{"id":39965,"date":"2024-03-15T18:48:18","date_gmt":"2024-03-15T15:48:18","guid":{"rendered":"https:\/\/politeknik.org.tr\/?p=39965"},"modified":"2024-03-15T18:52:47","modified_gmt":"2024-03-15T15:52:47","slug":"monolitik-kakofonik-ve-kaotik-istanbul-buyuksehir-belediyesi-kultur-politikalari-stratejisi-ve-programlari-emre-erbirer","status":"publish","type":"post","link":"https:\/\/eonmeet.com\/pol\/monolitik-kakofonik-ve-kaotik-istanbul-buyuksehir-belediyesi-kultur-politikalari-stratejisi-ve-programlari-emre-erbirer\/","title":{"rendered":"Monolitik, kakofonik ve kaotik: \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi k\u00fclt\u00fcr politikalar\u0131, stratejisi ve programlar\u0131 – Emre Erbirer (argonotlar.com)"},"content":{"rendered":"

Mart ay\u0131n\u0131n gelmesiyle T\u00fcrkiye\u2019de 2024 yerel se\u00e7imleri i\u00e7in son d\u00fczl\u00fc\u011fe girdik. Bu vesileyle son be\u015f y\u0131ld\u0131r \u0130stanbul\u2019u y\u00f6neten -ve dilerim her \u015feye ra\u011fmen \u00f6n\u00fcm\u00fczdeki be\u015f y\u0131l daha y\u00f6netecek olan- CHP\u2019nin \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin k\u00fclt\u00fcr politikalar\u0131na ve ard\u0131 ard\u0131na a\u00e7t\u0131\u011f\u0131 -\u00f6n\u00fcm\u00fczdeki d\u00f6nem 28 tane daha a\u00e7aca\u011f\u0131n\u0131 m\u00fcjdeledi\u011fi (!)- k\u00fclt\u00fcr merkezi ve m\u00fczelere, d\u00fczenledi\u011fi etkinlikler ile strateji ve programlar\u0131na bir g\u00f6z atal\u0131m istedim. Bir kamu payda\u015f\u0131 ve k\u00fclt\u00fcr profesyoneli olarak sorgulamalar\u0131m\u0131z\u0131 kay\u0131t alt\u0131na alal\u0131m, nitelikli bir tart\u0131\u015fma ortam\u0131 yaratal\u0131m ve yerel se\u00e7ime haz\u0131rlanan belediye ile bir par\u00e7as\u0131 oldu\u011fumuz k\u00fclt\u00fcr sekt\u00f6r\u00fcn\u00fcn kula\u011f\u0131na kar suyu ka\u00e7\u0131raca\u011f\u0131n\u0131 umdu\u011fumuz sorular\u0131 ortaya b\u0131rakal\u0131m.<\/p>\n

2017 y\u0131l\u0131n\u0131n Ocak ay\u0131nda Istanbul Art News\u2019in Piyasa eki i\u00e7in \u201cBelediye\u2019nin M\u00fczecilikle \u0130mtihan\u0131<\/a>\u201d ba\u015fl\u0131kl\u0131 bir yaz\u0131 kaleme alm\u0131\u015f ve bir kamu kurulu\u015fu olarak belediyenin kamudan uzak ve bir politikadan yoksun \u015fekilde k\u00fclt\u00fcr alan\u0131n\u0131 y\u00f6netmeye \u00e7al\u0131\u015fmas\u0131 \u00fczerine bir de\u011ferlendirme yapm\u0131\u015ft\u0131m. O d\u00f6nem AKP taraf\u0131ndan y\u00f6netilen \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin \u0130stanbul\u2019da 9 adet m\u00fcze a\u00e7aca\u011f\u0131n\u0131 \u00f6\u011frenmemiz beni ve ba\u015fka bir\u00e7ok k\u00fclt\u00fcr profesyonelini bu m\u00fczelerin arkas\u0131ndaki hik\u00e2yeyi sorgulamaya itmi\u015fti. (De\u011fi\u015fen pek de bir \u015fey olmad\u0131, yeni \u0130BB y\u00f6netimi de bir k\u0131sm\u0131ndan pek de haberimiz olmadan be\u015f y\u0131lda ad\u0131 m\u00fcze olan yakla\u015f\u0131k 10 tane yap\u0131 a\u00e7t\u0131.) Ayn\u0131 yaz\u0131da referans verdi\u011fim, o zaman Gazete Duvar\u2019da yazan, \u015fu an Argonotlar\u2019\u0131n Kurucu Genel Yay\u0131n Y\u00f6netmeni olan K\u00fcltigin Ka\u011fan Akbulut, \u201cHaberiniz var m\u0131: \u0130BB 9 m\u00fcze a\u00e7\u0131yor<\/a>\u201d ba\u015fl\u0131kl\u0131 ilgili yaz\u0131s\u0131nda \u015f\u00f6yle bir soru soruyordu: \u201cBir kamu kurumu olarak \u0130BB\u2019yle olan ili\u015fkimizin \u0130stanbul Modern\u2019den farkl\u0131 bir yap\u0131da olmas\u0131n\u0131 bekleriz, de\u011fil mi? Ancak \u0130BB\u2019nin m\u00fcze haberlerini \u00f6\u011frenme \u015feklimiz komik denecek d\u00fczeyde.\u201d[1]\n

Sonu\u00e7 olarak, \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi AKP\u2019den CHP\u2019ye ge\u00e7ti, arada pek \u00e7ok \u201cm\u00fcze\u201d ve bir o kadar k\u00fclt\u00fcr merkezi a\u00e7\u0131ld\u0131 (ve a\u00e7\u0131lmaya devam ediyor), pek \u00e7ok vaat edilen m\u00fcze rafa kalkt\u0131; say\u0131s\u0131z konser, festival, etkinlik d\u00fczenlendi ancak kamu kurulu\u015flar\u0131n\u0131n k\u00fclt\u00fcr alan\u0131yla ili\u015fkisi ve kamu ile ilgili tav\u0131rlar\u0131nda baz\u0131 \u015feyler pek de de\u011fi\u015fmedi. \u0130\u015fbu yaz\u0131 da \u0130BB\u2019nin yeri geldi\u011finde \u00e7ok karma\u015f\u0131k bir \u015fekilde ele ald\u0131\u011f\u0131, yeri geldi\u011finde bir se\u00e7im malzemesine \u00e7evirdi\u011fi, yeri geldi\u011finde ise \u00fcst\u00fcnde tahakk\u00fcm kurmak i\u00e7in \u00e7ekinmedi\u011fi ve yer yer \u201cnepotizm ve vizyonsuzluk\u201d[2] ile s\u00fcrd\u00fcrmeye devam etti\u011fi bir alan olan \u201ck\u00fclt\u00fcr\u201d ile ili\u015fkisine odaklan\u0131yor. Zira belediyenin k\u00fclt\u00fcrle olan ili\u015fkisi \u201cBina in\u015fa etme ve a\u00e7ma feti\u015fizmi, g\u00f6steri\u015fli ama i\u00e7i bo\u015f etkinlik yapma merak\u0131\u201d[3]n\u0131n devam etti\u011fini de g\u00f6steriyor.<\/p>\n

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Temel sorumluluklar ve hayat\u0131n ger\u00e7ekleri<\/h5>\n

Bir b\u00fcy\u00fck\u015fehir belediyesinin k\u00fclt\u00fcr alan\u0131ndaki temel sorumluluklar\u0131 aras\u0131nda k\u00fclt\u00fcrel a\u00e7\u0131dan geli\u015fen bir ortam i\u00e7in liderlik yapmak, yerel varl\u0131klar\u0131n ve k\u00fclt\u00fcrlerin geli\u015fimini sa\u011flamak i\u00e7in stratejik planlar olu\u015fturmak, k\u00fclt\u00fcr\u00fcn sa\u011fl\u0131k, e\u011fitim ve ekonomik kalk\u0131nma alanlar\u0131na yans\u0131mas\u0131n\u0131 art\u0131rmak i\u00e7in kurum i\u00e7i ve d\u0131\u015f\u0131 payda\u015flarla i\u015fbirli\u011fi yapmak, farkl\u0131 topluluklar\u0131 anlamak ve karar alma s\u00fcre\u00e7lerinde onlara yer vermek, k\u00fclt\u00fcrel miras\u0131 korumak ve geli\u015ftirmek i\u00e7in k\u00fclt\u00fcr\u00fc yerel planlara entegre etmek ve belediye hizmetlerinin ve m\u00fcdahalelerin yerel, ekonomik, sosyal ve k\u00fclt\u00fcrel etkilerini de\u011ferlendirerek politikalar olu\u015fturmak say\u0131labilir. Burada esas g\u00f6revi yukar\u0131da listeledi\u011fimiz sorumluluklar etraf\u0131nda bir politika geli\u015ftirmek, geli\u015ftirilen politikalar ile ilgili stratejileri olu\u015fturmak ve bu stratejileri bir program \u00e7er\u00e7evesinde uygulamaya ge\u00e7irecek planlar\u0131 yapmak olan belediyenin k\u00fclt\u00fcr alan\u0131ndaki izlerinin mek\u00e2n-etkinlik eksenine s\u0131k\u0131\u015fm\u0131\u015f olmas\u0131na dair bir \u00f6r\u00fcnt\u00fc g\u00f6r\u00fcyoruz. Yaz\u0131n\u0131n temel \u00e7er\u00e7evesinini de bu \u00f6r\u00fcnt\u00fcye dair bir ele\u015ftiri olu\u015fturuyor.<\/p>\n

\u0130BB Genel Sekreter Yard\u0131mc\u0131s\u0131 ve K\u00fclt\u00fcr Varl\u0131klar\u0131 Dairesi Ba\u015fkan\u0131 Oktay \u00d6zel, The Art Newspaper\u2019a verdi\u011fi s\u00f6yle\u015fide<\/a> \u201c\u0130BB Miras\u2019\u0131n \u0130stanbul\u2019un miras\u0131n\u0131 korurken \u0130BB K\u00fclt\u00fcr\u2019\u00fcn de bu miras\u0131 ya\u015fatacak k\u00fclt\u00fcr politikalar\u0131 \u00fcretti\u011fini\u201d s\u00f6yl\u00fcyor, keza \u0130BB K\u00fclt\u00fcr Dairesi Ba\u015fkan\u0131 Volkan Aslan, D\u00fcnya gazetesine verdi\u011fi s\u00f6yle\u015fide<\/a> de \u201cK\u00fclt\u00fcr\u00fcn demok\u00adratikle\u015fmesinin yan\u0131 s\u0131ra k\u00fcl\u00adt\u00fcr hakk\u0131 olarak kentin her kesi\u00adminin kendini ifade edebilece\u011fi alanlar olu\u015fturma iste\u011findeyiz.\u201d s\u00f6ylemiyle bunu destekliyor; ancak ortada \u00fcretilen bir politika ve bunun yans\u0131t\u0131ld\u0131\u011f\u0131 alanlar\u0131 g\u00f6rmemiz pek m\u00fcmk\u00fcn de\u011fil. Aslan, bu s\u00f6yle\u015fisinde ayr\u0131ca ba\u011f\u0131ms\u0131zlar\u0131n \u00f6neminden dem vuruyor ve \u201chareket\u00adlendirilmesi gereken bir kamu fonu meselesi\u201dnden bahsediyor ve konuyu mevzuata ba\u011fl\u0131yor. \u0130\u015fte tam da burada yurt d\u0131\u015f\u0131ndaki \u00e7o\u011fu yerel y\u00f6netimin destek ve fon mekanizmalar\u0131 ile ili\u015fkilendi\u011fi bir yerde, \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin s\u00f6yle\u015fide de alt\u0131n\u0131 \u00e7izdiklerinin aksine monolitik bir yakla\u015f\u0131mla mek\u00e2n-etkinlik ekseninde her \u015feyi \u201ca\u00e7an, i\u015fleten, organize eden\u201d tarafta oldu\u011funu da g\u00f6rmek \u00f6nemli.<\/p>\n

