131k\u0131yor. \u00d6ncelikle, b\u00fcy\u00fck b\u00fct\u00e7esine ra\u011fmen sanat\u00e7\u0131lar\u0131n \u00e7o\u011funun eskiden \u00fcretti\u011fi i\u015flerden alelacele biti\u015ftirilmi\u015f bir sergi bu.<\/p>\n

Bir semte, hem de Beyo\u011flu\u2019na dair oldu\u011funu iddia eden, yaya sergisi gibi iddial\u0131 bir kavram\u0131 \u00fcstlenmi\u015f gibi yapan bu sergi, yanl\u0131\u015flarla dolu haritas\u0131 ve k\u00fcnyeleriyle, s\u0131radan bir turistik turun gereklerini bile yerine getirmiyor. Bar\u0131\u015f Do\u011frus\u00f6z\u2019\u00fcn sergi hen\u00fcz a\u00e7\u0131lmadan sergiden \u00e7ekildi\u011fini kamusal olarak duyurmas\u0131n\u0131 ondan istemi\u015f olsam da, \u015f\u00fcphesiz bunu sergiyi d\u00fczenleyenler de yapabilirdi, yapmal\u0131yd\u0131. Ancak bu sergi bu t\u00fcr asgari teknik ve ahl\u00e2ki gerekliliklere \u201c\u00f6nemsemedim\u201d diyen bir sergi.<\/p>\n

\"\"Daha vahimi ise \u015fu: \u0130ktidar\u0131n damgas\u0131 her mek\u00e2n\u0131 ve her yap\u0131t\u0131 lekeler. Beyo\u011flu K\u00fclt\u00fcr Yolu, Beyo\u011flu tarihinin d\u00f6n\u00fcm noktalar\u0131n\u0131, \u015fehrin ruhunu \u00e7alan 24 Nisan\u2019\u0131, \u015fahdamar\u0131n\u0131 kesen 6-7 Eyl\u00fcl\u2019\u00fc, Taksim Meydan\u0131\u2019n\u0131 ilelebet i\u015f\u00e7inin meydan\u0131 k\u0131lan 1 May\u0131s 1977\u2019yi, Cumartesi Anneleri\u2019nin \u201ckay\u0131plar\u0131m\u0131zla bulu\u015fma mek\u00e2n\u0131m\u0131z\u201d olarak tan\u0131mlad\u0131\u011f\u0131 Galatasaray Meydan\u0131\u2019n\u0131, y\u00fcz y\u0131l ge\u00e7se unutulmayacak Gezi direni\u015fini ve saymakla bitmeyecek ger\u00e7ek \u00e2n\u0131 yok say\u0131yor. En ba\u015fta Ara G\u00fcler\u2019in bize sordurdu\u011fu, cevab\u0131n\u0131 aramaya devam edece\u011fimiz sorular i\u015fte b\u00f6yle bir ikilemden do\u011fuyor: T\u00fcm bunlar\u0131 bilip, ya\u015fay\u0131p, bu zulm\u00fcn do\u011frudan hedefi olup bu zul\u00fcmden yana durmak nas\u0131l m\u00fcmk\u00fcn, bu nas\u0131l bir yol?<\/p>\n

B\u00f6yle bir yolun festivali kapsam\u0131nda d\u00fczenlenen bu sergi de bir yaya sergisi de\u011fil. Aksine, Beyo\u011flu\u2019nu y\u0131kanlar\u0131n, rant\u0131n\u0131 yiyenlerin, \u00fcstelik hen\u00fcz hi\u00e7 de doymad\u0131klar\u0131n\u0131n simgesi, k\u00fclt\u00fcr yolu dedikleri bu hatt\u0131n ta kendisi olanlar\u0131 g\u00f6rmemizi engelleyen bir \u201cat\u0131 alan \u00dcsk\u00fcdar\u2019\u0131 ge\u00e7ti\u201d sergisi. Dolay\u0131s\u0131yla, bu serginin ad\u0131ndaki kartografya da, tarihsel, g\u00fcncel ve ya\u015fayan Beyo\u011flu\u2019nun ger\u00e7ek mek\u00e2n\u0131na de\u011fil, hakikati silerek, ya\u015fam alanlar\u0131n\u0131 ortadan kald\u0131rarak kendi \u00f6l\u00fc alanlar\u0131n\u0131 yaratan zulm\u00fcn mek\u00e2n\u0131na ait.<\/p>\n

*Express, say\u0131 178, K\u0131\u015f 2021-22<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"\u201cYa\u015fam politikalar\u0131 \u00fcretmemiz l\u00e2z\u0131m. Ve bu politikalar\u0131n mek\u00e2nsal boyutunu atlamamam\u0131z l\u00e2z\u0131m.\u201d M\u00fccella…\n","protected":false},"author":2,"featured_media":37011,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[4689],"tags":[2915,5424,5423,1070,3712],"class_list":{"0":"post-37010","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-secki","8":"tag-beyoglu","9":"tag-beyoglukulturfestivali","10":"tag-beyoglukulturyolu","11":"tag-galataport","12":"tag-manset"},"acf":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts\/37010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/comments?post=37010"}],"version-history":[{"count":0,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts\/37010\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/media\/37011"}],"wp:attachment":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/media?parent=37010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/categories?post=37010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/tags?post=37010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}