Bununla birlikte bu ele\u015ftirileri yaparken mevcut belediyenin birlikte \u00e7al\u0131\u015fmas\u0131n\u0131n pek m\u00fcmk\u00fcn olmad\u0131\u011f\u0131 merkezi h\u00fck\u00fcmet ile ya\u015fan\u0131lan kutupla\u015fma ile y\u00f6neti\u015fim ve mevzuat sorununu, derinle\u015fen ekonomik krizi, pandemi-deprem-se\u00e7im gibi ola\u011fan d\u0131\u015f\u0131 s\u00fcre\u00e7lerden ge\u00e7ti\u011fimizi de biliyor ve t\u00fcm bu ele\u015ftirileri, daha iyisinin olabilece\u011fine dair d\u00fc\u015f\u00fcnceleri beyan etmek i\u00e7in bir ara\u00e7 olarak g\u00f6rd\u00fc\u011f\u00fcm\u00fc ve daha iyisi i\u00e7in birlikte \u00e7al\u0131\u015farak elimizi ta\u015f\u0131n alt\u0131na koyabilece\u011fimizi (ve ta\u015f \u00fcst\u00fcne ta\u015f koyabilece\u011fimizi) niyet ederek yap\u0131yorum.[4] Zira daha \u00f6nce Argonotlar i\u00e7in kaleme ald\u0131\u011f\u0131m \u201c\u0130stanbul Modern bize yeni ne s\u00f6yl\u00fcyor?<\/a>\u201dba\u015fl\u0131kl\u0131 yaz\u0131daki umudum ve niyetim baki: \u201cBu yaz\u0131n\u0131n k\u00fclt\u00fcr y\u00f6netimini konu\u015fulan bir konu haline getirmesini ve yeni tart\u0131\u015fmalar a\u00e7mas\u0131n\u0131 umuyorum ve yeni ele\u015ftirilerin de habercisi olmas\u0131n\u0131 niyet ediyorum.\u201d<\/p>\n

Vizyon, politika, strateji ve program<\/h5>\n

\u0130BB\u2019nin k\u00fclt\u00fcr politikalar\u0131ndan sorumlu birimi K\u00fclt\u00fcr Daire Ba\u015fkanl\u0131\u011f\u0131 taraf\u0131ndan 2020 y\u0131l\u0131n\u0131n \u015eubat ay\u0131nda, tam da pandemi ba\u015flamadan \u00f6nce \u201c\u0130stanbul K\u00fclt\u00fcr Sanat Platformu Olu\u015fum \u00c7al\u0131\u015ftay\u0131\u201d ba\u015fl\u0131kl\u0131 bir \u00e7al\u0131\u015ftay d\u00fczenlenmi\u015fti.\u201c\u0130stanbul\u2019un k\u00fclt\u00fcr sanat politikalar\u0131n\u0131 kat\u0131l\u0131mc\u0131 ve kapsay\u0131c\u0131 bir \u015fekilde planlamak, k\u00fclt\u00fcr sanat ya\u015fam\u0131n\u0131n sorunlar\u0131n\u0131n, \u00f6nceliklerinin, vizyonlar\u0131n\u0131n s\u00fcrd\u00fcr\u00fclebilir kalk\u0131nma ilkeleri temelinde belirlendi\u011fi, tart\u0131\u015f\u0131ld\u0131\u011f\u0131, \u00e7\u00f6z\u00fcmlerinin geli\u015ftirildi\u011fi, ortak akl\u0131n ve uzla\u015fman\u0131n esas oldu\u011fu demokratik bir yap\u0131 olarak d\u00fc\u015f\u00fcn\u00fcld\u00fc\u011f\u00fc\u201d belirtilen bu \u00e7al\u0131\u015ftay sonucunda bir rapor yay\u0131nlanm\u0131\u015f[5] ve sonras\u0131nda \u0130stanbul K\u00fclt\u00fcr Sanat Platformu Dan\u0131\u015fma Kurulu kurulmu\u015ftu.[6] G\u00f6n\u00fcll\u00fcl\u00fck esas\u0131yla \u00e7al\u0131\u015facak olan Dan\u0131\u015fma Kurulu \u00fcyelerinin g\u00f6rev s\u00fcrelerinin bir y\u0131l olmas\u0131 ve y\u0131lda en az \u00fc\u00e7 toplant\u0131 yapmalar\u0131 \u00f6ng\u00f6r\u00fclm\u00fc\u015ft\u00fc. Bu kuruldaki \u00fcyelerin g\u00f6rev s\u00fcresi bitti\u011finde yerlerine yeni \u00fcyeler se\u00e7ilmedi. \u0130BB Miras ve \u0130BB K\u00fclt\u00fcr\u2019\u00fcn mevcut \u00e7al\u0131\u015fmalar\u0131n\u0131n arkas\u0131ndaki vizyonu ortaya koyan, \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi eski Genel Sekreter Yard\u0131mc\u0131s\u0131 ve \u015fu anda Fatih Belediyesi Ba\u015fkan Aday\u0131 olarak duyurulan Mahir Polat, Ocak 2023\u2019te Politikyol\u2019a verdi\u011fi s\u00f6yle\u015fide,<\/a> \u0130BB\u2019nin \u201cUzunca bir s\u00fcredir k\u00fclt\u00fcr-sanat d\u00fcnyas\u0131 i\u00e7in bir \u00e7al\u0131\u015fma a\u011f\u0131 modeli tasarlamak \u00fczere hummal\u0131 bir \u00e7aba i\u00e7erisinde\u201d oldu\u011funu ve \u201cYak\u0131nda a\u00e7\u0131klanmas\u0131 beklenen bu modelde, k\u00fclt\u00fcr-sanat d\u00fcnyas\u0131ndaki t\u00fcm payda\u015flar bir araya getirilecek ve yabanc\u0131 i\u015fbirlikleriyle de bu alan g\u00fc\u00e7lendirilecek; uluslararas\u0131 kurumlarla ortak projeler, sergiler, yay\u0131nlar, koleksiyon ortakl\u0131klar\u0131 yoluyla se\u00e7enekler geni\u015fletilecek.\u201d ifadelerinde bulunuyordu. Aradan bir y\u0131l ge\u00e7ti ancak bu \u00e7al\u0131\u015fma a\u011f\u0131 modeline dair payla\u015f\u0131lan bir \u015fey olmad\u0131.<\/p>\n

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Dinamik G\u00f6z sergisi a\u00e7\u0131l\u0131\u015f\u0131ndan g\u00f6r\u00fcn\u00fcm<\/figcaption><\/figure>\n

Yeni y\u00f6netimin vizyonuyla \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi b\u00fcnyesinde kurulan ve ku\u015fkusuz yeni y\u00f6netimin en \u00f6nemli yap\u0131 ta\u015flar\u0131ndan biri olan \u0130stanbul Planlama Ajans\u0131 (\u0130PA), yerel politikalar\u0131n stratejik planlamayla geli\u015ftirilmesi i\u00e7in \u00e7ok \u00f6nemli bir ad\u0131md\u0131. \u0130PA \u00e7at\u0131s\u0131 alt\u0131nda onlarca \u00e7al\u0131\u015ftay yap\u0131ld\u0131, ara\u015ft\u0131rma y\u00fcr\u00fct\u00fcld\u00fc, rapor ve yay\u0131n haz\u0131rland\u0131, strateji geli\u015ftirildi. Ancak d\u00f6rt y\u0131lda oda\u011f\u0131na k\u00fclt\u00fcr-sanat\u0131 alan sadece iki tane i\u00e7erik \u00fcretildi ki ikisi de planlama ile ilgili de\u011fil. \u0130stanbul Planlama Ajans\u0131 ve \u0130BB K\u00fclt\u00fcr Daire Ba\u015fkanl\u0131\u011f\u0131 i\u015fbirli\u011finde 2021 y\u0131l\u0131nda d\u00fczenlenen \u201c\u0130klim Krizi ile M\u00fccadelede K\u00fclt\u00fcr Sanat\u0131n Rol\u00fc: COP26 Ard\u0131ndan Ekolojik ve S\u00fcrd\u00fcr\u00fclebilir D\u00f6n\u00fc\u015f\u00fcm\u201d \u00e7al\u0131\u015ftay\u0131 ile \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi Et\u00fcd ve Projeler Dairesi Ba\u015fkanl\u0131\u011f\u0131, \u0130stanbul Planlama Ajans\u0131 ve amberPlatform i\u015fbirli\u011finde 2022 y\u0131l\u0131nda d\u00fczenlenen \u201cKamusal Alanda Dijital Sanat\u201d at\u00f6lyesi, \u0130PA\u2019n\u0131n k\u00fclt\u00fcr-sanat alan\u0131ndaki tekil faaliyetleri olarak kendine yer buldu.[7]\n

Bu ajans \u00e7at\u0131s\u0131 alt\u0131nda bir bile\u015fen olarak konumland\u0131r\u0131lan Vizyon 2050 Ofisi ise \u201cNas\u0131l bir \u0130stanbul istiyoruz? \u0130stanbul\u2019un gelece\u011fini birlikte nas\u0131l planlayabiliriz?\u201d sorular\u0131na bir vizyon ve strateji \u00e7al\u0131\u015fmas\u0131yla yan\u0131t vermek i\u00e7in \u00e7al\u0131\u015fmalar y\u00fcr\u00fctmeye ba\u015flad\u0131 ve bu \u00e7al\u0131\u015fmalar\u0131n bir sonucu olarak -olduk\u00e7a nitelikli bir politika belgesi olarak nitelendirebilece\u011fimiz- \u0130stanbul Vizyon 2050 Strateji Belgesi<\/a>\u2019ni 2022 y\u0131l\u0131n\u0131n yaz aylar\u0131nda yay\u0131nlad\u0131. Ancak bu strateji belgesinde de k\u00fclt\u00fcr, daha \u00e7ok k\u00fclt\u00fcrel miras ve kenti k\u00fclt\u00fcrel a\u00e7\u0131dan bir odak haline getirmek gibi alanlarda kendine yer bulurken k\u00fclt\u00fcr politikalar\u0131n\u0131n temel birer par\u00e7as\u0131 olmas\u0131n\u0131 bekledi\u011fimiz k\u00fclt\u00fcrel hizmetlere eri\u015fim, k\u00fclt\u00fcrel \u00fcretime kat\u0131l\u0131m, k\u00fclt\u00fcrel ifadelerin \u00e7e\u015fitlili\u011fin korunmas\u0131, k\u00fclt\u00fcr\u00fcn demokratikle\u015ftirilmesi, k\u00fclt\u00fcrleraras\u0131 diyalog alanlar\u0131n\u0131n yarat\u0131lmas\u0131, sanatsal ifade ve yarat\u0131c\u0131l\u0131k \u00f6zg\u00fcrl\u00fc\u011f\u00fc gibi konular\u0131n kendine gerekti\u011fi kadar yer bulamamas\u0131 ka\u00e7\u0131r\u0131lm\u0131\u015f bir f\u0131rsat oldu. Keza ayn\u0131 raporda kullan\u0131lan \u201c\u0130stanbul\u2019da yer alan k\u00fclt\u00fcrel tesisler ve k\u00fclt\u00fcr end\u00fcstrileri, kentin merkezindeki Beyo\u011flu, Fatih, Kad\u0131k\u00f6y, Be\u015fikta\u015f ve \u015ei\u015fli il\u00e7elerinde k\u00fclt\u00fcr \u00fc\u00e7geninde yo\u011funla\u015fmaktad\u0131r.\u201d[8] ifadesi neredeyse 15 y\u0131l \u00f6nce yap\u0131lan \u201cK\u00fclt\u00fcr Ekonomisi Envanteri: \u0130stanbul 2010\u201d yay\u0131n\u0131na referans veriyor. Son on be\u015f y\u0131lda envanterde ne gibi bir de\u011fi\u015fiklik oldu ve \u00f6zellikle belediye(ler) taraf\u0131ndan a\u00e7\u0131lan k\u00fclt\u00fcrel tesisler ile yeniden i\u015flevlendirilen mek\u00e2nlar burada nas\u0131l rol oynuyor gibi konular da bu bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131 zenginle\u015ftirmesi ad\u0131na \u00f6nemli veriler sunabilirdi. Yine ayn\u0131 raporda bahsedilen \u201cSultanbeyli, Gaziosmanpa\u015fa, Zeytinburnu ve G\u00fcng\u00f6ren gibi kent merkezinde bulunan il\u00e7eler; k\u00fclt\u00fcrel hizmet sunan tesis oran\u0131n\u0131n, \u0130stanbul\u2019daki toplam k\u00fclt\u00fcrel tesis oran\u0131na g\u00f6re en d\u00fc\u015f\u00fck oldu\u011fu il\u00e7elerdendir.\u201d[9] ifadesini referans alarak \u0130BB\u2019nin son d\u00f6rt y\u0131lda bu il\u00e7elere k\u00fclt\u00fcrel hizmet sunan hangi tesisleri a\u00e7t\u0131\u011f\u0131n\u0131 veya neleri de\u011fi\u015ftirdi\u011fini de sorabiliriz.<\/p>\n

\u0130BB\u2019nin k\u00fclt\u00fcr alan\u0131ndaki i\u015ftiraki K\u00fclt\u00fcr A.\u015e\u2019nin 2022 y\u0131l\u0131 faaliyet raporunda<\/a> ise \u201c2020-2024 hedeflerinin yer ald\u0131\u011f\u0131 \u2018stratejik plan\u2019 \u00e7al\u0131\u015fmalar\u0131 tamamlanm\u0131\u015ft\u0131r.\u201d ibaresi ge\u00e7mekte ancak kamu ile payla\u015f\u0131lan herhangi bir stratejik plan \u00e7al\u0131\u015fmas\u0131 olmad\u0131\u011f\u0131 i\u00e7in buna dair bir analiz yapmak m\u00fcmk\u00fcn de\u011fil.<\/p>\n

K\u00fclt\u00fcr[\u00fcn] y\u00f6netimi<\/h5>\n

\u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nde y\u0131llardan beri devam eden \u201ck\u00fclt\u00fcr\u201d\u00fcn nas\u0131l ele al\u0131naca\u011f\u0131 ve y\u00f6netilece\u011fiyle ilgili bir y\u00f6neti\u015fim karma\u015fas\u0131 var. Bu karma\u015fa, mevcut y\u00f6netim s\u00fcrecinde de ne yaz\u0131k ki \u00e7\u00f6z\u00fclemedi. Keza bunun sanc\u0131lar\u0131n\u0131 da somut sonu\u00e7lar\u0131n\u0131 da her g\u00fcn g\u00f6r\u00fcyoruz. \u0130BB\u2019de temel olarak k\u00fclt\u00fcrel faaliyetler ve k\u00fclt\u00fcr politikalar\u0131 ile ilgilenen bir K\u00fclt\u00fcr Dairesi Ba\u015fkanl\u0131\u011f\u0131 var. Bu ba\u015fkanl\u0131\u011fa ba\u011fl\u0131 K\u00fclt\u00fcrel Etkinlikler, Orkestralar, \u015eehir Tiyatrolar\u0131 ve Turizm \u015fube m\u00fcd\u00fcrl\u00fckleri mevcut. Bu daire ba\u015fkanl\u0131\u011f\u0131n\u0131n g\u00f6revlerine ne yaz\u0131k ki \u0130BB\u2019nin sitesinden ula\u015fam\u0131yoruz. \u0130lgili daire ba\u015fkanl\u0131\u011f\u0131 i\u00e7in a\u00e7\u0131lan kultursanat.istanbul adresi de bize bu a\u015famada yard\u0131mc\u0131 olmuyor. Bu alandaki ihalelere bakmak istedi\u011fimizde ise bizi 2007 y\u0131l\u0131ndan kalma bir ihale \u00e7a\u011fr\u0131s\u0131 kar\u015f\u0131l\u0131yor. \u0130BB\u2019nin ilgili alanda ge\u00e7mi\u015f ve mevcut ihaleleri olsa dahi bu sayfada g\u00fcncel olarak kendine yer bulamam\u0131\u015f. K\u00fclt\u00fcr Dairesi Ba\u015fkanl\u0131\u011f\u0131\u2019nda Daire Ba\u015fkan\u0131 g\u00f6revine \u015eubat 2023 itibar\u0131yla vek\u00e2leten Volkan Aslan atand\u0131. Daha \u00f6nce Ata\u015fehir Belediyesi\u2019nde Sanat Koordinat\u00f6r\u00fc ve K\u00fclt\u00fcr M\u00fcd\u00fcr\u00fc olarak g\u00f6rev alan Aslan, halen bu g\u00f6revi s\u00fcrd\u00fcr\u00fcyor. K\u00fclt\u00fcrel Etkinlikler, \u015eehir Tiyatrolar\u0131 ile K\u00fct\u00fcphane ve M\u00fczeler \u015fube m\u00fcd\u00fcrlerinin bu alanlardaki deneyim ve yetkinliklerini ise sorgulamadan edemiyorum. Bu sorgulamalar \u00f6nemli, zira bu \u015fube m\u00fcd\u00fcrl\u00fckleri \u0130stanbul\u2019da k\u00fclt\u00fcrel etkinlik, tiyatro, k\u00fct\u00fcphane ve m\u00fczeyle ilgili bir\u00e7ok mek\u00e2n\u0131n ve program\u0131n sorumlulu\u011funu \u00fcstleniyor ve \u0130stanbullular\u0131n k\u00fclt\u00fcr-sanatla bulu\u015fmas\u0131n\u0131 sa\u011flayan esas kararlar\u0131 onlar veriyor. K\u00fclt\u00fcr ile ilgilienen bir di\u011fer birim ise kamuoyunda \u0130BB Miras olarak bilinen K\u00fclt\u00fcr Varl\u0131klar\u0131 Dairesi Ba\u015fkanl\u0131\u011f\u0131. Bu ba\u015fkanl\u0131\u011fa ba\u011fl\u0131 olarak da Koruma ve Uygulama Denetim, K\u00fclt\u00fcr Varl\u0131klar\u0131 Projeler, K\u00fclt\u00fcrel Miras Koruma ile K\u00fct\u00fcphane ve M\u00fczeler ba\u015fl\u0131kl\u0131 d\u00f6rt adet \u015fube m\u00fcd\u00fcrl\u00fc\u011f\u00fc daha var.<\/p>\n

\u0130BB\u2019nin ayr\u0131ca 1989 y\u0131l\u0131nda k\u00fclt\u00fcr, sanat ve turizm hizmetleri sunmak \u00fczere kurdu\u011fu ticari ama\u00e7l\u0131 bir anonim \u015firket olan K\u00fclt\u00fcr A.\u015e. ise \u201c\u0130stanbul\u2019un k\u00fclt\u00fcrel, co\u011frafi ve sanatsal g\u00fczelliklerini yurt i\u00e7inde ve yurt d\u0131\u015f\u0131nda tan\u0131tmak i\u00e7in k\u00fclt\u00fcrel organizasyonlardan yay\u0131mc\u0131l\u0131k faaliyetlerine, m\u00fcze i\u015fletmecili\u011finden a\u00e7\u0131k alan reklamc\u0131l\u0131\u011f\u0131na, k\u00fclt\u00fcrel mek\u00e2n i\u015fletmecili\u011finden ulusal ve uluslar aras\u0131 panel, sempozyum ve festivallere uzanan geni\u015f bir yelpazede organizasyonlar\u201d ger\u00e7ekle\u015ftiriyor. Bu \u00e7er\u00e7evede kamuya a\u00e7\u0131k ihalelere girerek ya da bizzat kendisi projeler \u00fcretip finansman\u0131n\u0131 sponsorluklar ya da kendi \u00f6z kaynaklar\u0131 ile temin ederek k\u00fclt\u00fcr ve sanat alan\u0131nda bir akt\u00f6r olarak faaliyetlerde bulunuyor.[10] K\u00fclt\u00fcr A.\u015e.\u2019nin \u00e7al\u0131\u015fmalar\u0131na ise kultursanat.istanbul\u2019dan farkl\u0131 olarak kultur.istanbul adresinden ula\u015f\u0131labiliyor. \u0130\u015fte karma\u015fa burada tekrar devreye giriyor. K\u00fclt\u00fcr A.\u015e.\u2019ye 2020 y\u0131l\u0131 sonunda Genel M\u00fcd\u00fcr olarak k\u00fclt\u00fcr sekt\u00f6r\u00fcn\u00fcn Pozitif ve Zorlu PSM vas\u0131tas\u0131yla yak\u0131ndan tan\u0131d\u0131\u011f\u0131 Murat Abbas atand\u0131. Murat Abbas, pop\u00fcler k\u00fclt\u00fcr ve k\u00fclt\u00fcr\u00fcn ticarile\u015fmesi \u00fczerine kurdu\u011fu dengeli bir strateji ve sekt\u00f6rden getirdi\u011fi yetkin isimlerle kurdu\u011fu ekiple \u00e7al\u0131\u015fmalar\u0131na devam ediyor. Ancak K\u00fclt\u00fcr A.\u015e.\u2019nin \u00e7al\u0131\u015fmalar\u0131, mevcut bir politika, strateji ve program olmadan ve do\u011fru y\u00f6neti\u015fim mekanizmalar\u0131 kurulmadan ne yaz\u0131k ki b\u00fct\u00fcnc\u00fcl bir \u015fekilde de\u011ferlendirilemiyor.<\/p>\n

\u0130stanbul\u2019da, K\u00fclt\u00fcr Dairesi Ba\u015fkanl\u0131\u011f\u0131\u2019n\u0131n sahibi oldu\u011fu, farkl\u0131 i\u015flevlerde 30\u2019dan fazla mek\u00e2n var. Bunun yan\u0131 s\u0131ra K\u00fclt\u00fcr A.\u015e.\u2019ye ba\u011fl\u0131 olarak faaliyet g\u00f6steren 5 m\u00fcze ve 16 k\u00fclt\u00fcr merkezi var. Bu k\u00fclt\u00fcr merkezlerinin bir k\u0131sm\u0131n\u0131n sahibi K\u00fclt\u00fcr Dairesi Ba\u015fkanl\u0131\u011f\u0131 ancak faaliyetlerini K\u00fclt\u00fcr A.\u015e.\u2019ye ba\u011fl\u0131 olarak s\u00fcrd\u00fcr\u00fcyorlar. Bununla beraber K\u00fclt\u00fcr A.\u015e. \u0130stanbul Kitap\u00e7\u0131s\u0131\u2019n\u0131n 14 \u015fubesinin y\u00f6netimini de \u00fcstleniyor. \u0130BB, ayr\u0131ca K\u00fct\u00fcphane ve M\u00fczeler M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019ne ba\u011fl\u0131 62 k\u00fct\u00fcphane ile 13 adet m\u00fczeyi de y\u00f6netiyor. Bu m\u00fczelerin bir k\u0131sm\u0131n\u0131n sahibi K\u00fclt\u00fcr Dairesi Ba\u015fkanl\u0131\u011f\u0131 ancak faaliyetlerini K\u00fct\u00fcphane ve M\u00fczeler M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019ne ba\u011fl\u0131 olarak s\u00fcrd\u00fcr\u00fcyorlar.[11] (Bununla birlikte \u201cm\u00fcze\u201d ad\u0131n\u0131 vererek a\u00e7t\u0131klar\u0131 ancak m\u00fcze olmaktan \u00e7ok uzak mek\u00e2nlarla da m\u00fcze kavram\u0131n\u0131n i\u00e7ini bo\u015faltt\u0131klar\u0131n\u0131 da s\u00f6ylemek gerek.) \u0130BB ve i\u015ftiraklerinin sahip oldu\u011fu t\u00fcm m\u00fcze, galeri, k\u00fclt\u00fcr merkezi, ya\u015fam merkezi, konser salonu, sinema, k\u00fct\u00fcphane, kitap\u00e7\u0131 gibi mek\u00e2nlar\u0131 tek bir yerde mi g\u00f6rmek istiyorsunuz? G\u00f6remezsiniz, zira t\u00fcm bunlar\u0131 g\u00f6rmek ve aralar\u0131ndaki ili\u015fkileri anlamak i\u00e7in \u00fcst\u00fcn bir \u00e7aba sarf etmeniz gerekiyor.<\/p>\n

\"\"
Dinamik G\u00f6z sergisi, Artistanbul Feshane<\/figcaption><\/figure>\n

\u0130BB \u00e7at\u0131s\u0131 alt\u0131nda yak\u0131n zamanda uluslararas\u0131 ili\u015fkiler ve i\u015fbirliklerini geli\u015ftirmek i\u00e7in K\u00fclt\u00fcrel Diplomasi Ofisi ba\u015fl\u0131kl\u0131 bir birim de hayata ge\u00e7irilmi\u015f. Bu birimin g\u00f6rev ve sorumluluklar\u0131n\u0131, i\u015fleyi\u015fini ve hedeflerini ise hen\u00fcz bilmiyoruz. Gila Benmayor\u2019un Ekonomim\u2019deki \u201cK\u00fclt\u00fcrel diplomasi meyvelerini veriyor<\/a>\u201d ba\u015fl\u0131kl\u0131 yaz\u0131s\u0131ndan \u00f6\u011frendi\u011fimiz kadar\u0131yla \u201cD\u00f6nem d\u00f6nem yurt d\u0131\u015f\u0131na \u00e7\u0131k\u0131p \u00f6nde gelen sanat kurumlar\u0131yla g\u00f6r\u00fc\u015f\u00fcyorlar, buraya davet ediyorlar, yurt d\u0131\u015f\u0131nda fahri temsilcileri var ve k\u00fclt\u00fcr-sanat \u00fczerinden \u0130stanbul\u2019u tan\u0131tmay\u0131 hedefliyorlar.\u201d K\u00fclt\u00fcrel Diplomasi ofisinin ba\u015f\u0131nda yer alan Ozan \u015eakar\u2019\u0131n ekonomi ve yat\u0131r\u0131m bankac\u0131l\u0131\u011f\u0131 alan\u0131ndaki k\u0131ymetli deneyiminin k\u00fclt\u00fcrel diplomasi, uluslararas\u0131 ili\u015fkiler ve k\u00fclt\u00fcr politikalar\u0131na nas\u0131l katk\u0131 sa\u011flad\u0131\u011f\u0131 ise merak konusu. Bununla birlikte Volkan Aslan\u2019\u0131n \u00f6nce D\u00fcnya gazetesindeki s\u00f6yle\u015fisinden<\/a>, ard\u0131ndan ge\u00e7ti\u011fimiz haftalarda ArtDog Istanbul\u2019daki s\u00f6yle\u015fisinden<\/a> \u00f6\u011frendi\u011fimiz kadar\u0131yla belediye b\u00fcnyesinde bir de K\u00fclt\u00fcr Politikalar\u0131 birimi kurulmas\u0131 i\u00e7in \u00e7al\u0131\u015f\u0131l\u0131yormu\u015f. Bu birimin de K\u00fclt\u00fcrel Diplomasi Ofisi ile e\u015fg\u00fcd\u00fcml\u00fc \u00e7al\u0131\u015faca\u011f\u0131n\u0131 anl\u0131yoruz. Belki bu sayede politika-strateji-program ekseninde bir d\u00fczelme olur.<\/p>\n

\u0130BB\u2019nin k\u00fclt\u00fcr-sanat alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131na katk\u0131da bulunmas\u0131 i\u00e7in kurulan ancak -her ikisinin de \u00fcyesi oldu\u011fum i\u00e7in- nitelikli bir \u015fey \u00fcretti\u011fi konusunda \u015f\u00fcpheli oldu\u011fum iki yap\u0131 daha var: \u0130stanbul Kent Konseyi K\u00fclt\u00fcr-Sanat \u00c7al\u0131\u015fma Grubu ile \u0130stanbul Turizm Platformu K\u00fclt\u00fcr-Sanat Komisyonu. Bu iki yap\u0131n\u0131n da hen\u00fcz \u0130BB\u2019ye bir katk\u0131 sundu\u011funu veya fayda sa\u011flad\u0131\u011f\u0131n\u0131 g\u00f6rmedim. (E\u011fer mevcut bir faydas\u0131 varsa g\u00f6rmeyi \u00e7ok isterim). Bu tip farkl\u0131 yap\u0131lar\u0131n \u0130BB ile nas\u0131l \u00e7al\u0131\u015ft\u0131\u011f\u0131 ve bu yap\u0131lar\u0131n i\u015fleyi\u015f s\u00fcre\u00e7lerine dair bir sistem tasar\u0131m\u0131 ve y\u00f6neti\u015fim \u00e7al\u0131\u015fmas\u0131 elzem, aksi takdirde bu yap\u0131lar tabela dernekleri gibi bir i\u015flev \u00fcretmeden varl\u0131klar\u0131n\u0131 s\u00fcrd\u00fcrmeye devam edecek ve karar alma\/verme s\u00fcre\u00e7lerinde herhangi bir etkileri olmayacak.<\/p>\n

Kaynaklar\u0131n payla\u015f\u0131m\u0131<\/h5>\n

\u0130BB\u2019nin k\u00fclt\u00fcr alan\u0131ndaki i\u015flerini ele\u015ftirirken ele alman\u0131n \u00f6nemli oldu\u011fu bir konu da ku\u015fkusuz mevcut kaynaklar\u0131n payla\u015f\u0131m\u0131 ve yeni kaynaklar\u0131n yarat\u0131lmas\u0131 ve da\u011f\u0131t\u0131lmas\u0131 s\u00fcrecinin adil ve \u015feffaf olup olmad\u0131\u011f\u0131.<\/p>\n

Bir kamu kurulu\u015fu hangi karar mekanizmalar\u0131yla belirli k\u00fcrat\u00f6rleri se\u00e7er, o k\u00fcrat\u00f6rlerle ve onlar\u0131n se\u00e7ti\u011fi sanat\u00e7\u0131larla sergi yapar? Belediyenin d\u00fczenledi\u011fi konserlerde, sahip oldu\u011fu mek\u00e2nlar\u0131nda ve d\u00fczenledi\u011fi etkinliklerinde a\u011f\u0131rlad\u0131\u011f\u0131 ki\u015filere neye g\u00f6re karar verilir? Bu ki\u015filere nas\u0131l bir finansal katk\u0131da bulunulur? \u00d6rne\u011fin Cendere Sanat\u2019ta arka arkaya a\u00e7\u0131lan iki serginin de k\u00fcrat\u00f6rleri neden ayn\u0131d\u0131r? Ayn\u0131 k\u00fcrat\u00f6rlerin yak\u0131n zamanlarda \u0130BB\u2019nin di\u011fer mek\u00e2nlar\u0131 M\u00fcze Gazhane ve Taksim Sanat\u2019ta sergi yapmalar\u0131, \u0130BB\u2019nin yar\u0131\u015fmalar\u0131nda j\u00fcri olmalar\u0131 bize ne s\u00f6yler? Peki ya m\u00fczik alan\u0131nda i\u015fler nas\u0131l? \u0130BB\u2019nin konserlerine vesile oldu\u011fu m\u00fczisyenlerin se\u00e7imi nas\u0131l oluyor? Burada \u201c\u00e7eperdeki kentliler \u00f6ncelikli olmak \u00fczere, dezavantajl\u0131 k\u00fclt\u00fcrel ve sosyal gruplar taraf\u0131ndan \u00fcretilen k\u00fclt\u00fcrel ve sanatsal de\u011ferler\u201d[12] ne kadar \u00f6ne \u00e7\u0131k\u0131yor? Veya \u201csponsorluk mekanizmalar\u0131n\u0131n d\u0131\u015f\u0131nda kalan yarat\u0131c\u0131 potansiyeli y\u00fcksek sanat\u00e7\u0131lar\u201d[13] \u0130BB\u2019nin konser programlar\u0131nda kendine ne kadar yer bulabiliyor? Peki ya \u0130BB mek\u00e2nlar\u0131nda etkinliklerde konu\u015fmac\u0131 ve moderat\u00f6r olarak yer alan ki\u015filer emeklerinin kar\u015f\u0131l\u0131\u011f\u0131nda bir \u00fccret al\u0131yor mu? O \u00e7ok bahsi ge\u00e7en ba\u011f\u0131ms\u0131zlar nas\u0131l destekleniyor? \u0130BB t\u00fcm bu kaynaklar\u0131n da\u011f\u0131t\u0131m\u0131na dair nitelikli bir veri tutuyor mu? \u0130BB Veri Politikas\u0131 bu s\u00fcre\u00e7lere d\u00e2hil mi?<\/p>\n

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100 Y\u0131l Perspektifinde Sanat: T\u00fcrkiye\u2019de Modern ve \u00c7a\u011fda\u015f\u0131n Ser\u00fcveni sergisinden g\u00f6r\u00fcn\u00fcm<\/figcaption><\/figure>\n

\u00d6rne\u011fin yeni a\u00e7\u0131lan \u0130stanbul Tasar\u0131m M\u00fczesi\u2019ne bakal\u0131m. Alanda 40\u2019tan fazla kirac\u0131 yer al\u0131yor ancak bu kirac\u0131lar\u0131n bir k\u0131sm\u0131n\u0131n neden burada oldu\u011funu anlamak olduk\u00e7a zor, keza bir k\u0131sm\u0131n\u0131n hi\u00e7bir i\u00e7erik ve programlama olmadan sadece yer doldurmak i\u00e7in alana d\u00e2hil edildi\u011fi g\u00f6r\u00fcl\u00fcyor. Hi\u00e7bir a\u00e7\u0131k \u00e7a\u011fr\u0131 yap\u0131lmadan, de\u011ferlendirme\/k\u00fcrasyon kriterleri belirlenmeden, etkile\u015fim stratejisi ve deneyim tasar\u0131m\u0131 yap\u0131lmadan olu\u015fturulan bu alan bir m\u00fcze olmad\u0131\u011f\u0131 gibi; kirac\u0131lara sat\u0131\u015f izni verilmedi\u011fi i\u00e7in kaybetti\u011fi \u201cd\u00fckk\u00e2n\u201d fonksiyonu ve 16. y\u00fczy\u0131ldan beri ta\u015f\u0131d\u0131\u011f\u0131 ticari i\u015flevi y\u00fcz\u00fcnden bir \u201ctasar\u0131m d\u00fckk\u00e2n\u0131\u201d bile olam\u0131yor. \u0130stanbul Tasar\u0131m M\u00fczesi\u2019nde yer alan 40\u2019tan fazla sanat\u00e7\u0131, tasar\u0131mc\u0131 ve kurum kim taraf\u0131ndan, hangi kriterler do\u011frultusunda se\u00e7ildi? Buradaki mek\u00e2nlarda yer almak i\u00e7in neden bir a\u00e7\u0131k \u00e7a\u011fr\u0131 yap\u0131lmad\u0131, de\u011ferlendirme kriterleri olu\u015fturulmad\u0131, ba\u011f\u0131ms\u0131z bir se\u00e7ici kurul belirlenmedi? (O \u00e7ok sevilen liyakat kelimesi acaba unutuldu mu?) Mesela \u0130stanbul Tasar\u0131m Bienali\u2019ni kald\u0131ran ve Tasar\u0131m Ma\u011fazas\u0131\u2019n\u0131 y\u0131llar \u00f6nce kapatan \u0130KSV, \u201ctasar\u0131m\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda burada kendine nas\u0131l yer buluyor? Veya k\u00e2r amac\u0131 g\u00fcden bir \u00f6zel \u015firket olan TEPTA Ayd\u0131nlatma, halihaz\u0131rda \u0130BB\u2019nin i\u015flerine sponsor oldu\u011fu i\u00e7in mi \u00fccretsiz mek\u00e2n tahsisinden yararlanabiliyor? Bu i\u015fler nas\u0131l d\u00f6n\u00fcyor? (Yak\u0131n zamanda \u0130BB K\u00fclt\u00fcr \u00fczerinden eri\u015fti\u011fimiz \u0130stanbul Tasar\u0131m M\u00fczesi Talep Formu<\/a> bu s\u00fcrece nas\u0131l bir katk\u0131 sa\u011flayacak, o da ayr\u0131 merak konusu.) Peki ya asli g\u00f6revleri aras\u0131nda \u201c\u0130stanbul\u2019un k\u00fclt\u00fcr\u00fcn\u00fc kitap merkezli yerli ve yabanc\u0131 mecralarda tan\u0131tmay\u0131 hedefleyen \u0130stanbul konulu nitelikli ve \u00f6zenli prestij kitaplarla kentin k\u00fclt\u00fcr envanterine ciddi katk\u0131lar sa\u011flanmas\u0131n\u0131 \u00f6ncelikleyen yay\u0131nc\u0131l\u0131k faaliyetleri\u201d[14] olan K\u00fclt\u00fcr A.\u015e.; neden Franz Kafka, Stefan Zweig, H\u00fcseyin Rahmi G\u00fcrp\u0131nar gibi telif haklar\u0131 konusunda bir sorun ya\u015famayaca\u011f\u0131 \u00e7oksatan kitaplar\u0131 bas\u0131yor ve yay\u0131nc\u0131l\u0131k piyasas\u0131nda haks\u0131z bir rekabet avantaj\u0131 elde ediyor?<\/p>\n

Bu alanda g\u00fczel \u015feyler de yap\u0131lm\u0131yor de\u011fil elbet. Vizyon 2050 Strateji Belgesi<\/a>\u2019nde yer alan 2022 y\u0131l\u0131n\u0131n verilerine g\u00f6re \u201c\u0130stanbul\u2019da k\u00fclt\u00fcr harcamalar\u0131n\u0131n hane halk\u0131 gelirine oran\u0131 %3, k\u00fclt\u00fcrel aktivitelere kat\u0131l\u0131m g\u00f6steren \u0130stanbullular\u0131n toplam n\u00fcfusa oran\u0131 %7.5 ve \u0130stanbullular\u0131n %44,6\u2019s\u0131 b\u00fct\u00e7e ay\u0131ramad\u0131\u011f\u0131 i\u00e7in k\u00fclt\u00fcr ve sanat etkinliklerine kat\u0131lamam\u0131\u015f.\u201d[15] Ayr\u0131ca \u201c\u0130stanbul\u2019da gen\u00e7lerin %47\u2019si k\u00fclt\u00fcr ve sanat faaliyetlerine b\u00fct\u00e7e ay\u0131ramamakta ve b\u00fct\u00e7e ay\u0131ramama, k\u00fclt\u00fcr sanat etkinliklerine kat\u0131lamama sebepleri aras\u0131nda, %45 ile en \u00fcst s\u0131rada yer almakta.\u201d K\u00fclt\u00fcr A.\u015e taraf\u0131ndan 2023 y\u0131l\u0131n\u0131n yaz\u0131nda hayata ge\u00e7irilen Koltuk Senin uygulamas\u0131, bu a\u00e7\u0131dan \u00f6nemli bir bo\u015flu\u011fu dolduruyor. Bu uygulama, 24 ya\u015f ve alt\u0131 \u0130stanbullulara k\u00fclt\u00fcr-sanat etkinliklerinden \u00fccretsiz faydalanma f\u0131rsat\u0131 sunuyor. Zorlu PSM\u2019nin \u201cSon Dakika Koltu\u011fum\u201d uygulamas\u0131na benzer bir \u015fekilde i\u015fleyen sistem, sadece \u0130BB de\u011fil farkl\u0131 k\u00fclt\u00fcr kurumlar\u0131n\u0131n da d\u00e2hil olmas\u0131yla gen\u00e7lerin k\u00fclt\u00fcre eri\u015fimi i\u00e7in \u00f6nemli bir f\u0131rsat sunuyor. Bu kapsamda 2022 y\u0131l\u0131nda \u0130stanbul\u2019da 13 farkl\u0131 mek\u00e2n ve 273 etkinlikte 11.945 gencin \u00fccretsiz olarak etkinliklerle bulu\u015fturulmas\u0131 sa\u011flanm\u0131\u015f.[16] Peki bunun yan\u0131 s\u0131ra, gen\u00e7lerin k\u00fclt\u00fcre kat\u0131l\u0131m\u0131 \u00f6n\u00fcndeki finansal engeller d\u0131\u015f\u0131nda ba\u015fka ne gibi engeller oldu\u011fuyla ilgili bir ara\u015ft\u0131rma yap\u0131lm\u0131\u015f, strateji geli\u015ftirilmi\u015f ve politika uygulanm\u0131\u015f m\u0131?[17]\n

Yine K\u00fclt\u00fcr A.\u015e. taraf\u0131ndan 2022 y\u0131l\u0131nda hayata ge\u00e7irilen Radar \u0130stanbul adl\u0131 uygulama ile \u0130stanbullular\u0131n \u015fehirde var olan k\u00fclt\u00fcr-sanat etkinliklerini tek platformdan ke\u015ffedebildi\u011fi ve harita \u00f6zelli\u011fiyle en yak\u0131n\u0131ndaki etkinlikleri g\u00f6rebildi\u011fi bir sistem ama\u00e7lanm\u0131\u015f. Ancak bu platform,\u201cK\u00fclt\u00fcr sanat sekt\u00f6r\u00fcn\u00fcn ve en b\u00fcy\u00fck 10 biletleme \u015firketinin altyap\u0131s\u0131 ile entegre edilen\u201d[18] bir \u015fekilde yap\u0131ld\u0131\u011f\u0131 i\u00e7in k\u00fclt\u00fcr sekt\u00f6r\u00fcnde b\u00fcy\u00fck bal\u0131\u011f\u0131n k\u00fc\u00e7\u00fckleri yedi\u011fi tablo tekrar kendini g\u00f6stermi\u015f. Tekrar sormakta fayda var: Ba\u011f\u0131ms\u0131zlar nerede? Peki ya dezavantajl\u0131 gruplar? K\u00fclt\u00fcrel ifadelerin \u00e7e\u015fitlili\u011fi peki? Bununla beraber Radar \u0130stanbul\u2019dan \u0130BB\u2019nin kendi etkinlik ve programlar\u0131na ula\u015f\u0131lam\u0131yor; \u0130BB K\u00fclt\u00fcr\u2019\u00fcn etkinliklerine bir ba\u015fka \u0130BB mobil uygulamas\u0131 olan \u0130stanbul Senin\u2019den ula\u015fabiliyorsunuz. Ayr\u0131ca yabanc\u0131 turistler i\u00e7in haz\u0131rlanan ve ge\u00e7ti\u011fimiz aylarda lansman\u0131 yap\u0131lan visit.istanbul adl\u0131 bir platform var ki buradan g\u00fcncel ve nitelikli bir bilgi edinmek imk\u00e2ns\u0131z. Bu kadar \u00e7ok ve birbiriyle entegre olmayan dijital platform ve uygulamaya ihtiya\u00e7 var m\u0131? Bu uygulamalar\u0131n her birinde ayr\u0131 ayr\u0131 olu\u015fturulan hesaplar, tutulan veriler, depolanan bilgiler neye hizmet ediyor? S\u00f6z\u00fcn\u00fc \u00e7ok\u00e7a ettikleri, o \u00e7ok sevilen yapay zek\u00e2 burada nerede?<\/p>\n

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Yeniden i\u015flevlendirme<\/h5>\n

Ku\u015fkusuz yeni \u0130BB d\u00f6nemine damgas\u0131n\u0131 vuran \u015fey, \u0130BB Miras taraf\u0131ndan d\u00f6n\u00fc\u015ft\u00fcr\u00fclen ve yeniden i\u015flevlendirilen alanlar oldu. Ge\u00e7ti\u011fimiz d\u00f6nemlerde \u0130stanbul\u2019un pek \u00e7ok il\u00e7esinde a\u00e7\u0131lm\u0131\u015f; niteli\u011fi, tasar\u0131m\u0131, i\u015flevi, eri\u015fimi vb. ba\u015fl\u0131 ba\u015f\u0131na sorgulanabilecek pek \u00e7ok k\u00fclt\u00fcr merkezi, yerini 2019 sonras\u0131nda yeni y\u00f6netimin vizyonu do\u011frultusunda daha nitelikli k\u00fclt\u00fcrel mek\u00e2nlara b\u0131rakt\u0131. Bunda \u015f\u00fcphesiz \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin 2022\u2019de yay\u0131nlad\u0131\u011f\u0131 Vizyon 2050 Strateji Belgesi\u2019nde yer alan \u201c\u0130yi Ya\u015fam Sa\u011flayan Canl\u0131 ve Duyarl\u0131 Mek\u00e2nlar\u201d temas\u0131 alt\u0131ndaki \u201cK\u00fclt\u00fcrel miras\u0131 korumak, yarat\u0131c\u0131 ve yenilik\u00e7i yakla\u015f\u0131mlarla kentsel ya\u015famla ba\u011f\u0131n\u0131 g\u00fc\u00e7lendirmek\u201d amac\u0131 da yol g\u00f6sterici olmu\u015ftur. Ancak ayn\u0131 belgede yer alan \u201cHerkes \u0130\u00e7in Eri\u015filebilir ve Adil Kentsel Olanaklar\u201d temas\u0131 alt\u0131ndaki \u201c\u0130stanbullular\u0131n aktif kat\u0131l\u0131m\u0131yla kenti sanat ve k\u00fclt\u00fcr alan\u0131nda odak haline getirmek\u201d ile \u201cE\u015fit ve \u00d6zg\u00fcr Toplum\u201d temas\u0131ndaki \u201cB\u00fct\u00fcn toplumsal ve k\u00fclt\u00fcrel gruplar\u0131n \u00f6zg\u00fcnl\u00fckleriyle birlikte ya\u015fayabilmesine imk\u00e2n sa\u011flamak\u201d amac\u0131n\u0131n kendine burada nas\u0131l kar\u015f\u0131l\u0131k buldu\u011funu da sorgulamak gerekiyor.<\/p>\n

Yeni \u0130BB y\u00f6netimi, kendisinden \u00f6nceki y\u00f6netim d\u00f6neminde niteliksiz mimari tasar\u0131mlar ve alakas\u0131z programlarla \u015fehrin d\u00f6rt bir yan\u0131nda hi\u00e7bir k\u00fclt\u00fcrel dokuya ve kente entegre olmadan a\u00e7\u0131lan k\u00fclt\u00fcr merkezleri yerine, halihaz\u0131rda var olan k\u00fclt\u00fcrel veya end\u00fcstriyel miras yap\u0131lar\u0131n\u0131 d\u00f6n\u00fc\u015ft\u00fcrme ve yeniden i\u015flevlendirmeyi tercih etti.[19] Bunu yaparken de ba\u015far\u0131l\u0131 bir \u015fekilde markaland\u0131rd\u0131\u011f\u0131 \u0130BB Miras ile k\u00fclt\u00fcrel miras\u0131 sahiplenmeyi hem stratejik bir hamle olarak ele ald\u0131, hem de kamu nezdinde k\u00fclt\u00fcrel mirasa dair bir fark\u0131ndal\u0131k yaratmay\u0131 ba\u015fard\u0131. (Ba\u015far\u0131n\u0131n sonu\u00e7lar\u0131n\u0131 \u00f6n\u00fcm\u00fczdeki se\u00e7imlerde g\u00f6rece\u011fiz.) Peki bu yeni k\u00fclt\u00fcr mek\u00e2nlar\u0131, \u0130BB\u2019nin \u015fu anki k\u00fclt\u00fcr politikalar\u0131n\u0131n \u00f6nceki y\u00f6netimden nas\u0131l farkl\u0131la\u015ft\u0131\u011f\u0131na dair ne s\u00f6yl\u00fcyor?<\/p>\n

En ba\u015fta tabii ki \u015fehrin d\u00f6rt bir yan\u0131nda kimliksiz ve niteliksiz yeni binalar yapmak yerine mevcut alanlar\u0131n i\u015flevlendirilmesi, k\u00fclt\u00fcrel miras\u0131n korunmas\u0131 ve kamuya a\u00e7\u0131lmas\u0131 ad\u0131na \u00f6nemli bir kazan\u0131m. Ancak bununla beraber i\u015flevlendirme ve programlama k\u0131sm\u0131nda ge\u00e7ti\u011fimiz y\u00f6netimle benzer bir modelin tekrarland\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Zira \u0130stanbul\u2019un k\u00fclt\u00fcr hayat\u0131na kazand\u0131r\u0131lan bu mek\u00e2nlar, herhangi bir ara\u015ft\u0131rma ve stratejiden yoksun bir \u015fekilde, toplumsal ihtiya\u00e7lar\u0131n kar\u015f\u0131lanmas\u0131 i\u00e7in kat\u0131l\u0131mc\u0131 y\u00f6ntemler kullan\u0131lmadan, tarihsel ba\u011flam\u0131ndan uzak, birbirine \u00e7ok benzer i\u00e7erik ve programlar\u0131 halka \u201csunan\u201d bir konumda duruyor. Oysaki Vizyon 2050 Strateji Belgesi\u2019nde \u201c\u0130\u015flevini kaybetmi\u015f miras alanlar\u0131n\u0131n, alan\u0131n niteliklerinin ve tarihsel ba\u011flam\u0131n\u0131n dikkate al\u0131narak toplumsal ihtiya\u00e7lar\u0131n kar\u015f\u0131lanmas\u0131 i\u00e7in kat\u0131l\u0131mc\u0131 y\u00f6ntemler, yenilik\u00e7i ve yarat\u0131c\u0131 yakla\u015f\u0131mlarla yeniden kullan\u0131m\u0131n\u0131n sa\u011flanarak korunmas\u0131 hedeflenmektedir.\u201d[20] deniliyordu. Keza ayn\u0131 belgede yer alan \u201c\u0130stanbul\u2019da sivil toplumun k\u00fclt\u00fcrel miras hakk\u0131 ba\u011flam\u0131nda Emek Sinemas\u0131, Taksim Meydan\u0131 ve Gezi Park\u0131, Haydarpa\u015fa Gar\u0131, Valideba\u011f Korusu, Hasanpa\u015fa Gazhanesi, tarihi kent bostanlar\u0131 gibi k\u00fclt\u00fcrel miras de\u011feri atfedilen alanlar\u0131n korunmas\u0131na y\u00f6nelik \u00f6nemli deneyimleri vard\u0131r. Ancak \u0130stanbul, k\u00fclt\u00fcrel miras\u0131n korunmas\u0131na ili\u015fkin toplumsal taleplerin g\u00fc\u00e7lenebilece\u011fi kat\u0131l\u0131m ve izleme ara\u00e7lar\u0131na sahip de\u011fildir. Bu a\u00e7\u0131dan \u0130stanbullular\u0131n k\u00fclt\u00fcrel miras\u0131 belirleme, mirasa eri\u015fme ve ondan yararlanma, koruma, y\u00f6netme, geli\u015ftirmede s\u00f6z sahibi olmas\u0131n\u0131 sa\u011flayacak kat\u0131l\u0131m ve izleme ara\u00e7lar\u0131 geli\u015ftirilmelidir.\u201d[21] ibaresi \u00fczerinden \u0130BB\u2019nin k\u00fclt\u00fcrel mirasa yakla\u015f\u0131m\u0131nda salt restorasyon ve yeniden i\u015flevlendirmeyi \u00f6nceliklendirdi\u011fini; k\u00fclt\u00fcrel miras\u0131n korunmas\u0131na ili\u015fkin toplumsal taleplerin g\u00fc\u00e7lenebilece\u011fi ve \u0130stanbullular\u0131n k\u00fclt\u00fcrel miras\u0131 belirleme, mirasa eri\u015fme ve ondan yararlanma, (onu) koruma, y\u00f6netme, geli\u015ftirmede s\u00f6z sahibi olmas\u0131n\u0131 sa\u011flayacak kat\u0131l\u0131m ve izleme ara\u00e7lar\u0131n\u0131 olu\u015fturmak konusunda nitelikli ve kapsay\u0131c\u0131 bir ad\u0131m atmad\u0131\u011f\u0131n\u0131 s\u00f6yleyebiliriz. A\u00e7\u0131k \u015fantiye gibi uygulamalarla restorasyon s\u00fcre\u00e7lerini kay\u0131t alt\u0131na alan yay\u0131nlar bu alanda \u00f6nemli ad\u0131mlar ancak kat\u0131l\u0131m ve izleme s\u00fcre\u00e7lerinde daha fazla yap\u0131land\u0131r\u0131lm\u0131\u015f ve demokratik araca ihtiya\u00e7 var. Zira yak\u0131n zamanda Hali\u00e7 Dayan\u0131\u015fmas\u0131\u2019n\u0131n haf\u0131zam\u0131z\u0131 tazeledi\u011fi Tweet zinciri<\/a> ile 2018 y\u0131l\u0131nda Recep Tayyip Erdo\u011fan taraf\u0131ndan Bilim Merkezi olaca\u011f\u0131 duyurulan Hali\u00e7 Tersanesi\u2019nin 2020 y\u0131l\u0131nda yeni \u0130BB y\u00f6netimi taraf\u0131ndan herhangi bir strateji olmadan, \u00f6nce \u0130stanbul M\u00fczik M\u00fczesi, ard\u0131ndan \u201cDenizcilik temal\u0131 ya\u015fayan m\u00fcze\u201d, daha sonra 2022 y\u0131l\u0131nda ise \u0130stanbul Sanat M\u00fczesi ad\u0131yla a\u00e7\u0131laca\u011f\u0131n\u0131 \u00f6\u011frendik. Ge\u00e7ti\u011fimiz hafta a\u00e7\u0131lan ve 300\u2019den fazla esere ev sahipli\u011fi yapan \u201cm\u00fcze\u201d, bas\u0131n b\u00fclteninde iddia edildi\u011fi gibi \u00e7a\u011fda\u015f sanatla da ili\u015fkilenmiyor. Bu m\u00fczeyle ilgili de \u00e7e\u015fitli sorular sorulabilir. Bu m\u00fczenin bir k\u00fcrat\u00f6r\u00fc, sanat tarihi dan\u0131\u015fman\u0131 ve ekibi var m\u0131? \u00d6n\u00fcm\u00fczdeki d\u00f6nemde yan\u0131na Deniz M\u00fczesi gelece\u011fini de \u00f6\u011frendi\u011fimiz[22] bu alanda, halihaz\u0131rda bir Deniz M\u00fczesi olan \u0130stanbul\u2019un ikinci bir deniz m\u00fczesine ihtiyac\u0131 ger\u00e7ekten var m\u0131?[23] \u015eehirde \u0130stanbul Modern Sanat M\u00fczesi (\u0130stanbul Modern) adl\u0131 bir m\u00fcze varken \u0130stanbul Sanat M\u00fczesi ad\u0131yla bir m\u00fcze a\u00e7mak \u00f6zellikle turistler i\u00e7in kafa kar\u0131\u015ft\u0131r\u0131c\u0131 olmayacak m\u0131?<\/p>\n

Oktay \u00d6zel, The Art Newspaper T\u00fcrkiye\u2019ye verdi\u011fi s\u00f6yle\u015fide<\/a>, \u0130BB Miras taraf\u0131ndan \u015fehre kazand\u0131r\u0131lan yap\u0131lar\u0131n i\u015flev s\u00fcre\u00e7lerini tasarlarken kendileri i\u00e7in en \u00f6nemli kriterin \u201cO \u00e7evredeki kullan\u0131c\u0131lar\u0131n g\u00fcndelik hayata dair al\u0131\u015fkanl\u0131klar\u0131\u201doldu\u011funu s\u00f6yl\u00fcyor. Ancak yeniden i\u015flevlendirme \u00e7al\u0131\u015fmalar\u0131n\u0131n \u00e7\u0131kt\u0131lar\u0131na bakt\u0131\u011f\u0131m\u0131zda mahallelilerin g\u00fcndelik hayata dair al\u0131\u015fkanl\u0131klar\u0131 yerine pop\u00fclist ve tekd\u00fcze bir i\u015flevlendirme ve programlama g\u00f6r\u00fcyoruz. \u0130BB Miras taraf\u0131ndan restore edilerek yeniden i\u015flevlendirilen ve \u0130BB K\u00fclt\u00fcr taraf\u0131ndan programlanan t\u00fcm mek\u00e2nlarda benzer bir i\u00e7erik ve programlama g\u00f6r\u00fcyoruz. O zaman \u015funu soral\u0131m, \u0130BB Miras ekibinde \u201crestorat\u00f6rden konservat\u00f6re, mimardan in\u015faat m\u00fchendisine, sanat tarih\u00e7isinden arkeolo\u011fa, i\u00e7 mimardan grafik tasar\u0131mc\u0131ya kadar \u00e7ok \u00e7e\u015fitli alanlardan uzmanlar\u201d[24] bulunuyor ise bu ekipte ara\u015ft\u0131rmac\u0131, sosyolog, antropolog, sosyal tasar\u0131mc\u0131, servis tasar\u0131mc\u0131s\u0131, stratejist, k\u00fclt\u00fcr y\u00f6neticisi ve k\u00fcrat\u00f6r de var m\u0131? Yoksa niye yok?<\/p>\n

Peki neler farkl\u0131 olabilirdi?<\/h5>\n

\u015e\u00fcphesiz t\u00fcm bu sorular bizi kapsaml\u0131 bir k\u00fclt\u00fcr stratejisine duyulan ihtiyaca getiriyor. Bununla birlikte kaynak payla\u015f\u0131m\u0131 ve y\u00f6neti\u015fim a\u00e7\u0131s\u0131ndan d\u00fcnyada stratejiden beslenen iyi \u00f6rnekler yok de\u011fil.<\/p>\n

\u00d6rne\u011fin Londra\u2019dan sorumlu yerel y\u00f6netim Greater London Authority\u2019nin 2018 y\u0131l\u0131nda K\u00fclt\u00fcr Stratejisi<\/a> belgesinde strateji ve programlar \u015fu d\u00f6rt ana ba\u015fl\u0131kta inceleniyor:<\/p>\n

1. Londra\u2019y\u0131 Seviyorum \u2013 Daha fazla insan\u0131n kap\u0131lar\u0131n\u0131n \u00f6n\u00fcnde k\u00fclt\u00fcr\u00fc deneyimlemesi ve yaratmas\u0131.<\/p>\n

2. K\u00fclt\u00fcr ve \u0130yi B\u00fcy\u00fcme \u2013 K\u00fclt\u00fcrel mek\u00e2nlar\u0131 ve alanlar\u0131 desteklemek, kurtarmak ve s\u00fcrd\u00fcrmek.<\/p>\n

3. Yarat\u0131c\u0131 Londral\u0131lar \u2013 Gelece\u011fe y\u00f6nelik \u00e7e\u015fitli ve yarat\u0131c\u0131 i\u015f g\u00fcc\u00fcne yat\u0131r\u0131m yapmak.<\/p>\n

4. D\u00fcnya \u015eehri \u2013 Bug\u00fcn ve gelecekte k\u00fcresel bir yarat\u0131c\u0131 g\u00fc\u00e7 merkezi olmak.<\/p>\n

Bu belgede 19 politika maddesi ile 85 alt aksiyon ad\u0131m\u0131 var. Buna ba\u011fl\u0131 olarak mahalle \u00f6l\u00e7e\u011finde yerel k\u00fclt\u00fcr\u00fc destekleyen programlar, risk alt\u0131ndaki k\u00fclt\u00fcr ve topluluk mek\u00e2nlar\u0131n\u0131 oda\u011f\u0131na alan, kamusal alanda \u00e7e\u015fitlilik ve temsiliyeti koruyan, Londra\u2019da sanat\u00e7\u0131lar\u0131n ve yarat\u0131c\u0131 i\u015fletmelerin \u00e7al\u0131\u015fmak i\u00e7in kal\u0131c\u0131 ve uygun fiyatl\u0131 alanlar bulabilecekleri alanlar\u0131 belirlemeye y\u00f6nelik, giri\u015fimlerin b\u00fcy\u00fcmelerinin desteklendi\u011fi ve yerel halk\u0131n yarat\u0131c\u0131 sekt\u00f6r becerilerini \u00f6\u011frenmesine ve istihdama giden yollara eri\u015fmesine yard\u0131mc\u0131 olunan b\u00f6lge programlar\u0131 ile sanat\u00e7\u0131lar ve yarat\u0131c\u0131lar i\u00e7in uzun vadeli, uygun maliyetli bir alan sa\u011flamak, bu kritik end\u00fcstri i\u00e7in canl\u0131 ve korunakl\u0131 bir gelecek kurgulamak, topluluklar\u0131n de\u011ferini art\u0131rmak ve Londra\u2019y\u0131 g\u00fc\u00e7lendirmek i\u00e7in kurulmu\u015f fon mekanizmalar\u0131 var.<\/p>\n

Berlin\u2019de ise yine \u00f6zg\u00fcn bir yap\u0131 g\u00f6r\u00fcyoruz. Berlin federal eyaletine ait k\u00e2r amac\u0131 g\u00fctmeyen bir \u015firket olarak faaliyet g\u00f6steren ve projelerinin i\u00e7eri\u011fi konusunda tam \u00f6zerkli\u011fe sahip olan Kulturprojekte Berlin<\/a>; Berlin k\u00fclt\u00fcr hayat\u0131n\u0131 daha da g\u00fc\u00e7lendirmek, tan\u0131tmak ve \u015fehrin \u00e7e\u015fitli k\u00fclt\u00fcrel akt\u00f6rleri aras\u0131nda daha derin ba\u011flant\u0131lar kurmak i\u00e7in \u00e7al\u0131\u015f\u0131yor. Bunun yan\u0131 s\u0131ra k\u00fclt\u00fcrel ve yarat\u0131c\u0131 profesyoneller i\u00e7in bir dan\u0131\u015fma merkezi i\u015flevi g\u00f6ren Kreativ Kultur Berlin<\/a>; proje finansman\u0131, k\u00fclt\u00fcrel finansman, profesyonelle\u015fme ve serbest meslek konular\u0131nda sorular\u0131 olan veya bir ba\u015flang\u0131\u00e7 \u200b\u200b\u200b\u200bprojesi planlayan Berlin\u2019deki k\u00fclt\u00fcrel ve yarat\u0131c\u0131 profesyonellerin ilk ileti\u015fim noktas\u0131 olarak hizmet veriyor. Creative City Berlin<\/a> ise \u015fehirdeki sanat\u00e7\u0131lar, k\u00fclt\u00fcr \u00fcreticileri ve yarat\u0131c\u0131 end\u00fcstriler i\u00e7in merkezi bir platform g\u00f6revi g\u00f6r\u00fcyor. Berlin\u2019deki finansman programlar\u0131, \u00e7al\u0131\u015ftaylar, etkinlikler ve a\u00e7\u0131k pozisyonlar ile i\u015f olanaklar\u0131 hakk\u0131ndaki en son bilgileri tek bir platform \u00fczerinden payla\u015f\u0131yor.<\/p>\n

Londra ve Berlin gibi \u015fehirlerde g\u00f6r\u00fclen en \u00f6nemli farkl\u0131l\u0131klar, k\u00fclt\u00fcr politikalar\u0131n\u0131n yarat\u0131c\u0131 ekonomiyle birlikte kapsaml\u0131 bir \u015fekilde ele al\u0131nmas\u0131, k\u00fclt\u00fcrel stratejinin veri ve kan\u0131ta dayal\u0131 politika geli\u015ftirme y\u00f6ntemiyle belirlenmesi, t\u00fcm \u00fcretim s\u00fcre\u00e7lerinde yerel yarat\u0131c\u0131lar\u0131n ve topluluklar\u0131n dahiliyeti ve \u00fcretilen stratejilerin nitelikli programlarla kamu ile bulu\u015fmas\u0131 \u015feklinde. Peki t\u00fcm bunlar\u0131 birlikte d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fczde \u0130stanbul; politika, strateji ve programlama konusunda neden potansiyelinin alt\u0131nda kal\u0131yor ve \u0130BB neden daha adil ve yarat\u0131c\u0131 olam\u0131yor?[25]\n

\"\"
Artistanbul Feshane<\/figcaption><\/figure>\n
Sons\u00f6z<\/h5>\n

Mahir Polat, Ocak 2023\u2019te Politikyol\u2019a verdi\u011fi s\u00f6yle\u015fide<\/a> \u201cK\u00fclt\u00fcr\u00fcn k\u00fcresel pazarda bir piyasa ili\u015fkisine d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc, k\u00fclt\u00fcr kurumlar\u0131n\u0131n kamusal anlamda g\u00fc\u00e7lendirilmedi\u011fi i\u00e7in de pazar ili\u015fkilerine maruz kald\u0131\u011f\u0131n\u0131, sanat\u0131n metala\u015ft\u0131\u011f\u0131n\u0131\u201dbelirtiyor ve \u201cSanat\u0131n \u00f6zg\u00fcrle\u015fmesi gerekti\u011fini\u201d ve \u201cBelediyelerin de ona gerekli altyap\u0131y\u0131 sa\u011flamas\u0131 gerekti\u011fini\u201d ekliyor. Buradan yola \u00e7\u0131karak Vizyon 2050 Strateji Belgesi\u2019nde belirtilen hedefler ve g\u00f6rmesek d\u00e2hi varl\u0131\u011f\u0131ndan haberdar oldu\u011fumuz, K\u00fclt\u00fcr A.\u015e.\u2019nin 2020-2024 hedeflerinin yer ald\u0131\u011f\u0131 \u201cstratejik plan\u201d\u0131n geldi\u011fimiz noktada ne kadar tutturulmu\u015f oldu\u011funu sorgulayabiliriz.<\/p>\n

Son olarak \u015funlar\u0131 sormay\u0131 da de\u011ferli buluyorum: \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi k\u00fclt\u00fcr\u00fcn demokratikle\u015fmesi i\u00e7in ger\u00e7ekten \u00e7abal\u0131yor mu? K\u00fclt\u00fcr kurumlar\u0131n\u0131n kamusal anlamda g\u00fc\u00e7lendirilmesi ancak k\u00fclt\u00fcr kurumlar\u0131n\u0131n kurumsal yap\u0131lar\u0131n\u0131n ve finansal s\u00fcrd\u00fcr\u00fclebilirliklerinin desteklenmesiyle m\u00fcmk\u00fcn olmaz m\u0131? Sanat\u0131n \u00f6zg\u00fcrle\u015ftirilmesi i\u00e7in \u0130BB\u2019nin \u015feffaf, adil, kapsay\u0131c\u0131 ve yenilik\u00e7i bir i\u015fbirli\u011fi ve y\u00f6neti\u015fim politikas\u0131 benimsemesi gerekmez mi? Belediyelerin altyap\u0131 sa\u011flamas\u0131 gereken alanlarda ihtiya\u00e7 analizi olmadan gerekli altyap\u0131 nas\u0131l belirlenir? Bu sorular uzar gider, yan\u0131tlar tart\u0131\u015f\u0131labilir. Yeni \u0130BB y\u00f6netiminin k\u00fclt\u00fcr alan\u0131na nitelikli katk\u0131lar\u0131 ku\u015fkusuz \u00e7ok fazla ancak de\u011fi\u015ftirilmesi gereken pek \u00e7ok \u015fey oldu\u011fu da a\u015fik\u00e2r. Bu de\u011fi\u015fimi \u00f6n\u00fcm\u00fczdeki d\u00f6nemde hep birlikte g\u00f6rme ve daha demokratik ve \u015feffaf bir \u0130BB\u2019ye sahip olma umuduyla.<\/p>\n[1] Akbulut\u2019un ili\u015fkilenme \u00fczerine kurdu\u011fu bu analoji i\u00e7in se\u00e7ti\u011fi di\u011fer \u00f6rnek her daim bir kapal\u0131 kutu olmay\u0131 se\u00e7en \u0130stanbul Modern olunca ve yak\u0131n zamanda \u0130stanbul Modern\u2019in kamuyla ve k\u00fclt\u00fcr sekt\u00f6r\u00fcyle ili\u015fkisi ve \u0130BB\u2019nin \u0130stanbul Modern\u2019den ayr\u0131lan (Yoksa g\u00f6revden aff\u0131n\u0131 isteyen mi demeliyiz?) Levent \u00c7al\u0131ko\u011flu ile olan ili\u015fkisi gibi di\u011fer ili\u015fkileri de d\u00fc\u015f\u00fcn\u00fcnce y\u00fcz\u00fcm\u00fcze ister istemez koca bir g\u00fcl\u00fcmseme yay\u0131l\u0131yor. Zira kamunun ta kendisi olarak \u00fclkenin \u201c\u0130lk modern ve \u00e7a\u011fda\u015f sanat m\u00fczesi\u201dnin 10 y\u0131ldan fazla s\u00fcredir genel direkt\u00f6rl\u00fc\u011f\u00fcn\u00fc y\u00fcr\u00fcten en \u00fcst d\u00fczey \u00e7al\u0131\u015fan\u0131n\u0131n neden i\u015ften ayr\u0131ld\u0131\u011f\u0131, bu ayr\u0131l\u0131\u011f\u0131n neden kamu, sekt\u00f6r profesyonelleri ve medyayla d\u00fczg\u00fcn bir \u015fekilde payla\u015f\u0131lmad\u0131\u011f\u0131 bilinmez; bu ayr\u0131l\u0131\u011f\u0131 izleyen pek \u00e7ok dedikodu devam eder ve taraflardan hi\u00e7biri a\u00e7\u0131klama yapmazken \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin Levent \u00c7al\u0131ko\u011flu ile Casa Botter\u2019de sergi serileri yapaca\u011f\u0131n\u0131 haber almam\u0131z, bu sekt\u00f6rdeki ili\u015fkiler \u00fczerine cuk diye oturan bir \u00f6rnek oldu. K\u00fcltigin, 2019 y\u0131l\u0131nda yine Gazete Duvar\u2019da kaleme ald\u0131\u011f\u0131 \u201cK\u00fclt\u00fcr ve sanat d\u00fcnyas\u0131 yeni \u0130BB\u2019den neler bekliyor?\u201d ba\u015fl\u0131kl\u0131 yaz\u0131s\u0131nda ise uzun bir s\u00fcrenin ard\u0131ndan CHP\u2019ye ge\u00e7en \u0130BB y\u00f6netimi i\u00e7in \u201cT\u00fcrkiye\u2019nin b\u00fcy\u00fck kentleri art\u0131k CHP\u2019li belediyelere emanet. Peki, ba\u015fta \u0130BB olmak \u00fczere sosyal demokrat belediyeler nas\u0131l bir k\u00fclt\u00fcr ve sanat vizyonu geli\u015ftirecek?\u201ddiye sormu\u015ftu. Ben de 2021 y\u0131l\u0131nda k\u00fclt\u00fcr.limited i\u00e7in kaleme ald\u0131\u011f\u0131m \u201cGelecek ancak ge\u00e7mi\u015fin sahiplenilmesi ile ya\u015fanabilir*: M\u00fcze Gazhane\u201dyaz\u0131mda \u0130BB\u2019nin M\u00fcze Gazhane ile miras, haf\u0131za, kent m\u00fccadelesi, topluluk ve mek\u00e2n ile ili\u015fkilerine odaklanm\u0131\u015ft\u0131m. Sonras\u0131nda Onur Atay, Argonotlar i\u00e7in kaleme ald\u0131\u011f\u0131\u201cMu\u011flak kavramlar\u0131n kamusal alanlar\u0131: Yerel y\u00f6netim ve k\u00fclt\u00fcr sanat mek\u00e2nlar\u0131\u201d ba\u015fl\u0131kl\u0131 makaledebaz\u0131 mecralara ait \u00f6zelle\u015fmi\u015f tipteki mek\u00e2nlar\u0131 ba\u011flam\u0131n d\u0131\u015f\u0131nda tutarak genel mek\u00e2n enflasyonuna dair g\u00fcncel bir bak\u0131\u015f atmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131, ancak genel mek\u00e2n enflasyonuna dair b\u00fct\u00fcnc\u00fcl bir analiz ve ba\u011flam sunmayan bu yaz\u0131, analiz ve ba\u011flama asl\u0131nda ne kadar ihtiyac\u0131m\u0131z oldu\u011funu; zira veri ve kan\u0131ta dayal\u0131 politika geli\u015ftirmenin esas mesele olmas\u0131 gerekti\u011fini bize tekrar g\u00f6stermi\u015fti.<\/p>\n[2] https:\/\/www.gazeteduvar.com.tr\/yazarlar\/2019\/04\/19\/kultur-ve-sanat-dunyasi-yeni-ibbden-neler-bekliyor<\/p>\n[3] https:\/\/www.gazeteduvar.com.tr\/yazarlar\/2019\/04\/19\/kultur-ve-sanat-dunyasi-yeni-ibbden-neler-bekliyor<\/p>\n[4] K\u00fclt\u00fcr sekt\u00f6r\u00fcnde ta\u015f \u00fcst\u00fcne ta\u015f koymak ile ilgili daha fazla okumak i\u00e7in: https:\/\/argonotlar.com\/kultur-sanat-sektorunde-neden-tas-ustune-tas-koyamiyoruz\/<\/p>\n[5] \u0130lgili rapor, \u00e7al\u0131\u015ftay kat\u0131l\u0131mc\u0131lar\u0131 ile do\u011fru bir \u015fekilde payla\u015f\u0131lmam\u0131\u015f; 3. partiler arac\u0131l\u0131\u011f\u0131yla elde edilmi\u015fti. Rapora halen kamuya a\u00e7\u0131k bir ba\u011flant\u0131dan eri\u015fim m\u00fcmk\u00fcn de\u011fil.<\/p>\n[6] https:\/\/kultur.istanbul\/istanbul-kultur-sanat-platformu-danisma-kurulu-ilk-toplantisini-yapti\/<\/p>\n[7] \u0130\u015fbu yaz\u0131y\u0131 yazarken haberdar oldu\u011fum bir ba\u015fka \u00e7al\u0131\u015ftay ve hen\u00fcz yay\u0131nlanmam\u0131\u015f rapor ise yine \u0130stanbul Planlama Ajans\u0131 taraf\u0131ndan \u015eubat 2023\u2019te ger\u00e7ekle\u015ftirilen \u201c\u0130kinci Y\u00fczy\u0131l\u0131 Kar\u015f\u0131larken: \u0130stanbul\u2019da K\u00fclt\u00fcr Sanat\u201d ba\u015fl\u0131\u011f\u0131n\u0131 ta\u015f\u0131yor.<\/p>\n[8]https:\/\/vizyon2050.istanbul\/upload\/content\/vizyon2050_strateji_belgesi_120623comp2_2023612_1352369.pdf<\/p>\n[9]https:\/\/vizyon2050.istanbul\/upload\/content\/vizyon2050_strateji_belgesi_120623comp2_2023612_1352369.pdf<\/p>\n[10] https:\/\/kultur.istanbul\/kultur-a-s\/<\/p>\n[11] Oktay \u00d6zel\u2019in payla\u015f\u0131mlar\u0131na g\u00f6re ise 2019\u2019dan bug\u00fcne 63 an\u0131t eser, 34 kamusal sanat eseri, 22 yeni m\u00fcze, 197 tarihi \u00e7e\u015fme ve 943 tarihi alan \u0130BB Miras korumas\u0131yla bulu\u015fmu\u015f. \u0130\u015fbu yaz\u0131n\u0131n yaz\u0131ld\u0131\u011f\u0131 s\u00fcre\u00e7te de 3-4 tane ad\u0131 m\u00fcze ve k\u00fclt\u00fcr merkezi olan yer a\u00e7\u0131ld\u0131, o y\u00fczden bu say\u0131lar g\u00fcncel durumu g\u00f6stermeyebilir.<\/p>\n[12]https:\/\/vizyon2050.istanbul\/upload\/content\/vizyon2050_strateji_belgesi_120623comp2_2023612_1352369.pdf<\/p>\n[13]https:\/\/vizyon2050.istanbul\/upload\/content\/vizyon2050_strateji_belgesi_120623comp2_2023612_1352369.pdf<\/p>\n[14] https:\/\/kultur.istanbul\/faaliyet-raporu\/<\/p>\n[15]https:\/\/vizyon2050.istanbul\/upload\/content\/vizyon2050_strateji_belgesi_120623comp2_2023612_1352369.pdf<\/p>\n[16] https:\/\/kultur.istanbul\/gorsel\/2021\/04\/2022-KULTUR-AS-FAALIYET-RAPORU.pdf<\/p>\n[17] Yak\u0131n zamanda \u00dcnalan\u2019da a\u00e7\u0131laca\u011f\u0131 s\u00f6ylenen prova sahnelerinin de bu a\u00e7\u0131dan \u00f6nemli bir a\u00e7\u0131\u011f\u0131 kapataca\u011f\u0131n\u0131 \u00f6ng\u00f6r\u00fcyorum. https:\/\/artdogistanbul.com\/kultur-sanat-turkiyede-sinifsal-olarak-da-bir-umut\/<\/p>\n[18] https:\/\/kultur.istanbul\/gorsel\/2021\/04\/2022-KULTUR-AS-FAALIYET-RAPORU.pdf<\/p>\n[19] Bu yeniden i\u015flevlendirilen k\u00fclt\u00fcrel ve end\u00fcstriyel miras alanlar\u0131 aras\u0131nda Hali\u00e7 Sanat Fener Evleri 1-2-3, G\u00fclhane Sarn\u0131c\u0131, Bebek Sarn\u0131c\u0131, Anadolu Hisar\u0131 M\u00fczesi, Ta\u015f Mektep, Kad\u0131k\u00f6y \u0130skelesi, Be\u015fikta\u015f \u0130skelesi, Tarihi Moda \u0130skelesi, Baruthane, Metrohan, Cendere Sanat M\u00fczesi, Casa Botter Sanat ve Tasar\u0131m Merkezi, Yedikule Gazhanesi, Beyo\u011flu Sinemas\u0131, M\u00fcze Gazhane, Art\u0130stanbul Feshane, Bulgur Palas, \u0130stanbul Sanat M\u00fczesi ve \u00c7ubuklu Silolar yer al\u0131yor.<\/p>\n[20]https:\/\/vizyon2050.istanbul\/upload\/content\/vizyon2050_strateji_belgesi_120623comp2_2023612_1352369.pdf<\/p>\n[21]https:\/\/vizyon2050.istanbul\/upload\/content\/vizyon2050_strateji_belgesi_120623comp2_2023612_1352369.pdf<\/p>\n[22] https:\/\/www.ekremimamoglu.com\/gundem\/istanbul-sanati-halic-tersanesinde-actik\/<\/p>\n[23] Hali\u00e7 Tersaneleri ile ilgili kapsaml\u0131 bir analiz i\u00e7in: https:\/\/birartibir.org\/alti-asirlik-mirasin-yagmasi\/<\/p>\n[24] https:\/\/www.artnewspaper.com.tr\/2024\/02\/26\/kulturel-miras-ve-cagdas-kent-estetigi-uygulamalariyla-ibb-miras<\/p>\n[25] \u0130BB\u2019nin vizyonu \u201cAdil, ye\u015fil ve yarat\u0131c\u0131 \u015fehir, mutlu \u0130stanbullu\u2026\u201dya bir g\u00f6nderme.<\/p>\n","protected":false},"excerpt":{"rendered":"Mart ay\u0131n\u0131n gelmesiyle T\u00fcrkiye\u2019de 2024 yerel se\u00e7imleri i\u00e7in son d\u00fczl\u00fc\u011fe girdik. Bu…\n","protected":false},"author":2,"featured_media":39972,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[4689],"tags":[1524,490,1690,6031,3712,6033,4963,181],"class_list":{"0":"post-39965","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-secki","8":"tag-ibb","9":"tag-istanbul","10":"tag-kent","11":"tag-kentsel-tasarim","12":"tag-manset","13":"tag-proje","14":"tag-tasarim","15":"tag-yerel-yonetim"},"acf":[],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts\/39965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/comments?post=39965"}],"version-history":[{"count":0,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/posts\/39965\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/media\/39972"}],"wp:attachment":[{"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/media?parent=39965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/categories?post=39965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eonmeet.com\/pol\/wp-json\/wp\/v2\/tags?post=39965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}